그래도 사랑해 (それでも愛してる）

Japanese cover version, piano-driven ballad, intimate singer-songwriter style; slow-to-mid tempo with gentle rubato phrasing; solo piano as the main instrument, warm and resonant, expressive sustain pedal, soft dynamics in verses and emotional swells in chorus; chords voiced tenderly with spacious left-hand bass tones and delicate right-hand arpeggios; no guitars, no drums, no bass — minimal and organic performance feel; Japanese lyrics and vocal phrasing adapting the original song’s melancholic, uplifting-yet-sorrowful mood; male vocal with emotional restraint and vulnerability, sincere tone, breathy edges, subtle cracks at peaks, slightly behind the beat; close, intimate vocal recording with natural room space, no boxiness, no harshness, clear presence without compression crush; arrangement focuses on storytelling, allowing silence and pauses to carry emotion; final section blooms softly, bittersweet but gentle, leaving lingering resonance on the piano

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