Rock

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Мой Гродно (feat. Andrey Litvin)

[Style: emotional male vocal ballad

[Style: emotional male vocal ballad, classical crossover + light pop rock, cinematic atmosphere, warm baritone voice, expressive phrasing, deep stereo space, orchestral pads, piano intro, soft strings, electric guitar ambience, 4/4 tempo slow ballad ~72 BPM, hall reverb, nostalgic mood, European city night atmosphere]

Хорошо иногда ошибаться / It's good to be wrong sometimes

[style: cinematic pop rock

[style: cinematic pop rock, emotional alternative, atmospheric indie rock, modern melodic rock, reflective cinematic soundscape] [mood: reflective, emotional, uplifting, honest, transformative, inner growth] [bpm: 92] [vocal: male baritone, emotional, dynamic, intimate in verses → powerful in chorus, slight rasp on peaks] [production: clean studio mastering, balanced EQ, wide stereo, punchy drums, controlled low-end, no distortion] [instruments: piano, electric guitar (clean → driven), bass guitar, cinematic pads, strings, soft percussion, full drum kit] [soundfx: subtle ambience, light air textures, reverse swells, soft impacts, breath textures] [details: clean highs, warm mids, controlled low-end, dynamic contrast, emotional build, cinematic layering] [spatial: wide stereo, deep reverb on pads, intimate vocal center, expanding choruses] [energy: soft intro → growing tension → emotional chorus → restrained verse → lift → peak → release → intimate outro]

Вдоль серых стен...

Alternative rock with industrial and electronic elements. Distorted electric guitars play palm-muted eighth-note riffs in the verses and open power chords in the chorus. A thick synth bass follows the kick drum pattern. Drums feature a compressed snare and a steady eighth-note hi-hat pattern. Male vocals are delivered with a gritty, melodic tone, shifting to a more aggressive, layered belt in the chorus. A clean, delayed guitar lead appears in the bridge. The track is in 4/4 time at 145 BPM in the key of D minor.

Кризис (2026)

Atmospheric Grunge Rock Unfolds At 120 Bpm

Atmospheric Grunge Rock Unfolds At 120 Bpm, Opening With Distorted Guitar And Ambient Synths Washing Beneath Raspy Russian Vocals, Punchy, Muddy Drums And Deep 808 Bass Drive The Groove, Layered Choir Harmonies Soar In Choruses, Sparse Glockenspiel And Haunting Whispered Backs Add Eerie Detail

The Exorcism of Myself

A darkwave

A darkwave, melancholic synth-pop, and post-rock fusion in E minor at 88 BPM. The song begins cold and claustrophobic with muted synth bass, submerged pads, and a tight anxious pulse, as if waking under water. The first pre-chorus cuts the beat and lets a single warm chord open like a light source. From the instrumental hook onward, a warmer flowing synth-pop bass and clearer motion begin to loosen the grip. Verse 2 feels cleaner, more human, and less trapped. Chorus 2 expands with full organic drums and wide post-rock guitars that lift rather than crush. The bridge rejects ritual horror completely: nearly bare at first, then swelling into the biggest emotional rupture. The final chorus becomes a wall of release—aching, huge, and merciful. The outro breathes softly and finally rests.

Nur ein kleiner Schr(n)itt

Boombap-rap-rock with alternative rock

Boombap-rap-rock with alternative rock, emo and controlled screamo elements, Dirty punchy bass, tight acoustic drums, raw distorted guitars with rhythmic stabs, subtle 808 layers in rap parts, Verses groove-heavy and talk-rap driven, building into explosive melodic choruses with gang shouts, Second verse ultra-fast tongue-twister flow, increasing rasp into aggressive screams, abrupt stop, cinematic clean re-entry, Dynamic stop-and-go, key lift in final hook, crisp modern mix, wide stereo image, vocal-forward, chaotic yet precise

Tudo De Bom

Pop rock with house dance drive

Pop rock with house dance drive, four-on-the-floor pulse, bright guitar chops over crisp synth stabs; verse stays tight and percussive, pre-chorus lifts with filtered claps and rising vocal stacks, chorus opens wide with anthem-size gang harmonies and female lead doubles. Bridge strips to voice and bass before a final chorus with extra ad-libs, handclaps, and sparkling top-line fills. Bright, glossy mix with punchy low end and big sing-along sheen., pop, rock

Moongi (Onde a Gente se Encontra)

electropop

electropop,Pop Rock , trap

Lagrimas con Coletas ( lo canta El)

madrid

madrid, España, CAstilian Spanish vocals, Slacker rock

Garras del Tiempo

gothic folk rock

gothic folk rock, dark folk rap, Cthulhu chant hook, Spanish lead vocals, male baritone shouts, stadium gang vocals, orchestral snare rolls, mandola tremolo, acoustic guitar strums, oboe countermelody, contrabass drones, tape saturation, plate reverb, distorted room mics, 92 BPM, minor key, apocalyptic dread

You Say I’m Sorry - (Spanish) - 1i

slow rock

slow rock, strong staccato piano, deep male voice, plucked strings and guitars joining, Gregorian Chants, strong drums

Cumbres Borrascosas

Balada Épica / Rock Gótico / Cinematic.

Balada Épica / Rock Gótico / Cinematic., paisajes sonoros cinematográficos, voces gritadas, claves, dubstep cinematográfico, japonesa,reverbe,, dulce voz femenina, cuerdas inspiradoras, trampa de perforación, steelpan, oscilaciones rítmicas, neopagano, casa tecnológica, canto emotivo, solo voz femenina, hardcore metal, implacable

찰나의 영원 (The Fragile Forever)

[Genre] Cinematic Alternative Rock

[Genre] Cinematic Alternative Rock, Dark Lo-fi. [Frequency Control] Muffled Low-pass filter in Verses (Claustrophobic space). SUDDEN Full-Spectrum Wide Stereo explosion in Chorus (Massive Sub-bass & High-end Shimmer). [Vocal Micro-tuning] Start with Dry, Ultra-close Vocal Fry. Evolve into desperate, high-frequency cracking on climax. [Dynamics] EXTREME CONTRAST. START with 6sec Absolute Silence -> 7sec Trembling Breath. [Bridge] A cappella total drop -> Explosive Mid-scooped Distortion Solo. [Ending] Sudden Cold Cut. No lingering tail.

骸抱く白無垢の花嫁

Japanese folk metal

Japanese folk metal, J-Rock, female vocal, yandere, emotional screaming, eerie shamisen, heavy distorted guitar, double bass drum, dark fantasy, dramatic build-up

Black Wings, White Hope

Female vocal Visual Kei rock

Female vocal Visual Kei rock, guitar-driven, ~200 BPM, fast. NO synth focus, subtle pads ok. Dual vocals: cute soft vs aggressive shouting, rapid switches, harmonies. Main: electric guitar core, high-gain rhythm, palm-muted riffs, melodic leads, fast picking, bends, vibrato, tapping, slide, stereo L/R wide double-tracked. Bass tight, punchy, locked with drums. Drums fast punk/metal, driving kick, snare, fills. Mood: dark emotional cyber night, black crow prophecy, hope in chaos, cinematic. Structure: intro explosive, instant guitar riff. Verse tight guitars. Pre build tension. Chorus huge hook. Post-chorus chant loop. Bridge feedback break. Final chorus bigger emotion. Outro sustain.

同學會逃避手冊

2014 Lo-Fi Indie Rock Track In E♭ Major At ~85 Bpm With A Laid-Back

2014 Lo-Fi Indie Rock Track In E♭ Major At ~85 Bpm With A Laid-Back, Jangly Groove. Built On Jazzy, Slightly Detuned Guitar Chords: Verses Use E♭Maj7–Gm7–A♭Maj7 Progressions With Dreamy Chord Voicings And Chorus Pivots Around Cmin7 And F7, Giving A Subtly Melancholic Yet Breezy Feel. Guitars Are Chorus-Soaked, Clean-Toned, And Slightly Warbly, Creating A Nostalgic, Tape-Warped Atmosphere. Drums Are Soft, Dry, And Close-Mic’d—Simple Kick-Snare-Hat Groove With Brushed Textures. Bass Is Melodic And Warm, Often Sliding Between Notes With Loose Timing. Vocals Are In A Light Baritone Range, Around B2–G4, Sung With A Lazy, Conversational Tone In A West Coast North American Accent. The Voice Is Breathy, Intimate, And Subtly Pitch-Wavering, Often Doubling Itself And Panned Wide For Stereo Depth. Delivery Is Relaxed, Slightly Behind The Beat, With Soft Consonants And Natural Phrasing, Sometimes Slurring Into Notes. Production Is Analog-Inspired: Saturated, Slightly Hissy, And Lo-Fi, With Mellow

外套(Cover)

Mandopop rock track featuring a male tenor vocal. The arrangement centers on distorted electric guitars playing power chords and melodic lead lines. A standard drum kit maintains a driving backbeat with frequent crash cymbal accents. The bass guitar follows the kick drum patterns with a thick, overdriven tone. Clean electric guitar arpeggios provide texture during the verses. The track features a prominent melodic electric guitar solo with heavy sustain and vibrato. 145 BPM, 4/4 time signature, Key of G Major.

愛掉不下淚 0423

heartfelt

heartfelt , Inspirational emo song about the calm before the storm, smooth groove, contemporary worship, deepstep, smooth groove, epic orchestral rock, riff guitar,

Tell Him I’m Hungover

Loose alt-rock groove with male vocals; crunch guitars and roomy live drums keep a laid-back swagger. Verses sit half-spoken

Loose alt-rock groove with male vocals; crunch guitars and roomy live drums keep a laid-back swagger. Verses sit half-spoken, close-mic, with lazy drawl; chorus opens into wide, shout-along gang vocals and bright overheads. Bass walks with a tipsy wobble; subtle organ pad glues the mix and a quick, messy guitar lick leads into the final hook.

ETERNAL FLAME

80s melodic hard rock

80s melodic hard rock, power ballad, soaring guitar solos, raspy male vocals, anthem-like, epic drums, heavy atmospheric synthesizers, emotional, high energy, clean production