Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

À Beira-Mar

1990s Shibuya-kei

1990s Shibuya-kei, Acid Jazz, Chamber Pop, Vintage Sampling Texture, Dry Breakbeat Drums, Warm Upright Bass, Fender Rhodes Mark I, Real Chamber Strings, Analog Tape Saturation, Whispering Female Vocals, Urban Night Atmosphere, Studer A800 Tape Sound

おあずけメリーゴーランド

Fast Tempo Electro Swing × Kawaii Bass × Jazz Hop × Anime Pop female lead vocal theatrical playful mischievous addictive electro swing rhythm big band brass swing piano walking bass heavy kawaii bass drops cute synth hooks playful electronic textures erratic rhythm sudden stops unexpected transitions musical theater energy carnival atmosphere amusement park aesthetic dreamlike maze endless waiting line cute but dangerous sweet but manipulative Verse: playful guidance Pre: anticipation Chorus: denied satisfaction Drop: chaotic excitement Bridge: soft psychological control Final: joyful imprisonment female vocal: cute energetic expressive theatrical spoken phrases whispers giggles call and response brass accents piano stabs clock sounds carnival ambience no aggression no horror no sadness final feeling: nobody reaches the goal nobody wants to leave

Let's Go Fishing

Opening with mellow lo-fi textures and sparse acoustic guitar

Opening with mellow lo-fi textures and sparse acoustic guitar, layers of warm synth and bluesy guitar leads build tension. Dubstep-inspired drums and aggressive nu metal power chords enter, merging with jazz-inflected bass lines. Mid-song adds cinematic pads, indie country twang, and syncopated brass. powerful , male voice rap fast Tempo: 92 BPM (Boom-Bap Beat) Mood: Confident, Driven, Focused [Intro]

Капкан ( Trap )

dark jazz

dark jazz, bluesy noir, slow swing, sensual female vocals, smoky voice, upright bass, saxophone solo, piano chords, seductive, dramatic, high production quality, live studio recording, analog warmth, brushed drums, 1950s jazz club acoustics

어느 때까지 머뭇머뭇 하려느냐? (How Long Will You Waver?)

6-piece hiphop contemporary gospel a cappella

6-piece hiphop contemporary gospel a cappella, Take 6 harmony, boom-bap vocal groove, deep bass pulse, rhythmic vocal percussion, strong syncopation, jazz-infused gospel harmonies, hip-hop influenced phrasing, catchy memorable melody, tight vocal rhythm, call-and-response hook, smooth male lead, rich close harmony, upbeat tempo, no instruments, no shouting, warm worshipful energy, modern gospel vocal ensemble.

熱気球

clean studio mix

clean studio mix, low noise floor, controlled dynamics, balanced EQ, clear vocals style: Japanese indie pop, flamenco guitar fingerpicking with expressive rasgueado strumming, accordion accents, emotional melody with minor-to-major key shifts, wistful nostalgic mood dynamic build from quiet verse to soaring chorus, lush reverb, punchy drums with subtle jazz feel BPM 130–140, cinematic pop production start singing from the first bar with zero instrumental intro, vocals begin immediately on beat 1 total song length under 120 seconds

Seaside Flow '26

J-Pop with City Pop and Funk influences. Features a clean

J-Pop with City Pop and Funk influences. Features a clean, rhythmic electric guitar playing syncopated 16th-note scratches and muted chords. A melodic electric bass performs active, walking lines with occasional slaps. Drums consist of a tight snare and a crisp hi-hat pattern with frequent open-hat accents. A bright acoustic piano provides rhythmic stabs and jazz-influenced chord extensions. Male vocals are delivered in a rhythmic, almost conversational style in the verses, transitioning to a melodic, soaring tenor in the chorus. Occasional record scratches and vocal samples are used as transitions. The tempo is 115 BPM in the key of E Major.

Senja Biru

Pure Jazz Ballad

Pure Jazz Ballad, 74 BPM. Authentic world-class jazz arrangement with expressive grand piano, upright double bass, brushed drums, warm tenor saxophone, muted trumpet, subtle jazz guitar comping and rich extended jazz harmonies (maj7, 9th, 13th chords). Intimate smoky jazz club atmosphere, elegant and timeless. Mature emotional male vocal with impeccable phrasing, natural dynamics and heartfelt storytelling. Melancholic yet hopeful mood about life, memories, gratitude and the passage of time. Extremely memorable chorus built around the hook “Senja Biru, Jangan Cepat Berlalu”. Sophisticated call-and-response between vocal and saxophone. Tasteful tenor sax solo after second chorus. Strong emotional build toward a cinematic final chorus. Pure Jazz only — no pop, EDM, trap, hip hop, dangdut, rock or electronic elements. Competition-grade composition, unforgettable melody, premium live-jazz feel, award-winning arrangement, professional mastering, emotionally moving and timeless.

Senja Biru

Pure Jazz Ballad

The Empress Of Ashes - AFTER EDEN

Gothic Art Deco Rock

Gothic Art Deco Rock, cinematic darkwave rock, ethereal crystalline female lead vocals, haunting layered harmonies, reverberant grand piano, noir-jazz overdriven guitars, sweeping orchestral strings, resonant upright bass, massive thunderous live drums, luxurious noir atmosphere, tragic romance, obsession, mystery, elegant darkness, haunting dissonant harmonies, soaring emotionally devastating choruses, delicate intimate verses, dramatic vocal crescendos, high-fidelity modern production with vintage sophistication, cinematic, dramatic, beautiful and dangerous, ghostly cathedral ambience, silver-lit melancholy, emotionally immersive and unforgettable.

Dune

Neo Soul/ Urban Groove I Hip Hop I Electric Guitar I Soul vocal I Jazz Fusion I Hypnotic I Trance I Ethereal

The Last Cascade of Light

An epic

An epic, multi-part symphonic progressive rock-fusion odyssey blending progressive metal, jazz-rock fusion, cinematic orchestration, and new age electronica. The composition features powerful, theatrical male vocals with a massive range and dramatic grit, backed by a monumental Hollywood-scale orchestra and a powerful contemporary rock choir. The instrumentation is driven by a dual-guitar attack combining soulful, blues-infused fusion leads with ultra-precise, lightning-fast progressive riffs. A dynamic keyboard duel unfolds between aggressive rock synth leads and vast ambient textures. Grounding the track is a complex, hyper-technical rhythm section with explosive drumming in shifting time signatures, paired with a bassline that blends clanging counter-melodic progressive lines and tight pop-rock grooves, seamlessly transitioning from cinematic overtones to virtuosic solo battles.

Zombie Girl の唄

[[ harmonic girls vocal group

[[ harmonic girls vocal group, sexy female vocals, 3 vocals harmony ]], very slow acoustic grunge, A hypnotic, avant-garde jazz piece in Phrygian mode, Wood bass lays modal lines, weave polyrhythmic textures

Walk On, My Friend

Style: New Orleans Jazz Funeral Requiem • Slow Dirge Opening (66 BPM) Rising Into a Second Line Celebration • Deep Tuba • Mournful Trombone • Muted Trumpet • Snare Drum Cadence • Gospel Choir • Rich Baritone Solo • Congregational Responses

The Awakening Ego (Alternative MIX)

Indian-inspired hard techno and minimal techno track with tabla-driven percussion

Indian-inspired hard techno and minimal techno track with tabla-driven percussion, religious and mystical atmosphere, high-speed trance energy, acid jazz flavor, and aggressive club intensity. Prestissimo tempo, beat-driven groove, inspired by high-speed car racing and game music. Blend hard techno, minimal techno, big beat, gabba, house, and rock elements into a frantic, danceable sound. Use tight repetitive techno loops, pounding kick, driving bass, synthesized acid lines, hypnotic minimal sequences, tabla fills, heavy guitar riffs, and Slash-like rock guitar accents. Add choral harmonies for sacred tension and emotive rap sections for drama. The mood should feel fast, mystical, aggressive, rocking, and euphoric, like a ritualistic cyber-race through a neon desert temple. No cute pop, no soft ballad, no slow sections.

Guedes

Boom bap bluesy jazz-hip hop with a gritty male rapper flowing over a laid-back but head-nod 92 BPM pocket. Dusty

Boom bap bluesy jazz-hip hop with a gritty male rapper flowing over a laid-back but head-nod 92 BPM pocket. Dusty, sampled drum break with thumping kick and crisp snare drives the groove, glued together by warm vinyl crackle and saturated textures. Triple saxophone section and layered brass horns trade call-and-response riffs with a soulful, bending harmonica. Grand piano chords and melodic runs weave through a rootsy acoustic guitar comping pattern, while airy flute lines add a bright, nimble counter-melody. Choir-style vocal harmonies build in progressive, layered swells around the hook, creating a rich, anthemic backdrop for the lyrical, melodic and catchy rap delivery. The arrangement evolves gradually, stacking instruments and vocal layers for a dynamic, cinematic climax. 1920 microphone for chorus twilight zone suspense meets John wick energy. rap chopper boombap strings harmonica double bass dualing chellos layered piccolos with energy bass guitar big band simulator

내 이름을 지워 주소서 (Blot Out My Name)

[Style] 6-man and female a cappella jazz contemporary gospel with subtle hip-hop groove

[Style] 6-man and female a cappella jazz contemporary gospel with subtle hip-hop groove, deep boom-boom bass vocals, tight close harmony, smooth vocal percussion, warm neo-soul jazz chords, intimate nighttime atmosphere, soft controlled vocals, no shouting, relaxed swing pocket, cinematic reverb, layered tenor harmonies, conversational lead vocals, whisper-style background responses, harmony-driven arrangement inspired by Take 6 [Structure] Target runtime 3:00–3:30, concise structure, minimal intro/outro, limited repetition, avoid extended vamp sections, short vocal sustains, memorable repeating hook [Performance] Steady low bass pulse throughout, subtle beatbox groove, emotionally restrained delivery, quiet immersive harmonies, dynamic lift only near final chorus, calm spiritual atmosphere

Going the Extra Mile (June cover)

1960s beat poetry avent-guard jazz

浮上…水面に向かって

Jazzy Chanson

THE ANONYMOUS CHOCOHOLIKKER ANTHEM

pop rock

pop rock, latin jazz pop, 120 BPM, female belt vocals, handclap backbeat, conga percussion, brass stabs, tom fill lifts, electric guitar power chords, chorus octave doubles, tape saturation, wide stereo drums, live room ambience, anthem chorus, festive defiance, crowd chant hooks