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PT.3 "When I G et That Fellin" (mapped tag accents in a string example

Gender;SARCASTIC MALE, regeneration 100% ;depth rate 100% ;mix 100%ambient intro with aggressive double flanger effect, crisp clean distortion electric guitar swells with stereo-panning, tension-building swirl, 70s rock energy, metallic undertones, psychedelic turbulence Effect Tags: double flanger, phaser, modulation, stereo panning, swirl, oscillating Instrument Context: distorted electric guitar, lead synth, or even bass fuzz Emotion/Atmosphere: psychedelic, aggressive, tense, metallic, whirlwind Era Vibe: 90s rock, classic hard rock, retro intro, or Heart-inspired riffambient intro with aggressive double flanger effect, distorted electric guitar swells with stereo-panning, tension-building swirl, 90s rock energy, metallic undertones, turbulence

D. Griffin·7:59

Lyrics

SFX: Inline double flanger sweep across full mix. Settings: level 90%, depth 100%, rate 100%, regeneration 95%. Stereo offset: 2.9ms. Output: space wah expression frequency 2.7Hz cycle. Sweep moments: intro, chorus transitions, outro fade. Style ref: Ozzy "Shot in the dark ” + Rob Zombie “Dragula”

Hook intervals]:[Catchy

MM={Form: A,A,B,C,A,A,B,D; Time signature: 6/3; Subdivision: 32}

[Subform Rhythms:

A: |1,0,1,0,1,1,0,1,0,1,1,0,1,0,1,0,1,1,0,1,0,1,1,0,1,0,1,0,1,1,0,1|

B: |1,01,1,1,0,0,1,0,1,1,1|

C: |1,01,0,0,1,1,1,0,1,1,0,1,1,0,1,0,0,1,01,1,0,0,1,01,0,0,1,1,1|

D: |0,1,1,0,1,0,0,1,01,1,0,0,1,1,0,1,0,0,1,01,1,0,1,1,1,1,0,0,1,0,1|]

Key:F

[Key Progressions:

1. F minor → A♭ major → F minor → E minor

2. F minor → E♭ major → F major → D minor

Scales: LYDIAN pentatonic, 3rd inversion transitions]

Tempo: 144–195 bpm → 144–160 bpm

Interval Mapping: |1,2m,5,8,m|1,3,4m,8|

Hook intervals]:[catchy melodic vocals

[Chord Progressions:

PR1: (Fm - A♭maj7 - D♭maj7 - C7 / Fm - B♭m7 - C7 - Fm)

PR2: (F - Dm7 - Gm7 - Cmaj7 / Fm - A♭maj7 - Gm - C7)

PR3: (Fm - C - A♭maj7 - B♭m / F - Dm - Gm - C7 / Fm - E♭maj7 - Dm - C)]

SFX Chain: Inline double flanger fx (level 50%, depth 100%, rate 100%, regen 75%, stereo offset 0.01ms, space wah 0.5Hz)

Guitar_1: (clean eagmeg_52) → Carter Advanced picking → PR1, PR2, PR3]:[Vsp

Guitar_2: (clean eagfeg_53) → Counterpoint to Guitar_1 → PR1, PR2, PR3]:[TagMap

[Vocal Meter:

<TagMap]

Z=stressed

Y=unstressed

X=primary_stress

W=secondary_stress

V=iambic

U=trochaic

T=anapestic

R=dactylic

Q=spondee

P=pyrrhic

O=meter:iambic_pentameter

N=prosody:flowing

MH=prosody:choppy

/TagMap

]

Vsp: YW,Z,Z,YW,X,Y,YW,VQ,R,P,MH,MH,NQ

Direction: End-line octave jumps up and back down with a quick pitch slide]

Vocals: gender Male, low-Bass-Baritone chest voice, breathy seductive]:[Vsp

Intro Lyrics

GIRL when I get that feelin'

Oh ^ah ah , ah ,ah ,ah‐ Oh!—

Verse 1

Are you my ride or die

my for really real reason I try

Or to you, I'm just the other guy

I need to know What's, on, your, mind—

Verse 2

You— drip like honey off a slow-spun spoon

Tongue-tied, I chase the taste of you

Like wildfire under midnight blue

You burn me— sweet, n'cruel,

wear'n next to nothing but your sweet perfume

Your hips— a rhythm I can't unlearn

Every sway, a sermon I yearn

Preacher of sin in a silk-soft skin

You whisper gospel on my— tongue again

You bend— like smoke in a whiskey glass

I sip slow, but you vanish fast

Your kiss , like a velvet blade

Cut me open, make me beg, make me stay

You're the ache in my favorite song

The wrong I wanna be all night long

Vocal phrasing: Breathiness, vocal fry on “burn,” “ache,” “stay”; teasing drawl

Chorus: Backing vocal counterpoint, Mixolydian

Bridge: Aeolian mode, emotional climax

Instrumental Section

{Guitar riff in C Major. Style: Gentle classic rock fingerpicking and atmospheric longtail decays.} {Clean Stratocaster with slight tube amp clean bluesy. No vocals. Background harmonies call backs " baby you're my ride or die"}

P1: Starts on upbeat “and” of 3. Arpeggiated chords (C, D, G) with open string pull on G chord. Eighth-note rhythm.

[Frets/Strings:

E(3), A(0,2,3), D(0,2,4), G(0,2), B(3)

Pattern: E(3) → A(0) → A(2) → D(2) → G(0) → B(3) → A(3) → D(4)]

Part 2 Variation: G(0,2,4) → D(0); ascending arpeggio emphasis

Guitar_3: (egmeg_99) → P1

Guitar_4: (apegmceg_95) → P1

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