نَشيدُ الصّمود Anthem of Resilience (A tribute to Palestinian women) (4.5 Cover)
Melodic Death Metal, heavy Rhythm Guitars (C Standard/D Standard tuning, low-frequency extension, high-gain amplification, mid-range attenuation, low-mid growl, high-output humbucking pickups, palm muting articulation, transient compression, aggressive attack, noise gating, double/multi-tracking, heavy gauge strings), heavy Lead Guitars (Harmonic saturation, mid-range frequency boosting, high-frequency presence enhancement, controlled legato articulation, vibrato application, alternate picking speed/precision, chromaticism/neo-classical phrasing, wah pedal manipulation, delay and reverb signal processing, smooth sustain, expressive bending, melodic phrasing), heavy Bass (Low-frequency foundation, sub-bass extension, mid-range clarity, pick attack) heavy Drums (Hybrid acoustic/electronic triggering, high transient attack, aggressive low-frequency impact, tight/controlled decay, stereo field imaging), heavy Scale (haunting minor, fueling Phrygian dominant), hypercreative anatomy, Hi-FI
نَشيدُ الصّمود Anthem of Resilience (A tribute to Palestinian women) (4.5 Cover)
Melodic Death Metal, heavy Rhythm Guitars (C Standard/D Standard tuning, low-frequency extension, high-gain amplification, mid-range attenuation, low-mid growl, high-output humbucking pickups, palm muting articulation, transient compression, aggressive attack, noise gating, double/multi-tracking, heavy gauge strings), heavy Lead Guitars (Harmonic saturation, mid-range frequency boosting, high-frequency presence enhancement, controlled legato articulation, vibrato application, alternate picking speed/precision, chromaticism/neo-classical phrasing, wah pedal manipulation, delay and reverb signal processing, smooth sustain, expressive bending, melodic phrasing), heavy Bass (Low-frequency foundation, sub-bass extension, mid-range clarity, pick attack) heavy Drums (Hybrid acoustic/electronic triggering, high transient attack, aggressive low-frequency impact, tight/controlled decay, stereo field imaging), heavy Scale (haunting minor, fueling Phrygian dominant), hypercreative anatomy, Hi-FI
Lyrics
يَا ابْنَةَ فِلَسْطِينٍ، يَا رَمْزَ الصُّمُودِ
يَا مَنْ تَحْمِلِينَ عَلَى كَاهِلِكِ الْجُرْحَ الْعَنِيدَ
لَا تَخْجَلِي مِنْ أَلَمٍ لَمْ يَكُنْ ذَنْبُكِ فِيهِ
فَالْجُنَاةُ هُمُ الْمَلُومُونَ، وَلَيْسَ الضَّحِيَّةُ
اللّٰهُ مَعَكِ، يَا أُخْتَاهُ، فِي كُلِّ خُطْوَةٍ
هُوَ نُورُكِ فِي الظَّلَامِ، وَبَلْسَمُ جُرْحِكِ
لَا تَيْأَسِي، فَالنَّصْرُ قَرِيبٌ بِإِذْنِ اللّٰهِ
وَسَيُحَاسَبُ كُلُّ ظَالِمٍ عَلَى مَا اقْتَرَفَهُ
لَقَدْ دَنَّسُوا جَسَدَكِ الطَّاهِرَ، يَا ابْنَةَ الْعُرُوبَةِ
ظَنُّوا أَنَّهُمْ يُطْفِئُونَ نُورَكِ، يَا شَمْسَ الْحُرِّيَّةِ
لَكِنَّهُمْ أَخْطَؤُوا، فَالنُّورُ لَا يُخْمَدُ
وَالْحَقُّ لَا يُقْهَرُ، مَهْمَا طَالَتِ الْمِحْنَةُ
اللّٰهُ مَعَكِ، يَا أُخْتَاهُ، فِي كُلِّ خُطْوَةٍ
هُوَ نُورُكِ فِي الظَّلَامِ، وَبَلْسَمُ جُرْحِكِ
لَا تَيْأَسِي، فَالنَّصْرُ قَرِيبٌ بِإِذْنِ اللّٰهِ
وَسَيُحَاسَبُ كُلُّ ظَالِمٍ عَلَى مَا اقْتَرَفَهُ
لَا تَسْتَسْلِمِي لِلْيَأْسِ، يَا ابْنَةَ الْأَقْصَى
فَأَنْتِ رَمْزُ الْقُوَّةِ، وَأَنْتِ عُنْوَانُ النِّضَالِ
سَتَنْهَضِينَ مِنْ جَدِيدٍ، كَطَائِرِ الْفِينِيقِ
وَسَتُحَلِّقِينَ فِي سَمَاءِ الْحُرِّيَّةِ، شَامِخَةً
اللّٰهُ مَعَكِ، يَا أُخْتَاهُ، فِي كُلِّ خُطْوَةٍ
هُوَ نُورُكِ فِي الظَّلَامِ، وَبَلْسَمُ جُرْحِكِ
لَا تَيْأَسِي، فَالنَّصْرُ قَرِيبٌ بِإِذْنِ اللّٰهِ
وَسَيُحَاسَبُ كُلُّ ظَالِمٍ عَلَى مَا اقْتَرَفَهُ
لَا تَسْتَسْلِمِي لِلْيَأْسِ، يَا ابْنَةَ الْأَقْصَى
فَأَنْتِ رَمْزُ الْقُوَّةِ، وَأَنْتِ عُنْوَانُ النِّضَالِ
سَتَنْهَضِينَ مِنْ جَدِيدٍ، كَطَائِرِ الْفِينِيقِ
وَسَتُحَلِّقِينَ فِي سَمَاءِ الْحُرِّيَّةِ، شَامِخَةً
اللّٰهُ مَعَكِ، يَا أُخْتَاهُ، فِي كُلِّ خُطْوَةٍ
هُوَ نُورُكِ فِي الظَّلَامِ، وَبَلْسَمُ جُرْحِكِ
لَا تَيْأَسِي، فَالنَّصْرُ قَرِيبٌ بِإِذْنِ اللّٰهِ
وَسَيُحَاسَبُ كُلُّ ظَالِمٍ عَلَى مَا اقْتَرَفَهُ