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Thru The Noise

Chicago Drill Beat, Trap Beat, Add Appropriate Sound Fx, Phonk

City SouL·3:28

Lyrics

INTRO — FILTER BUILD

SFX: vinyl crackle + low rumble + filter sweep

…yeah—Dj spin it—

DROP 1 — BASS ENTRY

SFX: sub drop + kick slam

VERSE 1 — DOUBLE-TIME GRID

I SLIP through the SIDE-door TIM-ing the STRIDE with a CLOCK that don’t TICK the SAME (breath)

I THREAD ev-er SYL-la-ble STRANGE in a SHAPE that re-FUSE to be BOXED or CLAIMED (breath)

You WRITE in a STRAIGHT line PATH but it SNAP when it HIT an un-a-FAMIL-iar LANE (breath)

I WRITE in a CURVE in the DARK where the MARK re-MAIN where the LIGHT don’t STAY

I STACK with a PAL-ette of SOUNDS that a-LIGN in a WAY you can’t TRACE or DRAW (breath)

You AIM for a FIXED lit-tle GRID but it DRIFT when the GROOVE don’t WAIT for LAW (breath)

I PAUSE then I DROP with a SOFT lit-tle CUT that a-RANGE what you THOUGHT you SAW (breath)

Then VAN-ish but LEAVE lit-tle SHARDS in your THOUGHT that re-FUSE to be SWEPT or STORED

SWITCH — HI-HAT ROLL + RISER

SFX: triplet hats + riser

DROP 2 — HEAVIER BASS SWITCH

SFX: distorted 808 + kick burst

VERSE 2 — DOUBLE-TIME GRID

I TRACE out a PATH with a PHRASE that a-SCEND then de-SCEND with a SHIFT in the TONE (breath)

You HOLD to a FIX but it SLIP when it CLIP through a ZONE that you CAN’T really CLONE (breath)

I WALK through a FIELD where the SOUND re-BOUND in a FORM that re-FUSE to be KNOWN (breath)

Then SNAP back to SI-lence a SECOND be-FORE it re-TURN with my hand on the MICROPHONE (breath)

No FLASH I just PASS with a GLANCE that a-LTER the AIR when I MOVE through the PLANE (breath)

You REACH for a HOLD but it FOLD when it ROLL through a SPACE that won’t KEEP it the PLACE (breath)

I SAY what I SAY and it STAY like a TRACE that a-LIGN with a QUIET re-FRAIN (breath)

Then FADE but it LAY in the BACK of your MIND like a MARK that can’t be WASHED away by the RAIN

BREAKDOWN — FILTER CUT

SFX: low-pass + crowd + echo

Move slow—let it glide (pause)

Take a puff—we stay riding (pause)

FINAL DROP — MAX IMPACT

SFX: sub explosion + full drums

VERSE 3 — DOUBLE-TIME GRID

I BUILD with a STRUC-ture a-SKEW with a VIEW that re-FUSE ev-er RULE you de-FINE (breath)

I STACK ev-er PART in a FORM that TRANS-FORM ev-er EDGE in the CURVE of the LINE (breath)

You TRY to re-PEAT but it BREAK when it MEET with a SHIFT that a-LIGN out of TIME (breath)

I CUT through the NOISE with a VOICE that re-MAIN when the REST start to FALL be-HIND

I MOVE with a QUI-et mo-MEN-tum that SET-tle then PULL ev-er THREAD from the WEAVE (breath)

You LOCK in a LOOP but it DROP when it STOP with a GAP that you CAN’T con-ceive (breath)

I HOLD ev-er FRAG-ment in PLACE while it SHAPE-shift a-ROUND what you THINK you per-CEIVE (breath)

Then GHOST but the TRACE of the SOUND leave a MARK that con-TIN-ue to BREATHE

HALFTIME SWITCH — TAPE STOP

SFX: tape stop → silence → sub drop

…wait—

FINAL BREAKDOWN — HALFTIME DRILL

STEP—real slow / let the low-end pull (pause)

ONE LOOK—cut deep / make the whole room dull (pause)

NO RUSH—just wait / let it settle down (pause)

NO TALK—just space / let the speakers pound (pause)

MOVE CLEAN—no mark / but it still stay seen (pause)

STEP SLOW—cut through your mind / like a fever dream (pause)

STAY LOW—whole view / turn a few degrees (pause)

THEN GONE—still locked / in the in-between (pause)

HALFTIME HOOK

Stay—low… (pause)

Watch—me—rise… (pause)

No—rush… (pause)

Just Improvised…

OUTRO — STRIPPED

SFX: sub decay + vinyl slow-down

…fade slow…

…don’t chase…

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