너라서 봄이다 V5
K-pop romantic mixed duet, sweet lyrical spring love song, Korean sentimental vibe, warm and youthful, 112 BPM, key of G major. [Intro: instruments only, no lead vocal, no background vocals, no harmonies, no choir, no humming, no vocal chops, no shouts.] [Vocal Tone] [Male]: warm tenor, soft chest voice, close-mic, tender and natural delivery, subtle breath, emotional but clean diction, humanized timing, natural vibrato only [Female]: bright mezzo-soprano, clear youthful tone, soft airy edge, close-mic, intimate and lyrical delivery, natural human timing, gentle emotional expression, natural vibrato only [Both]: balanced mixed duet blend, romantic conversational chemistry, soft harmony bloom, intimate and realistic human vocal texture [Instrumentation] soft piano plucks, acoustic guitar arpeggio and light strums, warm analog-like synth pad, clean sub bass, light kick, soft snare/clap, bright smooth percussion, gentle tom fills, airy stereo ad-libs,no harsh hats, no metallic synths,
너라서 봄이다 V5
K-pop romantic mixed duet, sweet lyrical spring love song, Korean sentimental vibe, warm and youthful, 112 BPM, key of G major. [Intro: instruments only, no lead vocal, no background vocals, no harmonies, no choir, no humming, no vocal chops, no shouts.] [Vocal Tone] [Male]: warm tenor, soft chest voice, close-mic, tender and natural delivery, subtle breath, emotional but clean diction, humanized timing, natural vibrato only [Female]: bright mezzo-soprano, clear youthful tone, soft airy edge, close-mic, intimate and lyrical delivery, natural human timing, gentle emotional expression, natural vibrato only [Both]: balanced mixed duet blend, romantic conversational chemistry, soft harmony bloom, intimate and realistic human vocal texture [Instrumentation] soft piano plucks, acoustic guitar arpeggio and light strums, warm analog-like synth pad, clean sub bass, light kick, soft snare/clap, bright smooth percussion, gentle tom fills, airy stereo ad-libs,no harsh hats, no metallic synths,
Lyrics
Intro: 5s instrumental only
Harmony: G – D/F# – Em7 – Cadd9
Instrumentation: soft piano plucks, acoustic guitar arpeggio, warm synth pad, light percussion texture, no vocals, no harmonies, no humming
soft piano + acoustic guitar motif
Verse 1
Harmony: G – D/F# – Em7 – Cadd9 / G – D – C – D
Instrumentation: close-mic lead vocal, soft piano, muted acoustic guitar strums, light rim click, clean sub bass, airy background pad
Male
햇살이 앉은 창가에 네 이름을 적으면
조용하던 내 하루가 조금씩 환해져
Female
무심히 건넨 인사도 오늘은 오래 남아
아무 일 없던 거리도 설레게 번져와
Male
스쳐 간 네 한마디가 자꾸 맘에 맴돌고
Female
내 안의 작은 떨림은 봄처럼 피어나
Pre-Chorus
Harmony: Em7 – Bm7 – Cadd9 – D / Em7 – Bm7 – C – Dsus4 – D
Instrumentation: lifted piano chords, gentle tom fill, wider synth layer, inner harmony support, subtle octave reinforcement, rising reverse texture
Male
천천히 내게 와 준 네 걸음
Female
가만히 내 맘을 두드려
Both
서로의 하루 끝에서
우린 같은 빛이 돼
Chorus
Harmony: G – D – Em7 – C / G – D – C – D / G – D/F# – Em7 – C / Am7 – D – G – D
Instrumentation: full pop drums, bright piano, acoustic guitar strums, warm synth pad, clean bass, layered doubles, wide inner harmonies, octave anchors, airy ad-libs
Both
봄이다
너라서
봄이다
좋다 참
Male
하루가 다 네게로 기울어
Female
마음이 또 네 이름을 부르네
Both
봄이다
우리다
이 사랑, 참 좋다
Post-Chorus
Harmony: Em7 – C – G – D / Em7 – C – Am7 – D
Instrumentation: hook loop vocal stack, rhythmic guitar chop, bright synth accents, soft clap layer, side ad-libs, airy stereo tails
Both
좋다, 좋다
너라서 좋다
좋다, 좋다
우리라 좋다
Female
ah-ah
Male
oh-oh
Both
희망의 봄이다
Verse 2
Harmony: G – D/F# – Em7 – Cadd9 / G – D – C – D
Instrumentation: same as Verse 1 with slightly thicker bass, added guitar fills, subtle harmony texture on line endings
Female
별것도 아닌 대화가 자꾸 맘을 밝혀서
짧았던 그 눈맞춤도 오래 난 기억해
Male
나란히 걷던 그 길 위 작은 바람결까지
말보다 더 깊은 맘을 내 안에 남겨 둬
Female
조금은 서툰 마음도 네 앞에선 솔직해져
Male
내 모든 저녁 끝에는 늘 네가 피어나
Pre-Chorus 2
Harmony: Em7 – Bm7 – Cadd9 – D / Em7 – Bm7 – C – Dsus4 – D
Instrumentation: expanded inner harmonies, stronger snare lift, octave support, reverse piano swell, wider stereo pad
Female
다정한 눈빛 하나만으로
Male
긴 하루가 환하게 녹아
Both
서로를 향한 이 떨림
이젠 숨길 수가 없어
Chorus
Harmony: G – D – Em7 – C / G – D – C – D / G – D/F# – Em7 – C / Am7 – D – G – D
Instrumentation: full chorus stack, doubled lead vocals, wide 3rds and 6ths, octave reinforcement, punchy clean drums, shimmering top-line synth
Both
봄이다
너라서
봄이다
좋다 참
Male
하루가 다 네게로 기울어
Female
마음이 또 네 이름을 부르네
Both
봄이다
우리다
이 사랑, 참 좋다
Bridge
Harmony: Em7 – C – G – D/F# / Em7 – C – Am7 – D / Bm7 – Em7 – C – D / Am7 – D – G
Instrumentation: reduced drums, emotional piano lead, ambient pad bloom, soft guitar harmonics, duet focus, delayed ad-lib tails, final lift cymbal swell
Male
지친 날에도 너를 떠올리면
Female
흐린 맘에도 환한 물결이 져
Male
말하지 못한 바람들까지
Female
네 앞에 서면 쉬워져
Both
오래 돌아온 시간 끝에
이제야 너를 만난 거야
Final Chorus
Harmony: G – D – Em7 – C / G – D – C – D / G – D/F# – Em7 – C / Am7 – D – G – D / Em7 – C – G/B – D / Am7 – D – G
Instrumentation: maximum vocal stack, full drums, acoustic guitar strums, bright piano octave layer, warm synth pad, wide harmonies, octave anchors, female airy ad-libs, male response ad-libs, final shimmer lift
Both
봄이다
너라서
봄이다
좋다 참
Male
내일도 난 네 곁으로 걸을게
Female
오늘의 난 네 품에서 웃을게
Both
봄이다
우리다
희망처럼 피어난다
봄이다
너와 나
이 사랑, 참 좋다
Final Ad-libs
Harmony: G – D/F# – Em7 – C – Am7 – D
Instrumentation: airy high ad-libs, soft male tail phrases, wide stereo reverb bloom, final cymbal shimmer
Female
아아, 너라서
Male
오오, 좋다 참
Both
우리의 봄이다
Outro: 3s instrumental only
Harmony: G – D/F# – Em7 – Cadd9 – G
Instrumentation: piano motif, acoustic guitar arpeggio, warm pad fade, no vocals
piano + guitar motif only