わるいこ(Bad person)
Contemporary Japanese alternative track with a fast, rhythmical tempo and an unsettling, parasitic atmosphere. Human vocals only, recorded dry and uncomfortably close. The song feels like a celebration that nobody enjoys, yet the body moves anyway. Tight electronic drums repeat obsessively, slightly off-balance, forcing momentum. Bass is distorted, short, and circular, chewing on the same phrase. Synths are cold, brittle, and percussive, flickering like broken neon. Melody is minimal and chopped, existing only to support rhythm. Vocals are human, flat, controlled, half-spoken, with a calm but disturbing confidence. Chorus increases energy through repetition and density, not emotion. Structure loops like a ritual that cannot end. Clean but dry, compressed, and claustrophobic mix. Avoid warmth, comfort, sentimentality, epic builds, or acoustic sounds.
わるいこ(Bad person)
Contemporary Japanese alternative track with a fast, rhythmical tempo and an unsettling, parasitic atmosphere. Human vocals only, recorded dry and uncomfortably close. The song feels like a celebration that nobody enjoys, yet the body moves anyway. Tight electronic drums repeat obsessively, slightly off-balance, forcing momentum. Bass is distorted, short, and circular, chewing on the same phrase. Synths are cold, brittle, and percussive, flickering like broken neon. Melody is minimal and chopped, existing only to support rhythm. Vocals are human, flat, controlled, half-spoken, with a calm but disturbing confidence. Chorus increases energy through repetition and density, not emotion. Structure loops like a ritual that cannot end. Clean but dry, compressed, and claustrophobic mix. Avoid warmth, comfort, sentimentality, epic builds, or acoustic sounds.
Lyrics
The English lyrics are below the Japanese lyrics.
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「落ちるね」って君に告げる。
落ちないよう気をつける。
君を引き付け続けるだけの作業。
純粋な心配が好きだよ。
綺麗な皮膚に絆創膏、
「不安」の波形で煽る焦燥。
君の優しさに居候。
飽きられぬようちらつかせる可哀想。
はぁ。
上目遣いは33度。照れちゃった姿に安堵。
そうそう、このまま一直線で……
私って悪い子。そんな性格もご愛嬌。
所有者の明確化、正しさは軽薄か？
どこまで君を落とし込めるのか？
私が好きな音楽は、君と私が好きな音楽になった。
君にとって、私は学になった。
君って本当に良い子。
君を乞わすためなら、私は？われましょう。
引き付けるためなら、私に🔥をつけましょう。
「愛される」が正しくなって、軽犯罪を許容していた。
君ともっと居たくてさ、
全部の時計の針を、早くした。
君に出会う前の、episode 0
回避し続けた、BADEND
愛して震えた名場面と、
キスで溶かした、チョコレート。
私って良い子。愛されようとお勉強。
所有者の明確化、正しさは軽薄か？
どこまで私を落とし込むのか？
「私の渦中に君」から、
「君の渦中に落ちる私」になった。
君にそっと、突き飛ばされていた。
君って本当に悪い子。
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“I’m falling,” I tell you.
I’m careful not to fall too far.
Just the work of keeping you hooked.
I kind of love pure, pointless worry.
A bandage on flawless skin,
panic stirred up by the waveform of “anxiety.”
I crash at your kindness.
Flaunting a bit of pity so you won’t get bored.
sigh…
I look up at you—33 degrees.
Relieved by how shy I must look.
Yeah, yeah, let’s just go straight like this…
I’m kind of a bad girl.
But that flaw’s part of the charm, right?
Is ownership being defined,
or is “rightness” just shallow logic?
How far can I drag you down?
The music I loved
became the music you and I both loved.
To you, I turned into comfort.
You’re really such a good kid.
I'll break to make you beg.
I'll put a 🔥 on me to attract you.
“Being loved” became the rule,
and minor crimes slipped through.
I just wanted more time with you,
so I sped up every clock.
Before I met you—episode zero.
The bad ends I kept dodging.
Scenes that made me shake with love,
chocolate melting from a kiss.
I’m a good girl now.
Studying hard just to be loved.
Is ownership clearly defined,
or is “rightness” still paper-thin?
How far will I sink myself this time?
From “you inside my world”
to “me falling into yours.”
You gently shoved me away.
You’re really such a bad kid.