Style details Style: Minimalist pop with optional Shibuya-kei flavor (urban night vibe only if it does not add layers).
Fidelity: follow the original sound/melody/rhythm/phrasing/harmony; no reharm, no new hooks/counter-melodies, no ad-libs; keep rests and pacing. Match the source key and tempo (no transpose). use 110–120 BPM, major.
Instruments: straight-8th programmed drums (kick/snare/hat), live DI bass slightly behind the beat, one clean element only (80s pad or clean arp). Max 3 active parts; no extra guitars or synths unless in the source.
Vocal: ethereal JP female, clear; vocal-forward; light plate reverb with 20–40 ms pre-delay.
Structure: intro – verse – pre-chorus – chorus (flat).
Chorus: looped-groove, monotone-ish, close-mic; light doubles only; no risers, no key/tempo changes; avoid hook lift.
Production: restrained dynamics.
Hard minimal: no new layers after V1; when unsure, remove.
Hard pacing: ≤6 mora/bar; quarters & eighths only; each phrase ends with ≥1-beat rest; tails 2–4 beats. Style: Minimalist pop with optional Shibuya-kei flavor (urban night vibe only if it does not add layers).
Fidelity: follow the original sound/melody/rhythm/phrasing/harmony; no reharm, no new hooks/counter-melodies, no ad-libs; keep rests and pacing. Match the source key and tempo (no transpose). use 110–120 BPM, major.
Instruments: straight-8th programmed drums (kick/snare/hat), live DI bass slightly behind the beat, one clean element only (80s pad or clean arp). Max 3 active parts; no extra guitars or synths unless in the source.
Vocal: ethereal JP female, clear; vocal-forward; light plate reverb with 20–40 ms pre-delay.
Structure: intro – verse – pre-chorus – chorus (flat).
Chorus: looped-groove, monotone-ish, close-mic; light doubles only; no risers, no key/tempo changes; avoid hook lift.
Production: restrained dynamics.
Hard minimal: no new layers after V1; when unsure, remove.
Hard pacing: ≤6 mora/bar; quarters & eighths only; each phrase ends with ≥1-beat rest; tails 2–4 beats.
