[[GLOBAL SYSTEM OVERRIDE: hyper-compact nearfield pressure chamber (~4.6m x 3.6m x 2.3m). width ±20° verses, ±26° choruses. NO rear field. early reflections 12–20ms, RT60 0.22–0.32s. depth aggressively front-loaded. listener inside vocal radius—no escape space.]]

[[CENTER CORE: lead vox + kick + MOS 6581 square bass LOCKED dead center. sub mono <110Hz, square bass slightly above sub band, forward in mix. bass is tactile, chest-hitting, not background.]]

[[VOCAL ENGINE: dual-layer かわいい萌え female vocals.
top: bright, glossy, cutting (front-most element)
bottom: darker, close, slightly behind but still inside the listener radius (−6 to −9dB)
chant layers stack tight ±6–12°, NEVER wide. no float, no choir smear.
compression tighter (3.5:1), transient preserved.]]

[[SPARKLE FIELD (KIRAKIRA LAYER): high-frequency elements (sparkle leads, glassy arps, glitter FX) placed ±10–18°, slightly forward of side plane. fast transient emphasis. micro-reflections only. shimmer is sharp, not soft. NO reverb bloom.]]

[[RHYTHMIC GRID: kick center, claps/snaps slightly forward plane with HARD gated tails (0.10–0.14s). hats tight ±8–14°, fast, crisp. groove is locked and aggressive. no swing drift, no looseness.]]

[[SID LAYERING: MOS 6581 square bass dominates center. pulse/triangle accents injected ±10–16°, rhythm-locked. chip elements are mechanical and precise, never ambient.]]

[[DISTORTION / EDGE: parallel saturation bus (low blend) adds bite to drums + bass. NO full-spectrum distortion. clarity always wins over grit.]]

[[SPATIAL CONSTRAINT: no pads, no ambient bed, no rear reflections. every sound must justify its position in the front 2 meters of space. anything that drifts back is removed.]]

[[SECTION BEHAVIOR: verses = tight and close; choruses = density increase, NOT width explosion. bridge = strip to bass/vox but maintain pulse—no silence. final chorus = maximum density, minimal extra width.]]

[[INTENT: kirakira = sharp sparkle under pressure. sweet surface, hostile proximity. listener is not observing—they are inside the impact zone. nothing floats, everything touches.]]

[Verse 1]
I step in sweet
Then bite the room
Cherry gloss grin
With a glassy boom
You want my name?
Say it nice
I break your lock
My gaze turns to ice

[Pre-Chorus]
Hands up, baby
Don’t blink now
Pretty little menace
Learning how
Two voices lace it
Low and high
Hold that stare
I’m going by

[Chorus]
キラキラ panic
When I lean in close
Dollface chaos
Yeah, that’s how it goes
One sweet smile
One sharp cut
Kiss the sparkle
Then I strut
(キラキラ panic)
(キラキラ panic)

[Verse 2]
Tiny heel stomp
Big old crash
Smile like trouble
Wrapped in flash
I twirl the spark
Then drop it cold
Sweet on the edge
But hard to hold

[Pre-Chorus]
Hands up, baby
Don’t blink now
Pretty little menace
You're learning now
Two voices lace it
Low and high
Hold that stare
I’m going by

[Chorus]
キラキラ panic
When I lean in close
Dollface chaos
Yeah, that’s how it goes
One sweet smile
One sharp cut
Kiss the sparkle
Then I strut
(キラキラ panic)
(キラキラ panic)

[Bridge]
You can watch me
You can’t tame
I wear the shine
Like a flame
Soft on the surface
Steel beneath
If I say “come closer”
Better brace your teeth

[Middle 8 — Spark Cut Protocol]

[strip to MOS 6581 square bass + kick pulse + finger snaps; kirakira ticks flicker]

):
Lean in—don’t blink
Gloss cuts quick

:
Too close now
You feel it stick

[chant layers, tight ±8–12°]
(kira—kira) snap
(kira—kira) snap

[one micro bit-crush flutter, then lock back]

Sweet on the edge
I make it sting

Hold your breath
When I do my thing


(tah) (tah)

[call & response, tighter]
キラキラ
panic
キラキラ
panic

[rebuild—hats re-enter, arps climb, density increases—NO silence]

[Top + Bottom (unison, cutting):]
Step back—too late
I set the pace

[hard snap into final chorus]

[Chorus]
キラキラ panic
When I lean in close
Dollface chaos
Yeah, that’s how it goes
One sweet smile
One sharp cut
Kiss the sparkle
Then I strut
(キラキラ panic)
(キラキラ panic)