Le Sermon de la Gadoue by Fierro y Fe ft Hann
[Style of Music: Primal, a capella Swamp-Funk Gospel. A raw and hypnotic ritual. The entire rhythm is created organically: deep, rhythmic foot stomps on a wooden porch, raw hip-hop beatboxing, the scraping sound of a washboard, and shaker sounds from a jar of pebbles. The bassline is a deep, guttural vocal chant from a massive choir. Lead vocals are a powerful, raw, French baritone rap. The chorus explodes into a soulful, multilingual gospel celebration.]
Le Sermon de la Gadoue by Fierro y Fe ft Hann
[Style of Music: Primal, a capella Swamp-Funk Gospel. A raw and hypnotic ritual. The entire rhythm is created organically: deep, rhythmic foot stomps on a wooden porch, raw hip-hop beatboxing, the scraping sound of a washboard, and shaker sounds from a jar of pebbles. The bassline is a deep, guttural vocal chant from a massive choir. Lead vocals are a powerful, raw, French baritone rap. The chorus explodes into a soulful, multilingual gospel celebration.]
Lyrics
🧵 Feu Follet 🧵
They appear as captured laughter, floating lanterns of swamp-light that bob and weave just beyond your reach. The Six Sisters glow with soft, inviting colors, whispering wordless promises on the humid air. For the pure of heart, their dance is a warm guide through the darkness. But for the wicked, their gentle light is a hungry, cold fire. A playful, silent invitation to a final, soft bed of mud from which no one ever wakes.
By Nifume
___________________________________________________________🪓
Intro
The sound of crickets and bullfrogs from a deep swamp at night.
A single, heavy FOOT STOMP on wood echoes. Then another.
The shaker (jar with teeth/sand) starts a simple, hypnotic rhythm.
A low, guttural CHOIR begins the vocal bassline chant: "Houn-da... houn-da..."
Hann's BEATBOX kicks in over the top, sharp and funky.
Verse 1
Diogenes' rap in French is rhythmic, raw, like a sermon whispered with intensity.
Dans la boue où le monde finit,
Six lumières dans le brouillard dansent dans la nuit.
Pas de dieu en or, pas de trône de néon,
Juste la foi sauvage et nos chansons.
Elles sont le don, elles sont le péché,
Le chemin du sage, du mal-aimé.
Chorus
The song explodes with the full power of the swamp gospel CHOIR. It's joyful, powerful, and deeply soulful. The body percussion intensifies.
French
Chante avec nous le sermon de la gadoue!
Nos esprits sont riches, nos pieds sont nus!
Louisiana Creole
Gadé limyè-la! Gadé sa yé ka fè!
Ouvri yé, pou nou wè!
Verse 2
The hypnotic verse groove returns. Diogenes' rap becomes a warning.
Le premier t'offre la force, brute et sans pitié,
Mais te prendra ta douceur, ta sainte humilité.
La deuxième te donne la ruse, le savoir du serpent,
Mais volera ton innocence, pour toujours, maintenant.
Chaque don a son prix, chaque lumière son ombre,
C'est la loi de ce lieu, hors du nombre.
Chorus
The gospel choir explodes with even more fervor and passion.
French
Chante avec nous le sermon de la gadoue!
Nos esprits sont riches, nos pieds sont nus!
Louisiana Creole
Gadé limyè-la! Gadé sa yé ka fè!
Ouvri yé, pou nou wè!
Bridge
The rhythm breaks down to just the foot stomps and a low choir hum. Diogenes' voice is a low, reverent chant in Creole, invoking the spirit of Marie Laveau.
Mambo, Mambo, reine de la Nouvelle-Orléans,
Prête-nous ta force, montre-nous la danse.
Fè nou wè chimen-an, nan fènwa-a.
Pou tout tan...
Outro
The full, chaotic, joyful groove explodes back one last time.
The choir chants "Ouvri yé, pou nou wè!" repeatedly, as Diogenes ad-libs over them with powerful shouts.
The song fades out slowly, with the sounds of the swamp returning, the beatbox and stomps getting softer, until only a single, final foot stomp echoes into the silence.