
真夜中のヒマワリ #Flowers
Delicate and atmospheric indie pop, slow to mid-tempo (around 82–88 BPM). Female vocal with a clear, youthful tone — gentle but with a subtle edge, slightly melancholic yet intimate, similar to a mix of whispery indie singers and a bright J-pop timbre. Vocal delivery should be close to the mic, soft and emotional, with breathy phrasing that carries vulnerability. Instrumentation is minimal but rich in texture: fingerpicked clean guitar with light reverb, warm bass, subtle brushed drums or electronic pulses, and airy synth pads. Add small glockenspiel or bell-like accents to create a fragile, shimmering feel. Production should be spacious and cinematic, with reverb and stereo width evoking the image of a quiet night town and distant stars. The overall mood is tender, dreamlike, and slightly lonely, but gradually opens up toward hope and light in the final section.

真夜中のヒマワリ #Flowers
Delicate and atmospheric indie pop, slow to mid-tempo (around 82–88 BPM). Female vocal with a clear, youthful tone — gentle but with a subtle edge, slightly melancholic yet intimate, similar to a mix of whispery indie singers and a bright J-pop timbre. Vocal delivery should be close to the mic, soft and emotional, with breathy phrasing that carries vulnerability. Instrumentation is minimal but rich in texture: fingerpicked clean guitar with light reverb, warm bass, subtle brushed drums or electronic pulses, and airy synth pads. Add small glockenspiel or bell-like accents to create a fragile, shimmering feel. Production should be spacious and cinematic, with reverb and stereo width evoking the image of a quiet night town and distant stars. The overall mood is tender, dreamlike, and slightly lonely, but gradually opens up toward hope and light in the final section.
Lyrics
かねおりん様のカクヨム小説を基に作詞・作曲させていただきました
https://kakuyomu.jp/works/16818023213618000055/episodes/16818023213618033674
世界の どこか
昼を 置き忘れ
真っ暗な闇に つつまれた
名もなき町の ものがたり
きみと ぼくの 夢の記憶
Verse 2
この町は だれもいない
くらやみのまち
ひとりぼっちの ヒマワリ
さびしさを かくすように
うつむきかげん
つよいまなざしが
きれいだった
きみが こごえないように
焚き火をして
寝袋にくるまり
となりで 眠った
ふたりだけの 夜
Verse 3
ずっとここにいていいの?って
訊かれて 答えられなかった
太陽が もどらなければ
ずっと 一緒なのに
きみに 上をむいて
欲しいんじゃなくて
ぼくだけを 見てほしかったんだ
Verse 4
きみの もとから 去れば
ぼくも 太陽みたいに
帰りを 待ちわびて
もらえるのかな
暗闇を 抜け出す
ヒマワリのタネを ばらまき
道標を つくる
ぐるぐると さまよい
やがて 朝の光
Verse 5
目が覚めると
まぶしい太陽
辺り一面に
満開の ヒマワリ
みんな 嬉しそうに
太陽に 笑いかける
ぼくの まいたタネが
めじるしになったんだね
きみの 笑顔をみて
ぼくも 笑った
たちさる ぼくに
どこからか 聞こえたんだ
「ありがとう」
