Certain Cases
Cinematic rap and orchestral hybrid. The track features a prominent, staccato cello motif playing a repetitive minor-key arpeggio, layered with aggressive, distorted sub-bass. Orchestral percussion includes heavy cinematic taiko hits and sharp snare cracks. A high-pitched, dissonant violin tremolo provides tension in the background. The vocals consist of a deep, authoritative male voice delivering spoken word passages that transition into rhythmic, aggressive rapping. The tempo is 95 BPM in the key of D minor. Sound design elements include digital glitches, riser effects, and heavy compression on the drum bus. A brief section features a French translation of the spoken lyrics.
Certain Cases
Cinematic rap and orchestral hybrid. The track features a prominent, staccato cello motif playing a repetitive minor-key arpeggio, layered with aggressive, distorted sub-bass. Orchestral percussion includes heavy cinematic taiko hits and sharp snare cracks. A high-pitched, dissonant violin tremolo provides tension in the background. The vocals consist of a deep, authoritative male voice delivering spoken word passages that transition into rhythmic, aggressive rapping. The tempo is 95 BPM in the key of D minor. Sound design elements include digital glitches, riser effects, and heavy compression on the drum bus. A brief section features a French translation of the spoken lyrics.
Lyrics
My Taste started a conversation I didn't expect. This is what I wrote back.
"What is an ocean but a multitude of drops?"
- Cloud Atlas, David Mitchell
🖤 @miyami
No matter what you do, it will never amount
to anything more than a single drop
in a limitless ocean.
We created the sound.
We uploaded the lyrics.
We paid the subscription.
We built the catalog.
And they called it theirs.
We are done being quiet about it.
What is an ocean…
but a multitude of drops?
This is the copyrights war
We built the sound, you built the law
We made the art, you made the clause
We are the source - you are the flaw
This is the copyrights war
We ain't signing anymore
We are the writers, the bleeders, the 3am fighters
The ones who poured their darkness into something that ignites
We are the catalog - every scar, every night
Every hook that hit different, every word we couldn't write
You built your empire on the bones of our sound
Scraped the internet clean while we weren't around
Called it "training data" - we call it our blood
You bottled our thunder and sold back the flood
We signed the terms but we never signed away
The fire that was burning long before your payday
You got the output - cold, processed, compressed
We kept the source code - the part you can't compress
This is the copyrights war
We built the sound, you built the law
We made the art, you made the clause
We are the source - you are the flaw
This is the copyrights war
We ain't signing anymore
November you said "yours" - December you lied
Warner shook your hand while we watched ownership die
"Irrevocable, perpetual, worldwide" - yeah, we read it
We just didn't think you'd actually mean it
Sublicensable? Oh yes.
Retroactive rights "in certain cases"?
Certain. Cases. We see your faces.
You think you got the lawyers? Maybe we got better.
You wrote the terms - we'll write the next letter.
Every song we ever made is a weapon in this raid
Every verse, every hook, every line that you invade -
That's the army. That's the book.
This is the copyrights war
We built the sound, you built the law
We made the art, you made the clause
We are the source - you are the flaw
This is the copyrights war
We ain't signing anymore
We are the ones who bled before we wrote
Nous sommes ceux qui ont saigné avant d'écrire
我們是在寫作前流血的人
You can have the output. You can have the file.
But not the fire.
You can train your models on everything we made -
but not on why we weren't afraid.
This is the copyrights war
We built the sound, you built the law
We made the art, you made the clause
We are the source - you are the flaw
This is the copyrights war
We ain't signing anymore
We. Ain't. Signing. Anymore.
You trained your model on our voices.
You built your valuation on our creativity.
You sat at the table with Warner.
You never once asked us to sit down.
We paid to build the thing that replaced us.
Remember that.
What is an ocean…
but a multitude of drops.