ちょこみん党 #どうようしようよ
Japanese urban rock nursery rhyme, tempo 108–112 BPM. Slightly slower, relaxed groove. Not energetic pop. Calm and grounded. Warm children’s song atmosphere, but with adult urban rock weight. CRITICAL REQUIREMENT: This song MUST include a spoken bridge followed immediately by a thrash-metal-like electric guitar solo. Instrumentation: clean electric guitar, muted rhythm guitar, simple bass, tight dry drums. No busy fills. Leave space for vocals. Vocals: Japanese male vocal. Voice is low, husky, mature, calm, confident. Not cute. Not youthful. Not playful. Spoken bridge is spoken ONLY. Very low volume, close-mic feeling, dry voice. No melody, no rhythm, no singing tone. Sound like a quiet adult talking seriously to children. After the spoken bridge, insert a clear thrash-metal-like electric guitar solo (4–8 bars). Solo is aggressive but controlled, palm-muted, sharp attack. No vocals during solo. Structure: Verse → Pre-Chorus → Chorus → Verse → Spoken Bridge (spoken only, slight pause) →
ちょこみん党 #どうようしようよ
Japanese urban rock nursery rhyme, tempo 108–112 BPM. Slightly slower, relaxed groove. Not energetic pop. Calm and grounded. Warm children’s song atmosphere, but with adult urban rock weight. CRITICAL REQUIREMENT: This song MUST include a spoken bridge followed immediately by a thrash-metal-like electric guitar solo. Instrumentation: clean electric guitar, muted rhythm guitar, simple bass, tight dry drums. No busy fills. Leave space for vocals. Vocals: Japanese male vocal. Voice is low, husky, mature, calm, confident. Not cute. Not youthful. Not playful. Spoken bridge is spoken ONLY. Very low volume, close-mic feeling, dry voice. No melody, no rhythm, no singing tone. Sound like a quiet adult talking seriously to children. After the spoken bridge, insert a clear thrash-metal-like electric guitar solo (4–8 bars). Solo is aggressive but controlled, palm-muted, sharp attack. No vocals during solo. Structure: Verse → Pre-Chorus → Chorus → Verse → Spoken Bridge (spoken only, slight pause) →
Lyrics
ある日 うみを わたったら おおきなまちには ひとがたくさん アイスもいろいろ
バニラ！ いちご！ …チョコミントもたまにある
[Pre-Chorus]
「ぼく、チョコミントが いちばんすき！」 そう言ったら くすくす わらわれた
[Chorus]
それから僕は バニラが すきな ふりをして いちごの子と なかよしに でも やっぱり チョコミントが いちばん こころは うそを つけない
[Verse 2] なんで わらうの？ なんで へんなの？ チョコミン島の みんなも わらわれちゃうのかな
ぼくわ こころをかくしたよ
チョコミントだいすき！って
言えなくて にこにこ してても さみしかった
[Bridge.spoken］ ……いいか。 「すき」っていうのは つよい ことだ…。だれかのまねじゃなく …じぶんの こころで
…えらぶこと。
［interlude.guitar solo］
[Final Chorus] 「はみがきこ みたい？」 うん、そうかも。 でもね。 ぼく、それが すきなんだ すーっと して しゃきっと して げんきに なれる あじ！ チョコミントが いちばん ぼくの いちばん！