가을비 V12
[Vocal Type] Male–Female Duet [Vocal Tone/Color] warm, intimate, lightly airy (not exaggerated), soft consonants, slight husk, analog character, tiny live imperfections allowed (subtle breaths/lip noise) [Delivery] conversational & emotive, dynamic arcs (soft verses → open choruses), short/soft vibrato, minimal portamento, clear diction [Harmony/Stacks] thin doubles on the chorus, thirds harmony; ad-libs only in bars 2 & 4, keep tasteful [Recording/FX] very light tape/tube saturation, short plate reverb (lead), small room reverb (BGV), dotted-8th single-tap delay sparingly, HPF ≈ 90–110 Hz, de-ess ~6–8 kHz [Language] Korean (or English) [Structure] Intro(5s INSTRUMENTAL ONLY) … Outro(3s INSTRUMENTAL ONLY) [Do NOT / Hard Exclude] No vocoder, No robotic/AI/metallic timbre, No hard-tune/autotune, No strong formant shifts, No band-limited/telephone tone, No chipmunk pitch, No chorus/flanger on the lead, No synthetic vibrato, No gated/machine-like pumping
가을비 V12
[Vocal Type] Male–Female Duet [Vocal Tone/Color] warm, intimate, lightly airy (not exaggerated), soft consonants, slight husk, analog character, tiny live imperfections allowed (subtle breaths/lip noise) [Delivery] conversational & emotive, dynamic arcs (soft verses → open choruses), short/soft vibrato, minimal portamento, clear diction [Harmony/Stacks] thin doubles on the chorus, thirds harmony; ad-libs only in bars 2 & 4, keep tasteful [Recording/FX] very light tape/tube saturation, short plate reverb (lead), small room reverb (BGV), dotted-8th single-tap delay sparingly, HPF ≈ 90–110 Hz, de-ess ~6–8 kHz [Language] Korean (or English) [Structure] Intro(5s INSTRUMENTAL ONLY) … Outro(3s INSTRUMENTAL ONLY) [Do NOT / Hard Exclude] No vocoder, No robotic/AI/metallic timbre, No hard-tune/autotune, No strong formant shifts, No band-limited/telephone tone, No chipmunk pitch, No chorus/flanger on the lead, No synthetic vibrato, No gated/machine-like pumping
Lyrics
[Humanization Cues:
micro-timing looseness (±5–10 ms), gentle onsets, controlled breaths, proximity/whisper moments, analog-like pads only (avoid metallic synth edges)]
Intro — 5s INSTRUMENTAL ONLY
light rain ambience + piano arpeggio + nylon-guitar harmonics (no vocals)
Verse 1
[Female] 우산 끝에 똑똑, 떨어지는 추억이 내려와
[Male] 골목 불빛 따라 하나둘 사라져가
[Female] 차창에 적던 약속, 빗방울에 번져와
[Male] 비 오는 오늘, 너와의 추억이 아려와
Pre-Chorus — Call & Response
[Female] “잘 지내니?”
[Male] “그럭저럭… 비가 오면 생각나”
[Female] “그날 같아—”
[Male] “다시 불러줘, 내 이름 하나만”
[Female] 좁은 우산 아래, 떨림이 몰려와
[Male] 리듬처럼 떨어지는 우리의 추억
Chorus — Unison → Thirds Harmony
[Both, unison] Rain, rain, stay — ah-ah
[Both] Call my name — oh-oh
[Both] 젖은 밤 위로, 네가 번져와
[Both, thirds] 다시 나를 적셔, ah-ah / oh-oh
repeat hook once
Post-Chorus — Hook Chant
[Both] La-la-la, la-la-la — rain on me
[Both] La-la-la — call my name (oh-oh)
Verse 2
[Male, soft rap] 인박스 끝의 굿나잇, 멈춰버린 대화여
[Female] 반짝이던 한 문장, 새벽비에 흩어져
[Male] 낡은 카페 유리창, 우리 장면 겹쳐져
[Female] 프레임 속 우리 둘, 그 자리에 서 있어
Pre-Chorus 2 — Switch C&R
[Male] “돌아갈래?”
[Female] “그 비 오던 그 날로”
[Male] “늦었을까?”
[Female] “아니, 아직 젖어 있어”
[Male] 키스 살짝하면 거리의 빛 흘러
[Female] 내 마음 조용히 너에게로 스며들어
Chorus — Bigger / Ad-libs
[Both] Rain, rain, stay — ah-ah [Female ad-lib] (“stay with me”)
[Both] Call my name — oh-oh [Male low ad-lib] ( “say my name”)
[Both] 쏟아지는 밤, 길이 흔들려도
[Both] 다시 너로 향해, ah-ah / oh-oh
Bridge
[Female, whispery] 젖은 편지처럼 접히는 오늘 밤
[Male] “늦어도 좋아” 그 한 줄이 온다면
[Female] 가로등 아래서 서로를 꼭 안고
[Male] 이 가을비의 노래를 부르자
Break — Instrumental Lift
rain ambience swells + piano/strings rise → kick mutes → last-chorus drop-in
Final Chorus — Unison → Split Harmony
[Both, unison, 2 bars] Rain, rain, stay — ah-ah
[Both] Call my name — oh-oh
Split:
[Female, top line] 새벽 끝에서 우린 다시 만나서
[Male, low line] 가벼운 눈 맞춤, 이어지는 깊은 키스
[Both, thirds, × 2] 서로를 적시며, ah-ah / oh-oh
Post-Chorus — Hook Chant (Final)
[Both] La-la-la, la-la-la — rain on me
[Both] La-la-la — call my name (oh-oh)
Outro — 3s INSTRUMENTAL ONLY
piano long-tail reverb + rain ambience fade (no vocals)