llegar a ti (Version 2) .mp3

Lily Sanchez2:37May 14, 2026

Alternative rock with female vocals. Distorted electric guitars play palm-muted eighth-note patterns in the verses
opening up to power chords in the choruses. A clean electric guitar provides a melodic counterpoint with a repetitive arpeggiated riff. The bass guitar follows the root notes of the guitar progression with a consistent eighth-note pulse. Drums feature a standard rock beat with a prominent snare on 2 and 4
utilizing crash cymbals for transitions. The vocals are delivered in a melodic
slightly breathy style in the verses

Lyrics

Intro

clean electric guitar arpeggio, palm-muted distorted guitar enters

Verse 1

female vocals, bass and drums enter

Ahora siento que no valgo nada

Caminos quebradizos

Confunden mis pies

Está difícil llegar

Pre-Chorus

Los reflejos se mezclan

Ya no podría

Chorus

full distorted guitar power chords, crash cymbals

¡Oh!

Llegar a ti

A ti

Verse 2

palm-muted guitar, steady eighth-note bass

Uhh

Todo se oscurece

Oportunidades que se esconden

Ansío estar así

Aunque mis piernas se partan

Los reflejos se mezclan

Ya no podría

Chorus

driving rock beat

¡Oh!

Llegar a ti

A ti

Bridge

vocalizing, sustained guitar chords

¡No!

No podía

Estar allí

Allí

Outro

music drops to clean guitar arpeggio and soft bass

Ahora siento que no valgo nada

Caminos quebradizos

Confunden mis pies

Está difícil llegar

Los reflejos se mezclan

Ya no podría

distorted guitar swell

¡Oh!

Llegar a ti

A ti

final drum hit and guitar feedback

Style detailsAlternative rock with female vocals. Distorted electric guitars play palm-muted eighth-note patterns in the verses, opening up to power chords in the choruses. A clean electric guitar provides a melodic counterpoint with a repetitive arpeggiated riff. The bass guitar follows the root notes of the guitar progression with a consistent eighth-note pulse. Drums feature a standard rock beat with a prominent snare on 2 and 4, utilizing crash cymbals for transitions. The vocals are delivered in a melodic, slightly breathy style in the verses, shifting to a more powerful, belted delivery in the choruses. 145 BPM, 4/4 time signature, Key of B minor.

Alternative rock with female vocals. Distorted electric guitars play palm-muted eighth-note patterns in the verses, opening up to power chords in the choruses. A clean electric guitar provides a melodic counterpoint with a repetitive arpeggiated riff. The bass guitar follows the root notes of the guitar progression with a consistent eighth-note pulse. Drums feature a standard rock beat with a prominent snare on 2 and 4, utilizing crash cymbals for transitions. The vocals are delivered in a melodic, slightly breathy style in the verses, shifting to a more powerful, belted delivery in the choruses. 145 BPM, 4/4 time signature, Key of B minor.