Lost Beat

s.j.after3:15April 4, 2026

anthemRock LOW (Below 120Hz) Mid 97% / Side 3% LOW-MID BODY 200–350Hz Mid 88% / Side 12% RHYTHM TEXTURE 800Hz–1.6kHz Mid 40% / Side 60% VOCAL CORE 1.5–2kHz Mid 82% / Side 18% SNARE CRACK 3–5kHz Mid 92% / Side 8% HIGH PRESENCE 8–12kHz Mid 65% / Side 35% GUITAR CHARACTER • heavy distorted electric guitars • thick saturated high-gain tone • powerful palm-muted rhythm riffs • aggressive pick attack • deep midrange guitar body • wide expressive vibrato sustain • occasional pinch harmonics • massive rock guitar wall VOCAL STYLE • sweet and syrupy female vocal tone • soft and slightly breathy delivery • clingy and emotionally intimate phrasing • delicate but expressive dynamics • layered harmony in chorus MASTER • punchy tight groove • Initial Transient Emphasis First 3 Seconds • strong transient attack • low-end mono stability • stereo edge clarity • micro dynamic contrast • modern loud master • aggressive but controlled limiting

Lyrics

［intro］

［verse1］

sound, sound sound, sound sound, go yeah

back again, back again

back, I, I, I…

馬鹿だなって思ってんだろ？

I won’t let it slip away

get it back, get it back

feel the vibe, ah-ah, yeah yeah yeah

ha,ha,ha

［pre chorus1］

息苦しいの　ah-ah

息をしたいの　ah-ah

手放したくないの

［chorus1］

ride the sound 未完でもいいじゃん

sound, sound 出してけgo yeah

don’t think, just drop it

笑笑笑笑笑笑 be a girl

［Interlude］

［hook1］

yeah yeah yeah yeah be a girl

ah ah ah ah ah yeah

ha,ha,ha

sound, sound sound, sound sound, go yeah

sound, sound sound, sound go sound, yeah

back again, back again

back, I, I, I…

馬鹿だなって笑ってんだろ

I won’t let it slip away

get it back, get it back

feel the vibe, ah-ah, yeah yeah yeah

hah, ah, ah

［lift］

言えないままでいいのに

誰誰なにこれそれどれそれ　Lost Beat

［pre chorus2］

苦しいままで　ah-ah

ほどけないままで　ah-ah

こぼれそうなの

［chorus2］

ride the sound 未完でもいいじゃん

sound, sound 鳴らしてgo yeah

don’t think, just drop it

笑笑笑笑笑 be a girl

［hook2］

ここで鳴らせ

今だ！鳴らせ！

［guitar solo］

［bridge］

I, I, I…

消えないままで

I, I, I…

壊れそうでも

I, I, I…

きえないままで

I, I, I…

ゆれてるままで

［final chorus］

ride the sound　未完でもいいじゃん

sound, sound　鳴らして go yeah

don’t think, just drop it

笑笑

just be a girl, right now

ride the sound　止めないで go yeah

sound, sound　このまま go yeah

don’t think, just drop it

笑笑

be a girl, don’t slow down

［instrumental outro, guitar driven, rock ending］

Style detailsanthemRock LOW (Below 120Hz) Mid 97% / Side 3% LOW-MID BODY 200–350Hz Mid 88% / Side 12% RHYTHM TEXTURE 800Hz–1.6kHz Mid 40% / Side 60% VOCAL CORE 1.5–2kHz Mid 82% / Side 18% SNARE CRACK 3–5kHz Mid 92% / Side 8% HIGH PRESENCE 8–12kHz Mid 65% / Side 35% GUITAR CHARACTER • heavy distorted electric guitars • thick saturated high-gain tone • powerful palm-muted rhythm riffs • aggressive pick attack • deep midrange guitar body • wide expressive vibrato sustain • occasional pinch harmonics • massive rock guitar wall VOCAL STYLE • sweet and syrupy female vocal tone • soft and slightly breathy delivery • clingy and emotionally intimate phrasing • delicate but expressive dynamics • layered harmony in chorus MASTER • punchy tight groove • Initial Transient Emphasis First 3 Seconds • strong transient attack • low-end mono stability • stereo edge clarity • micro dynamic contrast • modern loud master • aggressive but controlled limiting

anthemRock LOW (Below 120Hz) Mid 97% / Side 3% LOW-MID BODY 200–350Hz Mid 88% / Side 12% RHYTHM TEXTURE 800Hz–1.6kHz Mid 40% / Side 60% VOCAL CORE 1.5–2kHz Mid 82% / Side 18% SNARE CRACK 3–5kHz Mid 92% / Side 8% HIGH PRESENCE 8–12kHz Mid 65% / Side 35% GUITAR CHARACTER • heavy distorted electric guitars • thick saturated high-gain tone • powerful palm-muted rhythm riffs • aggressive pick attack • deep midrange guitar body • wide expressive vibrato sustain • occasional pinch harmonics • massive rock guitar wall VOCAL STYLE • sweet and syrupy female vocal tone • soft and slightly breathy delivery • clingy and emotionally intimate phrasing • delicate but expressive dynamics • layered harmony in chorus MASTER • punchy tight groove • Initial Transient Emphasis First 3 Seconds • strong transient attack • low-end mono stability • stereo edge clarity • micro dynamic contrast • modern loud master • aggressive but controlled limiting