الأَرْوَاحُ هِيَ المِعْيَار كلمات : لواء الدنف
A fusion jazz with a deep, emotional male voice,The singing should carry the intensity and ornamentation of chello baz with passionate cries, melismas, and raw emotion in every phrase. The music blends guitar with rasgueos and falsetas, cajón and handclaps marking the rhythm, alongside saxophone, double bass, and touches of jazz piano adding sophisticated harmonies and a nocturnal, elegant atmosphere. The lyrics should focus on the duality of shadow and light, the search for hope at dawn, and the feeling of inner freedom. The rhythm can shift between flamenco patterns such as bulerías or soleá and open into instrumental improvisations that allow breathing space and emotion. The production should feel warm, acoustic, and retro, as if recorded live in an intimate 1960s club, transmitting closeness, improvisation, and soul.
الأَرْوَاحُ هِيَ المِعْيَار كلمات : لواء الدنف
A fusion jazz with a deep, emotional male voice,The singing should carry the intensity and ornamentation of chello baz with passionate cries, melismas, and raw emotion in every phrase. The music blends guitar with rasgueos and falsetas, cajón and handclaps marking the rhythm, alongside saxophone, double bass, and touches of jazz piano adding sophisticated harmonies and a nocturnal, elegant atmosphere. The lyrics should focus on the duality of shadow and light, the search for hope at dawn, and the feeling of inner freedom. The rhythm can shift between flamenco patterns such as bulerías or soleá and open into instrumental improvisations that allow breathing space and emotion. The production should feel warm, acoustic, and retro, as if recorded live in an intimate 1960s club, transmitting closeness, improvisation, and soul.
Lyrics
لَيْسَ كُلُّ مَنْ اقْتَرَبَ… سَكَنَ،
وَلَيْسَ كُلُّ الصَّمْتِ أَمَانًا.
فِي بَعْضِ الوُجُوهِ مَسَافَةٌ،
وَفِي بَعْضِ القُرْبِ خُذْلَانَا.
(المَقْطَعُ الأَوَّل)
لَيْسَتْ كُلُّ العُيُونِ تُبْصِرُ قَلْبًا،
وَلَا كُلُّ نَظَرٍ يَرَى.
كَثِيرُونَ مَرُّوا بِقُرْبِي،
وَلَكِنْ مَا أَحَدٌ اسْتَقَرَّا.
(اللَّازِمَة – تُكَرَّر)
فَلَا تُغْرِكَ الوُجُوهُ… لَا،
الأَرْوَاحُ هِيَ المِعْيَارُ.
إِذَا انْكَشَفَ المَعْدِنُ يَوْمًا،
تَسْقُطُ الأَقْنِعَةُ… يَنْهَارُ الجِدَارُ.
(المَقْطَعُ الثَّانِي)
كَثِيرُونَ تَسَاقَطُوا خِلْسَةً،
مِنْ لَائِحَةِ الأَفْضَلِيَّةِ.
أَسْمَاؤُهُمْ مَا عَادَتْ تُرَى،
لَا فِي الأَعْلَى… وَلَا فِي النِّيَّةِ.
(اللَّازِمَة)
فَلَا تُغْرِكَ الوُجُوهُ… لَا،
الأَرْوَاحُ هِيَ المِعْيَارُ.
الوَجْهُ ظِلٌّ عَابِرٌ،
وَالرُّوحُ بَيْتُ النَّهَارِ.
(الجِسْر – تَصَاعُدٌ هَادِئ)
حِينَ يُخْتَبَرُ الصَّمْتُ،
وَتُغَرْبَلُ الخُطُوَاتُ،
يَظْهَرُ الوَزْنُ الحَقِيقِيُّ،
وَتُعْرَفُ النِّيَّاتُ.
(اللَّازِمَة الأَخِيرَة – أَبْطَأ)
فَلَا تُغْرِكَ الوُجُوهُ… لَا،
الأَرْوَاحُ هِيَ المِعْيَارُ.
هِيَ الصِّدْقُ بِلَا زِينَةٍ،
هِيَ الضِّيَاءُ… بَعْدَ انْتِظَارٍ.
(خَاتِمَة – هَمْس)
لَيْسَ كُلُّ مَنْ اقْتَرَبَ سَكَنَ،
وَلَا كُلُّ حُضُورٍ حَيَاةً.
وَلَكِنْ رُوحًا صَادِقَةً،
تَكْفِي… لِتَصِيرَ الجِهَاتُ.