Chant d’automne Ver.1
(ppp–mp), moving in slow waves of crescendos and decrescendos. Alongside the strings, a soft shimmering texture of harp arpeggios and lyrical and expressive solo violin colors should be blended into the ensemble, never soloistic, always background and supportive. These added voices must remain transparent, airy, and halo-like, woven gently into the strings, enriching the texture without standing out. The whole sound must stay fragile, restrained, and luminous, with the impression of breathing silence. (Add musical style here: Impressionism, Vaughan Williams, British pastoral, William Walton,Edward Elgar,modern cinematic, etc.), Horngacher Harp,Antonio Guerneri violin,female vocal,half numbers of London Philharmonic female choir,Strings section of London Philharmonic orchestra,calm,gentle,serene,quiet,tranquility,Autumn-like,
Chant d’automne Ver.1
(ppp–mp), moving in slow waves of crescendos and decrescendos. Alongside the strings, a soft shimmering texture of harp arpeggios and lyrical and expressive solo violin colors should be blended into the ensemble, never soloistic, always background and supportive. These added voices must remain transparent, airy, and halo-like, woven gently into the strings, enriching the texture without standing out. The whole sound must stay fragile, restrained, and luminous, with the impression of breathing silence. (Add musical style here: Impressionism, Vaughan Williams, British pastoral, William Walton,Edward Elgar,modern cinematic, etc.), Horngacher Harp,Antonio Guerneri violin,female vocal,half numbers of London Philharmonic female choir,Strings section of London Philharmonic orchestra,calm,gentle,serene,quiet,tranquility,Autumn-like,
Lyrics
Les sanglots longs
Des violons
De l'automne
Blessent mon cœur
D'une langueur
Monotone.
Tout suffocant
Et blême, quand
Sonne L'heure,
Je me souviens
Des jours anciens
Et je pleure;
Et je m'en vais
Au vent mauvais
Qui m'emporte
Deçà delà,
Pareil à la
Feuille morte.