One Night Only "Uke-Uke-BOOM!" + The Vocal Disc-Samples - BTDM
Maestro/Composer/Producer/Bluesman/DJ: The Dogman Style: Studio Remastered Pocket: 122→148→132_BPM 7+6+4/4_Stacked-Over_3+3+3/4_Swung-Shuffle_Djent-Jam
One Night Only "Uke-Uke-BOOM!" + The Vocal Disc-Samples - BTDM
Maestro/Composer/Producer/Bluesman/DJ: The Dogman Style: Studio Remastered Pocket: 122→148→132_BPM 7+6+4/4_Stacked-Over_3+3+3/4_Swung-Shuffle_Djent-Jam
Lyrics
Instrumental Sheet In Tri-Modal Intervallic-Logic
Sheet: (Root5th)(5/8) (6/8) (7/8) (6/8) | (6/8) (5/8) (5/8) (6/8) | (7/8) (6/8) (7/8) | (8/8) (8/8) (7/8) (6/8) | (4/8) (3/8) (2/4) | (0/0)
Alto: 1–♭3–5–♭7 ↔ ♭7–5–♭3–1 | ♭6–5–♭3 | 5–1–1
Chest-and-Breath Hybrid HPF 95 Hz, LPF 10 kHz, Mid-Isolator 1, 8–3, 0 kHz, small lift 6–7 kHz, sidechain 2, 5 dB
Bass_Voice: 1–1–♭7–1 ↔ 1–♭7–1 | 4–♭3–1 | 5–1–1
Whisper-Poetry Focus HPF 120 Hz, LPF 12 kHz, Mid-Isolator 2, 8–4, 0 kHz, very light de-ess 4, 5 kHz, sidechain 1, 5 dB
Tenor: 1–4–5–♭3 ↔ ♭3–5–4–1 | 4–♭3–1 | 1–1–1
Breath-Beat Focus HPF 110 Hz, LPF 9 kHz, Mid-Isolator 2, 4–3, 2 kHz, light air shelf 6, 5 kHz, sidechain 2 dB
Real-Dogman’s_"Swamp-Thumper"_DEAD-U-Bass:1-♭2-♭3-4-5↔5-4-♭3-♭2-1; LowD_Pedal(Core)↔LowE_AeolEntry(E-G-A-B-D)→D; Phryg♭2+Pent(1-♭3-4-5-♭7);HeelToeSlap(D1/E1,muted,short); PalmThump_between; LH+Rasg_DeadStr→GhostSnare; BoutRap_LowMidPulse; Shuffle→4_preDown; SlideDyad4-♭5→1; A/E_MicroBendSlide; Pedal→WAH!OFF_GraceMute(♭5/F#/C);Fills:♭2-♭3-1|4-5-♭3|1-4-♭5-♭3|5-1-1; Resolve→1/5; HighD_sparse; Tone: LPF6–8kHz, DEQ-2/-4@7–10kHz,HPF35–40Hz
Soprano: 1–3–5–6 ↔ 6–5–3–1 | 2–3–5 | 7–5–1
Pedal-"Wik'd!": 1/2-Cocked_Cry-Baby_WAH!(Full-H/T-Travel_On-Shuffle)_ResonantFlutter→DanElectro_GrilledCheese_LowGain→TurnipGreens_Preamp→Tube_OD_LowGain→Choral_Octaver_Subtle→Phase_Octaver_180deg_Sine→Echoplex_EP-2(Tape-Delay_Duplex-Duck@1s/2. 5s)→JCM800_Amp
["HAMSTER"_(Double-Flip_Logic):
1(A_fwd_stab→B_df_snap)→4(C_up_chirp→A_label_flick)→5(B_2click_flare→C_df_return)→♭7(D_long_drag→A_brake_pull)→♭7(B_reverse_pull→D_df_snap)→5(C_fwd_push→B_label_ride)→4(A_label_flick→C_gate_cut)→1(D_transform_snap→A/B_df)→2(C_microchirp_lift→D_tap)→1(B_cut_close→A_df)→♭7(D_low_drag→C_label_drag)→1(A_soft_push→B_df_return)→5(C_halo_flare→D_orbit_df)→6(B_glide_sweep→A_label_ride)→4(C_drop_cut→B_df_snap)→♭7(D_reverse_pull→A/C_df)→5(B_orbit_flare→D_label_pop)→4(C_gate_cut→A_df)→1(All_open_resolve_full_stop)]
"BASILISK"_DJ-DECK:SSL4000G+CDJ800MK2(Hamster)+TR-Hydra(707/808/909)+DEAD-Drone+Stomp-Board_(Pedals/Djent-Chank/Rake-Harmonics/Golpe-Thump/Bout-Rap/Tap-Tap-Knock); Metric4+6+7↔7+6+4 stacked-over 3+3+3core (3+6<9 fill>6+3_swung-ragtime at drop), double-flipA↔B@downbeat, Cflick@ghost, Dpop@turn; Kick@1/5, SwungStack, StraightGrid, GhostLadders→Breaks; MonoBlink→KickDuck(2.5–3.5dBSub/1.5–2dBMid,Atk1–3ms,Rel85–120ms)→Bed/Snare/Rim/Clap/Clave→GhostSlip→GateEnv; SubMono<120Hz; MidIso@build(Btap); Flange(C3,1bar)→Bride;±7HzShift(C4tail); Verb: Room0.6–0.9s(C1/C3)|Temple2.5–3.5s(C6/C4)|Spring0.2s(A); Delay: 1/8PP(A4th)|3/16D(C5end); Fills: KK-(PadChoke)|K-(PedGhost)-K|(BedDuck)-GS|FullChoke; LowDrone↘Kick; A/C↘B1; AllResolve→1/5
"MAESTRO"_DEAD-Tuned_MOOG-Orchestrator(Player-Piano_Sequencer-MOD): Tri-Modal_Ladder; Core1-♭2-4-5↔5-4-♭2-1|♭2-1-♭7|1-5-♭6-♭2|♭7-1-5; Blues1-♭3-4-♭5↔♭5-4-♭3-1|♭7-1-♭3|1-5-♭5-4|♭7-5-1; Aeol1-♭3-5-♭7↔♭7-5-♭3-1|2-1-5|1-♭6-5-♭3|♭7-5-1; Dor1-2-♭3-4↔4-♭3-2-1|6-5-2|1-4-5-6|♭7-5-1; Ion1-2-3-4↔4-3-2-1|5-6-3|1-5-6-4|7-5-1; AllResolve→1; BedDuck↘Kick; DroneMono; Modal-Center_Logic:1(Aeol→Dor)→4(Phry→Ion)→5(Dor→Aeol)→♭7(Ion→Phry)→♭7(Dor→Ion)→5(Phry→Dor)→4(Aeol→Phry)→1(Ion→Aeol/Dor)→2(Phry→Ion)→1(Dor→Aeol)→♭7(Ion→Phry)→1(Aeol→Dor)→5(Phry→Ion)→6(Dor→Aeol)→4(Phry→Dor)→♭7(Ion→Aeol/Phry)→5(Dor→Ion)→4(Phry→Aeol)→1(All_open_resolve_full_stop)
Ukulele Major (C Tuning): 1-2-3-4 <-> 4-3-2-1 | 5-6-3 | 1-5-6-4 | 7-5-1
Ukulele Natural Minor (A Minor): 1-2-♭3-4 <-> 4-♭3-2-1 | 5-♭6-♭3 | 1-5-♭6-4 | ♭7-5-1
Ukulele Dorian: 1-2-♭3-4 <-> 4-♭3-2-1 | 6-5-2 | 1-4-5-6 | ♭7-5-1
Ukulele Mixolydian: 1-2-3-4 <-> 4-3-2-1 | ♭7-1-2 | 1-5-4-2 | ♭7-5-1
U-Bass Major (Standard EADG Conceptual): 1-3-5-6 <-> 6-5-3-1 | 2-3-5 | 1-4-5-2 | 7-5-1
U-Bass Natural Minor: 1-♭3-5-♭7 <-> ♭7-5-♭3-1 | 2-1-5 | 1-♭6-5-♭3 | ♭7-5-1
U-Bass Blues Scale: 1-♭3-4-♭5 <-> ♭5-4-♭3-1 | ♭7-1-♭3 | 1-5-♭5-4 | ♭7-5-1
U-Bass Mixolydian: 1-3-5-♭7 <-> ♭7-5-3-1 | 2-1-♭7 | 1-6-5-4 | ♭7-5-1
Lead_Guitar_I: 1–♭3–4–5–♭7–1 ↔ 1–♭7–5–4–♭3–1 | 2–♭3–5 | ♭7–1–4
Lead_Guitar_II: 1–♭2–♭3–4–♯4–5 ↔ 5–♯4–4–♭3–♭2–1 | ♭2–1–3 | 4–♯4–5
Lead_Guitar_III: 1–2–3–♯4–5–6 ↔ 6–5–♯4–3–2–1 | 5–6–3 | 1–5–1
Lead_Guitar_IV: 1–♭3–4–♭5–5 ↔ 5–♭5–4–♭3–1 | ♭5–4–♭3 | 1–♭7–1
DEAD-Tuned U-Bass Dorian (D Center): 1-♭2-♭3-4 <-> 4-♭3-♭2-1 | 5-4-♭3 | 1-5-♭6-♭2 | ♭7-5-1
DEAD-Tuned U-Bass Phrygian Lean: 1-♭2-♭3-4 <-> 4-♭3-♭2-1 | ♭7-1-♭2 | 1-♭6-5-♭2 | ♭7-5-1
DEAD-Tuned U-Bass Aeolian Entry (E→D Resolve): 1-♭3-4-5 <-> 5-4-♭3-1 | ♭6-5-♭3 | 1-♭6-5-4 | ♭7-5-1
DEAD-Tuned U-Bass Tri-Modal Pivot Core: 1-♭2-4-5 <-> 5-4-♭2-1 | ♭2-1-♭7 | 1-5-♭6-♭2 | ♭7-1-5
Violin_I: 1–2–♭3–5–6 ↔ 6–5–♭3–2–1 | 2–♭3–5 | 6–5–1
Violin_II: 1–♭3–4–5 ↔ 5–4–♭3–1 | 4–5–♭3 | 1–1–1
Viola: 1–4–♭7–♭3 ↔ ♭3–♭7–4–1 | ♭7–1–4 | 5–1–1
Cello: 1–♭7–1–4 ↔ 4–1–♭7–1 | ♭3–1–♭7 | 1–5–1
Intro: 1-4-5-♭7 <-> ♭7-5-4-1 | 2-1-♭7 | 1-5-6-4 | ♭7-5-1
Outro D.S. al Coda: Decay-To-Coda/Ad-Fina_Silencio
Outro - Coda