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DIRT TEETH COMMUNION

synth-punk, industrial punk, dance-punk, afrofunk rhythms, neo-soul undercurrents, hip-hop percussive delivery, art-punk abrasion, no wave edges, angular attack, clanging industrial synths and scrapes, thick overdriven fuzz bass, militant live drum kit stomp with trap-influenced hats, psychedelic soul grit, gospel-punk communal chants, Ghanaian highlife melodic hints meets London/Australian post-punk sneer, nasal snotty swagged rebellious male vocals shifting registers, dissonant ugly-beautiful layered group harmonies, explosive mosh-pit chorus chaos, frantic percussion walls, chest-voice grunt verses into melodic snarl chant, euphoric communal riot buried in basement aggression, Accra street kinetics fused with abrasive ecstatic noise, stadium-level urgency in raw recording

GhostMKC·3:00

Lyrics

synth-punk industrial punk], [dance-punk afrofunk fusion], [neo-soul grit], [hip-hop percussive aggression], [art-punk no wave edges], [angular attack], [clanging industrial synth scrapes], [thick overdriven fuzz bass], [militant live drum stomp trap hats], [psychedelic soul undercurrents], [gospel-punk communal chants], [Ghanaian highlife melodic hints], [London post-punk sneer], [nasal snotty swagged rebellious male vocals register shifts], [dissonant ugly-beautiful group harmonies], [explosive mosh-pit chaos], [frantic percussion walls], [chest-grunt verses melodic snarl chant], [euphoric communal basement riot], [Accra street kinetics abrasive ecstatic noise], [stadium urgency raw recording

Intro - jagged industrial synth stab opener, dry snotty nasal single-voice spoken growl, clanging scrape buildup, militant drum tease

We been quiet long enough

Verse 1 - percussive rat-tat-tat rap delivery, Ghanaian rhythmic cadence over distorted fuzz bass, britpop sneer attitude, chest-voice grunt, angular no wave edges, trap hats ticking under live stomp

Raised my fist in a borrowed shirt

Every shrine I built got dragged through dirt

They said swallow it, swallow it whole

I handed back the bowl

Soft skin on a hard bone game

Got beautiful written right across the frame

But beautiful don't feed the dogs at night

When the gorgeous ones are fighting for their life

Pre-Chorus - raw stacked group harmonies swell, punchy call-and-response kicks in, gospel-punk urgency, dissonant ugly-beautiful layers, afro-funk rhythmic push

We don't stop, we don't stop

We don't stop for nothing

All the pretty broken things

Make the loudest something

Chorus - explosive synth-punk mosh-pit chaos, massive layered group chant riot, melodic snarl over abrasive noise, thick fuzz bass drops, clanging synth scrapes, euphoric communal swell, frantic percussion walls

DIRT TEETH COMMUNION

Mouth full of heaven and mud

DIRT TEETH COMMUNION

Running it back through the blood

Last ones standing in the middle of the burn

Dirt teeth communion, watch how the body learns

Verse 2 - faster sharp rat-tat-tat rap, accent-heavy sneer, attitude-soaked nasal snotty delivery, overdriven bass grind, industrial clangs, Ghanaian highlife melodic undertones creeping in, angular attack

I don't pray to nothing with a name

Every god I've known been all the same

Give you silk and call it dignity

Give you just enough so you can't be free

My people got a different kind of thirst

We don't beg for water, we split the earth

You think we small? We got dirt in our roots

Ground shakes different in these kinds of boots

Pre-Chorus - group harmonies intensify, call-and-response turns ugly-beautiful, psychedelic soul grit, dissonant stacking, militant stomp builds

We don't stop, we don't stop

We don't stop for nothing

All the pretty broken things

Make the loudest something

Chorus - full vocal riot explosion, synth-punk chaos underneath soaring chant, gospel-punk communal force, noise and melodic resolve collision, stadium urgency in basement rawness

DIRT TEETH COMMUNION

Mouth full of heaven and mud

DIRT TEETH COMMUNION

Running it back through the blood

Last ones standing in the middle of the burn

Dirt teeth communion, watch how the body learns

Bridge - dissonant vocal stacking fractures, spoken-sung over industrial synth drone chaos, call-and-response breaks into no wave edges, chest-grunt to melodic snarl shift, frantic walls of percussion, psychedelic soul haze

You want me clean? I'm filthy with it

You want me quiet? I split it, I split it

You want me small? I'm seven feet wide

You want me empty? I got oceans inside

Outro - collective chant stampede rhythm, propulsive group vocal swell builds to breaking point, euphoric riot release, clanging scrapes fade into militant drum decay, ugly-beautiful communion resolve

Run it! (run it!)

Watch the body learn

Run it! (run it!)

Let the whole thing burn

Communion, communion

The gorgeous and the dirt

Can't tell if it's joy or if it hurts

End

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