Electronic

Ghost Author Mode

electronic

electronic, game music 2017, swing, male voice, creative emotions and vocal pronunciation,creative effects,nerdcore, remix, autobit,, b, warm 60s led guitar, 1900-x, 90 bpm lyrics: ghost author

SCREAM LOUD

,Very long Instrumental in the intro and in the outro, ,whispering singing style,breathy vocal,Whisper singing,harmonize, angelic vocals, electronic electro-pop, melodic atmospheric,in,physical sensation and rock dark rock, whisper vocals,industrial rock ,distorted,Genre-FluidDelivery, Close-Mic Energy, Underground Ethereal Rap, Underground rock Meets Dreamy Trap, dark, ,industrial electronicwall of sound,The track is characterized by a "sensuous beat," dreamy mood, heavy bass,and sophisticated depth,Airy vocals,soft vocal,,and electronic production, which fans have described as a blend of "dark cybercore" sensory pop dreamscape,high-quality, heavy bass,and , heavy bass, and a "glitchy" aesthetic,bedroom-pop vocals blended with polished,bedroom pop, soft female vocals, angelic atmospheric, emotionally distant,Ethereal Atmosphere, Dreamy Pads, Lullaby-Like Melody, (Sweet Sound), , BedroomPop – Whispery Delivery

Écho de Sel et de Vent

Male vocals

Male vocals, new wave, minimal wave, electronic, indie folk, voice effects sound effects, britpop, talkbox effects, elettropop, glam rock , male low voice, new wave pop, trip hop, psychedelic, oniric, echo fx

Hati-Hati di Jalan

Indonesian female vocal

Indonesian female vocal, soft intimate emotional tone, deep house / chill electronic, 122 BPM, A minor, warm pads, smooth sub bass, clean 4-on-the-floor kick, light plucks, minimal piano, subtle city night ambience, wide stereo, airy reverb vocal, cinematic night drive mood Structure: [Intro] ambient pads + filtered vocal chop “hati-hati… di jalan…” [Verse 1] minimal beat, intimate vocal Malam pun turun perlahan Udara dingin jadi teman Langkahmu menjauh perlahan Dari aku yang diam Tak banyak yang bisa kuberi Hanya pesan sederhana ini Walau jarak bawa sepi Kusimpan kamu di sini [Pre-Chorus] Kalau lelah, jangan dipaksa Kalau rindu, kabarin aja [Chorus] full groove Hati-hati di jalan Jangan ngebut, pelan-pelan Aku di sini menunggumu Sampai kamu bilang “udah aman” Hati-hati ya sayang Doaku ikut berjalan [Drop] instrumental + vocal chop loop “hati-hati di jalan / pelan-pelan” [Verse 2] + [Chorus] + [Outro fade] Mood: warm, caring, night travel, emotional connection No aggressive EDM

Sem Filtros (Moongi Style)

Dark Pop

Dark Pop, Heavy Synth-Bass, Intense Female Duet, Breathy Vocals, Shameless style, male voice, female sincer,Dramatic Dark Pop, Fast Tempo, Powerful Female Vocals, Electronic Rock

Soja - Esperança do Futuro ( aguia de ouro)

Classic 1980s Rio carnival samba-enredo avenue style

Classic 1980s Rio carnival samba-enredo avenue style, fast upbeat samba at 142-143 BPM, 2/4 swing groove, heavy traditional samba school bateria percussion only, deep surdo pulse, sharp repique cuts and rolls, bright fast tamborim, metallic agogô patterns, cuíca rising whine, punchy caixa snap, reco-reco scrape, tantã soft pulse, pandeiro and ganzá swing. Crystal clear cavaquinho rhythmic riffs, violão harmonic base. Ab major key. Pure acoustic samba school sound, no brass, no horns, no woodwinds, no electronic instruments. Male lead vocal in Brazilian Portuguese: powerful projecting voice, rich medium-low timbre with slight rasp and nasal quality, high-energy passionate delivery, charismatic irreverent playful malandro phrasing, strong projection for large crowds, soft narrative verses building to explosive belted choruses with full power and sustain. [Intro: solo cavaquinho gentle strumming + tantã soft pulse, building anticipation, no other instruments for first 8-12 seconds] Struct

재사용 종량제 봉투(20L)

indie pop

indie pop, experimental electronic

裏通り

Cinematic

Cinematic,Female Vocals,Pop,Electronic,Melancholic, Chill, Japanese,Anime,Heartfelt, Reflective, Rhythmic,Acoustic,Slow Male Vocals, Synthwave, Groovy, Slow,Electronic, Hip Hop, Melodic, Futuristic, Dark, J-Pop, Heartfelt, Classical

Акаша / Akasha (ft Alrisha NF)

[style: ethereal electronic

[style: ethereal electronic, organic house, tribal ambient, cinematic downtempo, spiritual soundscape] [mood: mystical, transcendental, deep, hypnotic → expansion → cosmic unity] [bpm: 100] [vocal: female ethereal lead, airy, distant + male low support, soft, grounding] [production: ultra clean mix, cinematic mastering, deep sub, analog warmth, high dynamic range, no harshness] [mix: female vocal wide + airy, male vocal low center support, clean separation, rich mids, soft highs] [spatial: ultra wide stereo, surround pads, long reverb tails, deep 3D field, floating layers] [fx: breath fx, whispers, reversed textures, subtle saturation, delay throws] [instruments: tribal drums, shamanic percussion, deep bass, flute, sitar textures, pads, choir, bells, violin textures] [drums: organic tribal groove, soft kick, hand drums, shaker patterns] [sound design: cosmic pads, harmonic drones, spatial textures] [energy: intro → immersion → build → expansion → peak → transcendence → fade]

假裝不愛你

Female Vocals

Female Vocals, Cantopop, Sweet Pop, Upbeat, Catchy Viral Melody, Electronic synth, 128 BPM, Cute, High-energy, Bouncy, Tsundere

Losin' It

UK garage

UK garage, bassline, alt R&B, club funk, algorithmic electronic

CANNOT STAY

industrial electronic

industrial electronic, darkwave, noise rock

Тэнцвэр

Mongolian folk metal featuring traditional throat singing and modern electronic elements. The track opens with deep

Mongolian folk metal featuring traditional throat singing and modern electronic elements. The track opens with deep, resonant kargyraa throat singing and a morin khuur playing a sustained, mournful melody. A distorted electric guitar enters with heavy power chords, accompanied by a driving drum kit. The tempo is 120 BPM in 4/4 time. A prominent transition occurs where the metal instrumentation drops out for a high-tempo electronic dance section featuring a syncopated synth lead and a four-on-the-floor kick drum. The vocals utilize khoomei techniques, alternating between guttural low tones and whistling overtones. The arrangement blends traditional bowed strings with high-gain guitar riffs and digital percussion.

Неохота

Male vocals

Male vocals, atmospheric alt-metal, dark pop, ambient electronic, SFX, Hot, Sex, Luxure, Dark, Sensuel, lo-fi, latino, story telling, sound track, slowly, liquid, dark tone, thrill, powerful drop, feeling of running, ambient, saxophone baryton, bass club bangersdark glitch, пост металл, nu-metal, двойной вокал, глитч поп, dark glitch, уникальный, эфирный нео-соул, низкий голос

Die Architektur des Herzens

minimal techhouse Electronic

minimal techhouse Electronic, Synth-pop, Krautrock style 128 bpm 80s analog drum machine electronic percussion extremely short decay staccato bass dry punchy 909 kick moog plucks cold mechanical atmosphere clear female vocals sophisticated building tension no reverb on bass clean mix

歌詞の液状化と劇場型の街　神の戯曲家は８²の倍の出来損ない

boogie beats

boogie beats, deep house experimental funk electronic elements, lo-fi violin playing Soul meets Blues Anthem unforgettable phrase loops, playful percussive violin style. vocal intelligibility, stereo separation, Instruments Silent situation, All silence, edgy J-rap: boyish clear voice(male), smooth rap while backing voice support aggressive rap, rapid-fire interplay and rolling tongue technique, smooth flow and slick verses, seamless flow, delivering a catchy. Roland S-760 on Chop-style drums, tight breaks, 16th notes voice percussion and swug 32nd crisp hats at voice percussion, (32nd rolls, velocity shifts), and unpredictable tempo, shuffling rhythm, humanized swing and groovy, sudden time signature shifts (4/4 ⇄ 12/8), exciting rhythm, syncopated stop-time hits, stop-start dynamics with crisp silences, violent pizzicato heavy bass soundscape and acoustic guitar muted strumming dominate the mix, infectious groovy walking bass lines, pizzicato bass and heavy kicks trade licks.

Круг из ладоней

Global Fusion / ethno-electronica at 105 BPM with a pulsing communal groove; intro starts with solo kalimba

Global Fusion / ethno-electronica at 105 BPM with a pulsing communal groove; intro starts with solo kalimba, verse-like layering brings in sitar and didgeridoo, rhythm section enters with ethnic drums and a warm four-on-the-floor beat, climax stacks all instruments with wordless choir melody, then the ending dissolves back to kalimba. Whispered Russian mantra layers, close-mic and intimate, with soft group doubles, filtered rises, reversed swells, and a wide cinematic yet earthy mix., electronica

Dream with me

Vaporwave

Vaporwave, Electronic, Ambient, Dreamy, warm, hoarse female vocal, 100 BPM K-pop vocaloid female vocals glitchcore breakcore Dreamcore ethereal galaxy, edm, drill beats, 女性ボーカル, sleep, angelic 80s 90s ending happy ending, voz feminina, émotionnel

We are the Crew (2026 Edition)

Techno

Techno, Eurodance, Jumpstyle, Deep House, Eurobeat Dance/Electronic, Melodic Synthesiser, Electro-Trance, Immersive, Clear Vocal Female Lead, Future Bass

Three Kingdoms of the Machine (Drop First)

afro-electronic → techno; 132→134 BPM; D minor; long intro/outro but DROP energy from first vocal entry; single male voice (clear modern tenor

afro-electronic → techno; 132→134 BPM; D minor; long intro/outro but DROP energy from first vocal entry; single male voice (clear modern tenor, Australian tone, fully sung, precise diction); clean mix, no distortion; tight kick, defined sub, wide but controlled stereo