Electronic

Browse AI-generated Electronic songs and create similar music. Discover unique Electronic tracks made with AI on MusicMint.

Glass Walls VIP

industrial

industrial, experimental electronic, void pop

vitaminka - Двое среди осени (tengüra remix)

102 BPM emotional cinematic electronic with soft broken rhythm

102 BPM emotional cinematic electronic with soft broken rhythm, intimate and nostalgic, Russian female vocal must stay fully clear, warm and expressive, carrying the emotional weight

Встала я не с той ноги!

electronic dance remix of grunge rock — 128 BPM

electronic dance remix of grunge rock — 128 BPM, four‑on‑the‑floor kick, driving bass, pulsating synth pads, distorted guitar stabs in chorus, clean arpeggios in verses, Male vocals — raw, intimate in verses, explosive and raspy in chorus, with the same Nirvana‑style dynamics but now riding a dance beat, Structure: intro (synth build), verse (minimal beat), pre‑chorus (beat intensifies), chorus (full drop with guitar stabs), verse 2 (beat drops to bass pulse), pre‑chorus, chorus (bigger), bridge (stripped: voice + piano or synth), final chorus (massive, layered vocals), outro (beat fades with synth), Must feel like a 90s alt‑rock anthem rebuilt for the club, Hi-fi 2026, wide stereo, bass heavy

Basalt Liturgy

[Instrumental] Dark electronic ambient

[Instrumental] Dark electronic ambient, 40-60 BPM, heavy sub-bass drones, modular synth pulses, granular noise textures, subtle reversed ethnic samples, ritualistic glitch rhythm, deep cinematic tension, no melody, no flute, no acoustic instruments, eerie forest atmosphere, minimal but powerful

remind day

vocaloid

vocaloid, 2000s retro-futurism x modern vocaloid style, electronic

Tomorrow

[overall sound of recording throughout song entirety is that of a tape recording or memory] [mechanical sound at startup

[overall sound of recording throughout song entirety is that of a tape recording or memory] [mechanical sound at startup, like tape recorder buttons or clippy microphone] minimal electronic track blending detached and observational emotional states, soft mechanical pulse with subtle movement, female vocal that feels partially present but emotionally distant, layered with a faint distorted or vocoder voice suggesting an internal echo or alternate self, simple looping harmony with slow evolution, analog warmth with softened transients and slight tape character, restrained dynamics, feels like a memory being revisited without emotional access, observer perspective, quiet and unresolved, not performed, not expressive

魔法なんてないよ

vocaloid

vocaloid, 2000s retro-futurism x modern vocaloid style, electronic

Whispers of the Deep Woods

Genre: witch house

Genre: witch house, dark electronic, ritual ambient Key: D minor Tempo: 95 BPM, half-time, hypnotic Instrumentation: 808 bass drone, dark synth pads, sparse trap drums, reversed textures, cold metallic hits, strings on chorus, piano on outro Vocals: male — low, whispering, pitch-shifted down; female — ethereal, clear on chorus only; both together on drop; heavy reverb on all vocals Mood: dark, ritualistic, cold despair, brief hope collapsing into deeper darkness, folklore horror Effects: heavy reverb, long delay, bitcrusher on drums, vinyl noise throughout, low-pass filter opening on build, drone 40hz under full track, glitch on transitions

Наш Поезд в 8-БИТ! (Marcie Version)

[trap rap

[trap rap, future bass, chiptune, 8-bit] [chaotic, playful, eerie, surreal, punchy, mischievous, quirky dark energy, catchy weirdness, digital menace, animated tension] [very clear female vocal, clean female vocal, crisp clean diction, strong articulation, highly intelligible lead, vocal-forward mix, spoken lines, half-spoken phrasing, rhythmic vocal delivery] [heavy 808 bass, trap drums, punchy kick-snare, bright future bass synth chords, detuned synth leads, chiptune arpeggios, 8-bit synth bleeps, pixel-style melodic motifs, glitchy synth accents, digital fx, synthetic bass pulses, playful electronic textures] [bouncy but sinister flow, rhythmic stop-and-go, animated pacing, catchy chaos, sharp transitions, digital bounce, quirky tension-release, high contrast energy] [high quality production, polished clean mix, crisp vocal clarity, tight low-end, detailed separation, wide stereo, punchy electronic presence, professional mastering]

Silvaradei Nebelei (Remix) (Remix)

Medieval techno trance folk

Medieval techno trance folk, strong medieval character with rave energy. Tempo 136–142 BPM, steady four-on-the-floor groove. IMPORTANT: Medieval instruments must dominate the sound. Electronic elements support only, never overpower. Start: short instrumental intro (2–4 seconds), fiddle melody + flute immediately, light kick enters under melody. Beat: controlled techno kick, soft rolling bass, layered with strong medieval drums. Melody: very important — main melody led by fiddle and flute. Clear, emotional, flowing and always present. Hook: catchy repeating melody (fiddle + subtle synth support), recognizable and central. Medieval elements: fiddle, flute, nyckelharpa or hurdy-gurdy loud and clear, harp textures supporting. Add: soft female choir, atmospheric only. Vocals: female only, minimal, very clear pronunciation. Mood: mystical, uplifting medieval dance with rave energy. Outro: instrumental, medieval melody remains dominant, fade.

Paxie & Fixie – Ein Mitternachtslied

alt post-edm calypso

alt post-edm calypso, afronoirstep, gothlove, dark electronic pop, cinematic bass drops, hybrid edm, trap metal, distorted basslines, heavy 808s, glitch synths, atmospheric pads, haunting vocal chops, ethereal female topline, falsetto, dark techno, hard techno, rave, hardtekk, hardcore, industrial, doom fusion, post-apocalyptic, trance, eurodance, italo disco, nu-disco, disco-pop, electro, dream pop, synthpop, futuristic house, synthwave, moog, fm leads, 303 acid, slap bass, walking bass, galloping basslines, syncopated 7/8, 13/16, double-thumbing, tapping runs, thrash riffs, djent, shred solos, sweep picking, legato, whammy dives, twin guitar harmonies, double kicks, blast beats, war drums, bagpipes, bagpipe orchestra, riverdance, celtic fiddles, tin whistle, flamenco guitar, afrobeat, tribal drums, ska, funk rock, punk, british folk, pagan folk, acoustic guitars, layered choirs, operatic, symphonic, orchestral, brass fanfares, harpsichord, jazzy piano, saxophone, mariachi trumpets

Exodus Protocol

Epic cinematic electronic song

Epic cinematic electronic song, 100 BPM, key D minor, immediate start with deep ambient pad and pulsing sub bass, emotional and atmospheric tone, wide stereo space, female vocal ethereal and intimate, soft and breathy delivery, clear articulation, haunting melodic lines, floating phrasing, gentle vibrato, evolving synth layers, delicate piano motif with delay, gradual build with orchestral strings and low brass, distant female choir textures, heartbeat pulse rhythm, driving electronic groove with deep punchy kick and tight snare, subtle sidechain compression, analog synth bass, rhythmic synth pulses, rising tension through filtered synth arpeggios, glitch textures and digital artifacts, massive drop with full drums and powerful bassline, soaring lead synth, emotional climax with layered vocals and choir, long reverb tails, starlit cosmic atmosphere, immersive, modern, powerful, unforgettable

J'aime trop fort

post-punk indie rock with punk urgency

post-punk indie rock with punk urgency, driven by razor-sharp staccato guitars and frantic picking; aggressive melodic basslines pushed forward; fast, relentless drums with explosive snare and jittery hi-hats; tense future-bass textures woven subtly into the arrangement, chopped harmonic stabs, nervous sidechained synth chords, glitchy swells and filtered pads used for dynamic lifts; raw, dry mix with abrasive highs, clipped transients and controlled distortion; hybrid dance-punk energy blending restless indie grit with modern electronic tension

눌렀다 지웠어

Style & Genre: Korean adult contemporary ballad — the genre that has dominated Korean hearts since the 1980s; emotionally devastating

Style & Genre: Korean adult contemporary ballad — the genre that has dominated Korean hearts since the 1980s; emotionally devastating, melodically perfect, lyrically about love that was real and is now gone; nothing excessive, nothing wasted Vocals: powerful male tenor with exceptional breath control; restrained on verses — almost conversational — then opens fully on chorus with no warning; Korean-language delivery; emotion comes from phrasing and timing not volume; melismatic runs used sparingly, only at peaks; no falsetto tricks — the chest voice carries everything; the silence before the final chorus is as important as the notes Instrumentation: grand piano as the primary voice (melodic fills between vocal lines), string orchestra entering on pre-chorus (subtle at first, full on final chorus), light brush drums that never overpower, acoustic guitar fingerpicking on intro, bass staying low and supportive, no electronic elements — entirely organic and live-feeling

koichiro watanabe - 嫉妬と妬み (tengüra remix)

synth-pop

synth-pop, new wave, electronic rock

謝謝你雪兒

Deep ambient space electronic

Deep ambient space electronic, 100 BPM, wide evolving pads, subtle harmonic shifts, soft bass, minimal beat, female vocal distant and airy, layered echo harmonies

Stories in the Starlight (Mashup)

J-Pop ballad with orchestral and electronic elements. Features a breathy female vocal lead with light vibrato. Instrumentation consists of a clean electric guitar playing syncopated arpeggios

J-Pop ballad with orchestral and electronic elements. Features a breathy female vocal lead with light vibrato. Instrumentation consists of a clean electric guitar playing syncopated arpeggios, a warm synth bass, and a drum kit with a crisp snare and steady kick. Orchestral strings provide legato counter-melodies and swells. A bright acoustic piano enters for melodic fills. The arrangement uses shimmering synth pads and occasional electronic percussion accents. 120 BPM, Key of E Major, 4/4 time.

Oh Suno (Please Let Me Extend)

A fast tempo experimental mix of Seventies progressive electronica with krautrock and deep baritone gravely vocals

Major Tom (v5.5)

[Style: Modern Synthwave / Retro-Futuristic Pop • Space Pop • Dark Neon Atmosphere • Inspired by 80s space anthems (Major Tom vibe) but fully original] [Tempo: 124 BPM] [Key: F minor] [Groove: Tight electronic pulse + driving kick, but with slightly human timing (-20% human latency), subtle swing] [Production: Modern, clean, wide, cinematic, immersive 3D-audio, binaural-style movement, spatial automation, moving reverb tails, rotating delay throws, stereo field constantly shifting, subtle doppler FX, deep sub bass but controlled]

INFJ Sigma Girl (Pop/Punk/Emo)

Pop Punk

Pop Punk, Grunge, emo, catchy Punchy edm and dramatic dynamic, Speed : 145BPM, Drums: distorted 808s, trap hi-hats, snapping snares, glitch fills that feel unstable, Bass: deep sub-bass, sidechain with kick, heavy but warm, Guitar: sharp slap rhythms, tremolo walls in verse, overdrive punch in chorus, dreamy washed layers in bridge and final, Piano: cinematic, hard attack but imperfect and slightly de-tuned in bridge and break, FX: reversed delays, detuned pads, whisper echoes, tape hiss, vinyl crackle, breath left in, short moments of silence, Female vocal: very hard raspy and husky, very hard breathy, very hard strong vibrato, raw, whisper-to-explosive, voice must crack, break, tremble, and miss notes Heavy sarcasm Expressive and emotional voice, Clear enunciation and rhythmic delivery aggressive Distinctive Contralto female vocals, bassdrop, electronic synthesizer, extended, Song Length: 3-4 minutes, ‑humming, ‑Whispering