A playful cartoon electro-swing house track that fuses vintage jazz charm with futuristic sound design. It opens with a bouncy synth-bass groove and glitchy brushed-beat programming, accented by cheeky FM keys and syncopated piano stabs. Retro horn riffs, muted trumpet, and clarinet are reimagined as processed samples and synthetic patches, trading witty call-and-response lines over a driving house beat. Comedic FX—granular slide-whistles, bit-crushed horn stabs, chopped vocoder scats—pepper the soundscape with quirky humor. Midway, flamenco-inspired rhythms twist into warped arpeggiators and synthetic percussion loops, before exploding into an immersive rush of kaleidoscopic effects, spatial modulation, and hyper-detailed electronic layers. Handclaps, upright bass, and jazzy swing rhythms keep the groove dancefloor-ready, while the mix remains punchy, surreal, and irresistibly catchy with a playful lounge-cat vibe.

RESET!

Deconstructed Club

Deconstructed Club, Experimental Glitch, IDM. This track is a complex collage of disparate sounds, prioritizing texture over traditional melody. The sound palette includes abrasive metallic impacts, sounds of shattering glass, liquid-like digital artifacts, and synth textures created with heavy granular synthesis that stretch, morph, and disintegrate. The rhythm is unpredictable, fragmented, and intentionally disorienting, with a non-linear arrangement featuring sudden stops, starts, and drastic textural shifts. The drops are abrasive and noisy, designed to be a physical, textural experience.

Nine Out of Ten

A female whispered vocalist delivers gentle lines over deconstructed slowcore: sparse

A female whispered vocalist delivers gentle lines over deconstructed slowcore: sparse, delayed acoustic guitar pairs with lo-fi percussion, IDM blended Glitch-laced folk drones wander hymns, melody dancing just like melting into amorphous catharsis as textural chaos swells

Road Rage (Buddah Bless Remix)

crunk&b

crunk&b, smooth trap, alt-z - sarcastic female

Poster 2 — 151bpm Sakura Version (by Chobiii)

Hip-hop trap

Hip-hop trap, moderate tempo, slightly slower than standard, with a strong consistent beat. Core beat stays unchanged: synth bass with repetitive groove, drum machine with punchy kick, sharp snare, and hi-hat rolls. Keep the clean, rhythm-focused production close to the original. Add only subtle Japanese accents: a soft shakuhachi lead line woven into the melody, and very light koto plucks as background texture. These should enhance the atmosphere without altering the trap foundation. Male rap vocals in verses: deep, low-pitched, calm, gritty, monotone flat delivery. Strictly rhythmic trap flow, percussive spoken rap style, no melody, no singing, no pitch bending. Female singing vocals in hooks: melodic and half-sung, smooth, catchy, playful, with a cute tone. Her delivery is light and sustained, making short words memorable. Hooks are repetitive and infectious, creating strong earworm energy.

Send me a song if we stop talking v4.5+

[BPM: 108] [Genre: Melodic Trap × Korean Hip-Hop × R&B Groove] [Mood: Stylish

[BPM: 108] [Genre: Melodic Trap × Korean Hip-Hop × R&B Groove] [Mood: Stylish, bittersweet, light melancholy, smooth but bouncy] [Instruments: Clean electric guitar plucks, bright synth leads, emotional 808 bass, crisp trap drum kit with hi-hat bounce, subtle ambient textures] [Vocal Style: Korean-English mixed, autotuned melodic rap, calm but groovy flow, expressive yet restrained delivery] [Lyrics Theme: A short-lived club encounter where only the scent (N5) remains vivid. Memory fades, vibe lingers. Not love—just a moment that hit different.] [Structure: Verse – Hook – Verse – Bridge – Final Hook]

Panam

rap

rap, trip hop, desert rock, sassy female vocales

Talk My Flow 《Poster 2 — 151bpm (Remix)》

Hip-Hop × Chill Rap Beat × Lo-Fi Groove Tempo: 86 BPM (moderate

Hip-Hop × Chill Rap Beat × Lo-Fi Groove Tempo: 86 BPM (moderate, steady) Key: C minor Arrangement: 2:11 duration, Intro (12s) → Verse → Chorus → Verse → Chorus → Outro Instrumentation: Deep synthesized bass, punchy kick & snare drum machine, occasional hi-hat rolls, bright bell-like synth melody with echo, clean layered mix. Vocals: Male rap with laid-back tone, smooth delivery, short repeating hook. Mood/Tags: Laid-back, groovy, freestyle-ready, background vibe, urban night energy. Production: Crisp low end, clear separation of instruments, warm analog-style compression, subtle reverb on synths, ad-libs in the chorus, outro fades on synth echo.

Stop breathing (Remix Poster 2 — 151bpm)

female vocal

female vocal, contemporary pop, edm, influenced by urban and electronic sounds, The track should have a catchy rhythm with a deep bass and soft, constant percussion, creating a groove, Use bright synthesizers and subtle electric guitar for a modern touch, The instrumental base should start minimalistic, building into a layered sound in the chorus, The vocal tone should be powerful yet vulnerable, with an expressive range, The chorus should feature melodic high notes, contrasting with soft, intimate verses, The voice should convey empowerment and emotion, reflecting inner struggles in personal moments, The production should immerse the listener, with echoes and soft harmonies complementing the lead vocals, The verses should feel reflective, while the chorus should be liberating, with empowering lyrics, Add light auto-tune or subtle effects for a polished, modern sound that feels fresh and emotionally intense

The Soul — Never

Modern minimal cinematic choral piece. NO classical elements. NO piano. NO strings. NO orchestral references. Instrumentation: sine-like synth pad + soft

Modern minimal cinematic choral piece. NO classical elements. NO piano. NO strings. NO orchestral references. Instrumentation: sine-like synth pad + soft, dry frame-drum pulse only (very low). 82 BPM, 4/4, steady (no rubato). 3–4 female voices; warm mezzo head-voice only (no belting / no belt register); range A3–D4; subtle vibrato; de-essed sibilants. Short, quiet room reverb; high fidelity; noise-free; no SFX/foley/ambience; no hiss/crackle. Mix: voices forward; pad/pulse tucked under; no bright high-shelf on vocal. Make the hook “the soul, never” very clear and prominent in Chorus and Final (tight unison, optional light octave double); insert a brief pause before the phrase for emphasis. Use the structure and lyrics below exactly. Do not add or change words.

Did you find the location?

Joanna's avant-garde style

Joanna's avant-garde style, featuring pro-groovy R&B, is vibrant, with large-scale live performances, beautiful harmonies, avant-garde experimental reggae, and experimental electronic EDM. The 120-150 BPM rhythm shifts naturally with the lyrics. Perfect arrangements and a perfect vocalist.

Stay Tuned (English)

A stylish and groovy acid jazz track

A stylish and groovy acid jazz track, 115 BPM, The theme is the ennui and cynical feeling of youth adrift in nocturnal Ikebukuro, The core is a relentlessly funky and melodic bassline, locked in with tight, in-the-pocket drums with intricate hi-hat work, Rhythm is driven by a sharp, cutting electric guitar, Atmosphere is created by warm, jazzy Rhodes piano chords, Vocals are cool, detached, and laid-back, almost spoken-sung, conveying a sense of apathy, The overall mood is urban, melancholic, yet danceable, A sophisticated groove for the lonely city night, The guitar solo should be bluesy and expressive with a wah pedal

Clean Up Yo Room! V4.5+

A percussive

A percussive, syncopated hip hop production featuring punchy, layered drums, jittery chopped samples, and frequent stuttered gunshot effects. Verses ride on minimal, bass-driven grooves with sparse digital synths; choruses expand with deep sub-bass, busy programming, playful FX, and inventive rhythmic shifts.

Great Fish Hall Part 5

A symphonic metal track with a driving tempo of 140 BPM in 4/4 time

A symphonic metal track with a driving tempo of 140 BPM in 4/4 time, featuring a male choir, a female lead vocalist, and a male lead vocalist. The song is in the key of E minor. The instrumentation in

Angel and Goddess

(Duet – Deep male & ethereal female)Cinematic dark ballad — gothic romantic — deep male vocals (à la Parish) + ambient orchestration

(Duet – Deep male & ethereal female)Cinematic dark ballad — gothic romantic — deep male vocals (à la Parish) + ambient orchestration, dark piano, medium strings, and deep drums.

FORWARD>

Fast-tempo cinematic electro-acoustic punk

Fast-tempo cinematic electro-acoustic punk, 80s-inspired marching drum machine (now uptempo), glitchy robotic female monologue intro (no music), steady high-BPM acoustic rhythm guitar base, monotone female punk vocal (cool, detached, unshaken), tight looped beat with relentless drive, glitch textures, atmospheric synths, subtle choir on choruses, urban speed & motion energy, futuristic & rebellious

Unbound - (Poster 2 — 151bpm (Cover))

Hip-hop

Hip-hop, instrumental, chill

Kneel in the rain

female singer

female singer, liquid, Powerful, Euphoric, Ethereal, Uplifting, Atmospheric, Tribal Psytrance, Progressive Psytrance, Dreamy Vocaloid, Heavy Metal, Progressive Metalcore, Djent, Glitches, techno, pian

Poster 2 — 151bpm (Remix)

intro sustained layered brass

intro sustained layered brass, Funk hip hop fusion, New age Motown, emphasizing rhythm over melody, upbeat tempo, progressive soul, deep voice, Dynamic, dramatic Chorus, scratch pad, glitch-hop, progressive drum line, poly-rhythms, deep bass drops, complex, Big brass driven lead, layered horn harmonies, symphony

Glass Half

Experimental fusion of handpan

Experimental fusion of handpan, kora, flute, distorted cello, didgeridoo and gospel choir. Dynamic shifts from intimate whispers to explosive anthems, balancing dark and light moods.