[Music Style: A dynamic musical duel. Starts as upbeat Hip-Hop/Funk (XION's sections) and aggressive Industrial/Tribal percussion (THE ORC's sections). Features a complaining, glitchy SYNTHESIZER (NHC's echo). The song culminates in a virtuosic, stolen JAZZ-ELECTRONIC SYNTH solo. Sung in Spanish with Rioplatense English slang.]

I dance all the way! 💯

EDM

EDM, An energetic house track with a clear 4/4 rhythm, deep bass, melodic synths and atmospheric vocals about freedom and dan

Sold My Home To The Devil

reggae

reggae,punk rock,soulful afrobeat reggaeton,baritone male vocalist,singer-songwriter,mariachi,waltz,energetic,upbeat,vibrant,theatrical,uplifting,melodic, eclectic,alternates,powerful,dreamy,passionate,intense,energetic,blues,emotive,rap,r&b,gospel,angelic opera choir,glitch hop,techno house,edm,ska,rhythmic,orchestral,anthemic,rocksteady,cinematic,catchy

Coulda [SSC7, Netherlands]

Bigass Twerking

Bigass Twerking, Gangster rap, Drift phonk, Drill, Phonk, EDM, Underground shamisen, Low dark distorted vocals , Distorted vocal chops, Intimidating, Voluptuous succubus

Without Control

The track opens with acoustic guitars and pulsing bass

The track opens with acoustic guitars and pulsing bass, set in a slow, hypnotic groove. Acoustic strums and lo-fi layers create depth under intimate, clear mellow female vocals. Minimal drums with brushes and soft snares keep things delicate. Subtle synths glimmer at the edges. The bridge swells with stacked harmonies and gentle ambient elements, leading to an emotional, cinematic fadeout blending warmth and handmade character.

B Side - Flesh Frequency

Dark Techno

Dark Techno, Melodic House, Warehouse Techno, Bass Music, Trap, Post-Industrial, Electronic Dance Music, Hip-Hop Influenced Electronic, Rave, Cinematic Bass, [Dark Techno] - Described as a fusion of dark techno [Melodic House] - Combined with melodic house elements, Bass Music, emotional depth [Warehouse Techno] - driving techno anthem primed for warehouse raves [Bass Music] - intersection of bass music and hip-hop [Trap] - Produces dark, intricately designed bass music that splices together elements of trap [Post-Industrial] - Post-industrial sound design influences [Electronic Dance Music (EDM)] - Broader categorization within the electronic music spectrum [Hip-Hop Influenced Electronic] - At the intersection of bass music and hip-hop [Rave] - Incorporates rave elements, genre-blending approach [Cinematic Bass] - cinematic and boundary-pushing production

White seeds

A hypnotic blend of minimal techno’s crisp percussion

A hypnotic blend of minimal techno’s crisp percussion, organic house’s earthy textures, and airy synths from dream pop. The track opens with subtle club kicks and soft, found-sound elements; lush pads and fluid bass lines swell in the chorus, with reverb-heavy vocals floating above.

F*CK these games (Remix)

High-energy fusion of flamenco

High-energy fusion of flamenco, EDM, and dance. Begin with a deep, pulsing electronic beat and house-style bass, then layer in palmas sordas and syncopated flamenco compás. Feature Spanish guitar with passionate rasgueos, fast picado runs, tremolo, and rhythmic golpes. Use an emotive female voice with a warm, slightly raspy tone—strong and vulnerable, rich in melismas, quejíos, and expressive phrasing drawn from traditional cante jondo. Include dynamic call-and-response and ornamentation with a modern R&B feel. Process vocals with lush reverb, stereo delay, subtle auto-tune for polish, and harmonized backing for dramatic build-ups. Add synth arpeggios, festival percussion, and filtered drops to intensify the dance energy. Blend organic flamenco roots with electronic textures, evoking the duende of a tablao and the pulse of the club. Tempo: 125–130 BPM. Mood: fiery, hypnotic, soulful—bridging tradition and modern celebration.

Treat Me Like a Snack

house

house, funk, electro and techno bpm 127 a major / male robot voice

Supercycle

Groove-infused melodic metalcore with pop power metal overtones. Fast rhythm guitars and bouncing bass blend with bright synth stabs and layered clean vocals. Female vocals are delivered in a punk-pop sassy style—sarcastic, nagging, emotional, and dramatic. The tone is both catchy and emotionally messy. Sounds like a tantrum hidden behind glitter and eyeliner. No screams, no growls—just clean vocals dripping with attitude.

Falling Down In February

Emo rap. Pop punk. Catchy guitar riffs and chorus. Electronic build ups and drops.

Lost in the Fog

female vocals

female vocals, sad, depressing, lofi, melodic, acoustic

SOA

Synthwave

Synthwave, Alternative/Indie, Pop, Punk Rock, Cello, Female Vocals

One Day [SSC7, USA]

blues

blues, working-class blues, female vocals, melancholic, acoustic guitar, piano-driven, slow tempo, americana, folk blues, resigned vocals, conversational delivery, repetitive chorus, cyclical structure, sparse instrumentation, traditional blues progression, storytelling, social commentary, downtempo, raw vocals, intimate recording, minimal production, delta blues influence, contemporary blues, emotional authenticity, working-class narrative

Between the Dust and the Stars [SSC7, GER]

Desert rock

Desert rock, alt-country, Americana, Tex-Mex, mariachi, Latin folk, indie rock, cinematic, atmospheric, bilingual lyrics, brass section, acoustic guitar, pedal steel, borderlands sound, melancholic, rhythmic, southwestern vibe, rootsy, folk rock, ambient textures, soulful, storytelling, cumbia influences, spaghetti western, percussive, reverb-heavy, emotional, hybrid genre, dusty landscapes, instrumental depth

Colour

Acoustic

Acoustic, gothic rock, violin, emotional, symphonic, metalcore, clean vocals, duet, duel singing.

Rose With Thorns (Remix: Rose Without Thorns)

Empowered Dark Pop

Empowered Dark Pop, Latin Rock Fusion, female soaring vocals tribal drums electric guitar a heartbeat of defiance

×You×

Screaming male vocals

Screaming male vocals, aggressive emo punk