Funk

Browse AI-generated Funk songs and create similar music. Discover unique Funk tracks made with AI on MusicMint.

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SynthFunk

Nu-funk and Brazilian boogie with a heavy disco influence. A prominent slap bass line drives the groove

Nu-funk and Brazilian boogie with a heavy disco influence. A prominent slap bass line drives the groove, locking with a tight, dry drum kit featuring a crisp snare and consistent hi-hat sixteenth notes. Clean, rhythmic electric guitar scratches provide percussive texture. Bright, staccato brass stabs and shimmering synth pads punctuate the arrangement. The track features a charismatic male spoken-word narration in Portuguese with a radio-host delivery, transitioning into soulful female lead vocals and layered group harmonies. The production is polished with a wide stereo field and subtle analog saturation. Tempo is 115 BPM in the key of G minor.

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날 안아죠

pitch-shifted vocals

pitch-shifted vocals, rough voice doubling voice, robotic voice, funky bass, Tuba, Viola

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悪人

[GIST: Lovable villain] [Style: Avant-garde J-R&B

[GIST: Lovable villain] [Style: Avant-garde J-R&B, Nu-Neo-Soul, Dark-Shibuya-style, Jungle-Jazz-Funk, Polyrhythmic syncopation, Dissonant-catchy-melodies] [BPM: 106, Heavy swing, Groovy pocket, Sharp rhythmic accents, Dynamic section shifts] [Mood: Intellectual-Chaos, Spiritual-Irony, Eccentric-Dandyism, High-tension Ennui] [Groove: IRREGULAR KICK PATTERNS, Aggressive SLAP BASS, Distorted Rhodes piano, Piercing, Erratic BRASS STABS, Orchestral swells, High-contrast silence and noise] [Voice: BARITONE MALE VOCAL, Deep chest resonance, Gritty masculine timber, Vocal fry, Slurred enunciation, Sudden octave leaps, Theatrical delivery, Layered low-register harmonies] [Audio: ULTRA-DYNAMIC RANGE, High-Fidelity, Cinematic depth, Cheep old drum, Sharp transients, Experimental panning] [-FEMALE, -GIRL, -WOMAN, -ANDROGYNOUS, -HIGH PITCH, -VOCALOID, -UPTEMPO, -METAL, -FLAT, -BALLAD, -STEADY RHYTHM, -MONOTONOUS]

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Venner For Livet (Sweden/BOTMMC SF2)

Eurovision

Eurovision, Live Eurovision, Eurovision live, eurovision performance live, eurovision live performance, eurovision stage live, eurovision stage, eurovision live stage, playful synths, aggressive synths, piano forte, heavy percussion, trap hi-hat, dark pads, folk punk, club vibe, dynamic drumming, loud, electronic body music, jersey club, rock & roll, g-funk, heavy-djent, sharp synth stabs, guitare classique, deep male vocal, jig, catchy guitar riffs, modern classical, southern soul, soulful male vocal, Memphis soul, Chicago soul, raspy raw voice, A major, A Major, a major, deep basslines, 105 bpm, tenor voice, male duo, male duet, two males, two men, 2 men vocals, 2 male vocals

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Männer vom Mars, Frauen von der Venus

Mallorca beach-club party-schlager x festival eurodance with flamenco flair

Mallorca beach-club party-schlager x festival eurodance with flamenco flair, 128–134 bpm with half-time singalong bridge, four-on-floor kick, punchy sidechained sub, donk bounce bass, 909 clap/snare snaps, crisp open hats, tambourine sparkle, risers and snare-roll builds, hands-up drop on simple chord loop, bright supersaw hook, retro rave lead, warm piano prechorus, accordion lead riffs, brass stabs trumpet/trombone/sax plus alpine horn fanfares, chanky funk guitar and bright acoustic strums, flamenco nylon guitar rasgueado, palmas handclaps, cajón, castanets, Phrygian turnarounds, congas/bongos/timbales/shakers, brief dembow drop then back to 4/4, cheeky party storytelling with big anthem refrain, energetic male lead with shout-rap adlibs, confident female hook vocal, call-and-response crowd chants, stacked harmonies, huge singalong chorus lift, breakdown to claps+accordion+piano, final key-change climax, glossy radio-ready polish, wide stereo, tight low end, loud but dynamic master

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KEEP YOUR HEAD UP

1984 Heavy Electro Ohio Funk

1984 Heavy Electro Ohio Funk, P-Funk, Produced by Roger, Melodic Deep Baritone Male Vocals, Vocoder Leads, Thick Minimoog & Prophet-5 Bass, DX7 Bells, Roland Juno-60 & Jupiter-8 Brass, ARP Odyssey Squelch, Fender Rhodes, Oberheim OB-Xa Stabs, LinnDrum & TR-808, 115 BPM, Gritty Soulful Groove.

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Play It Again

funk

funk, Polished pop; midtempo, modern and spacious. Tight drums and warm bass under clean electric guitars and bright synth plucks. Verses stay intimate with close, dry vocal; pre-chorus lifts with subtle pads and widening stereo field. Chorus hits with stacked topline harmonies on the hook, side-chained synths, and a crisp, upfront lead. Simple, singable melody designed for replay; gentle build each section, then a final chorus with extra ad-libs and higher-energy backing vocals., pop, strong, clean, simple, steady

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Welcome to the Story

rap metal

rap metal, funk metal, aggressive funk bass, distorted guitar with effects, heavy drums, male spoken-rap verses, shouted melodic chorus, political lyrics, intense controlled delivery, anthemic, groovy, 90s alternative metal vibe, 92 BPM, minor key, nocturnal

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Djentermission CXXVIII - Bitte

An 80s Euro-Disco track powered by punchy four-on-the-floor drums

An 80s Euro-Disco track powered by punchy four-on-the-floor drums, crisp hi-hats, and a driving funky bass sets a kinetic groove, Verses blend syncopated djent guitars, polyrhythmic percussion, and flashes of German schlager flair, The chorus dazzles with quartal arpeggiated synths, bold dual vocals, soaring guitar riffs, and a rapid, complex solo—wrapped in glossy, polished production and anchored by an infectious, hook-laden refrain

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DON’T STOP 'TIL YOU GET... OLD?

1980 P-Funk Groove

1980 P-Funk Groove, Heavy Disco-Funk, Mid-tempo. [Production] Produced by George Clinton & Bootsy Collins. Inspired by "Don't Stop 'Til You Get Enough" (Q. Jones & Rod Temperton vibe). [Instrumentation] M.Jackson Elements: Glass bottle percussion, Crisp Shakers, Orchestral Strings (High energy), Fender Stratocaster (Clean funk scratching). P-Funk Elements: Fender Jazz Bass & Precision Bass (Thick, wet slap), Steinberger Bass, Minimoog (Heavy sub-bass), Arp Odyssey (Screaming lead synth), Prophet-5, LinnDrum (Tight 80s snap).

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Most epic synth pt.130 (Cover)

Gregorian chant meets West Coast G-funk

Gregorian chant meets West Coast G-funk, sacred medieval monk choir over slow Compton beat, Latin drone vocals above California groove, spiritual transcendence meets street philosophy, cathedral reverb on everything, solemn yet hypnotic lowrider energy, devotional intensity meets 90s hip-hop cool Male monk choir unison Gregorian drone, Moog G-funk whistle synth lead, deep Minimoog slow-rolling bass, LinnDrum kick snare crisp, muted funk guitar, Hammond organ medieval chords, 808 sub underneath choir, handclaps backbeat, sparse Gospel piano stab, orchestral string swell Slow 88bpm West Coast grid, Gregorian free-rhythm vocals floating above strict hip-hop pulse, Dorian modal choir over G-funk pentatonic melody, Em drone sustained throughout, swung 16th hi-hats, bass locked with kick, monk phrases call-and-response with synth, sudden drop to solo choir acappella, full beat explosive re-entry, gradual layering outro

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LIGHT THE WAY | NU-MIX

nu disco

nu disco, 124 BPM, four-on-the-floor kick, syncopated slap bass, choked rhythm guitar, Extremely deep + commanding bass Distinct flange + phasing FX Layered vocoder lead, harmonized male chant, sidechain pumping, plate reverb, glittering synth stabs, filtered disco strings, emotional verses, explosive chorus, late-night euphoria, swung hi-hats, clapping backbeat, club-ready drop, Funk nasty bass, seductive melody, dark pop, Professional mastering, modern production, Micro detune warmth, swing tight transients, Vox textures, chopped atmos stabs, psychedelic stereo sweeps, Heavy kick sub-lock, hypnotic swing breaks with polyrhythmic perc, Ghost notes, Experimental min riddim, pristine high fidelity, subsonic tremor layer, midbass growl, nu disco masterful melody, nu disco guitar stabs and melody, glitchy seductive funk lead synth blend into vocoder solo, massive belted emotional layered vocals blended with robotic vocoder, tape stops, electro jazz, french house complextro, future funk

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My Heart Beats For You

funky jazzy nu-metalcore

funky jazzy nu-metalcore, pop punk, drop B guitars, saxophone driven melodies, octave pedal chugs, dual lead guitar harmonies, thunder tom fills, layered gang shouts, sub-bass reinforcement, parallel distortion bus, plate reverb, clean scream duet, eight part harmonies, halftime breakdowns, swung 16ths, 278 BPM, bittersweet nostalgia, bruised catharsis

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Djentermission CXXVII - WWW

This djent turntable funk track opens with syncopated

This djent turntable funk track opens with syncopated, metallic riffs and interplay between dueling guitars an octave apart, Funky turntable scratches weave through dynamic tempo shifts from ultra-slow grooves to frantic bursts, 80s euro disco synths, processed with heavy reverb for a mall speaker effect, add retro texture, Sporadic 90s R&B-metal fusion appears in lush chord stabs and punchy drums, while brief mariachi brass and guitars accent the transitions, Emotional vocal changeups soar above the mix, polished by top-tier EQ and mastering

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Love Me Through the Storm [NU DISCO REMIX]

nu disco

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Тайна в душах

Genre experimental glitch pop dark ambient glitch hop corrupted kawaii future bass

Genre experimental glitch pop dark ambient glitch hop corrupted kawaii future bass, пост металл, nu-metal, aggressive brutal male vocals, dark new age, dark new wave, 80s, horror synth, slow 60s dark funk, Horror, Creepy, clap, spacey echo, post-rock song, quirky indie tunes with catchy hooks, energetic neon pop punk anthems, euphoric future bass vocals, techno, electronic beat, grimy bass voice, эфирное фортепиано

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Velvet Error Plastic Eden

Beautiful uncanny drum and bass with cyber-pop atmosphere

Beautiful uncanny drum and bass with cyber-pop atmosphere, 174 BPM, deep sub bass, smooth moving reese bass, crisp breakbeats, punchy snare, female vocal with natural Japanese and English mixed lyrics, artificial paradise mood, glass greenhouse atmosphere, synthetic flowers, glossy futuristic textures, bright but slightly eerie beauty, elegant melodic topline, dreamy pads, subtle chime accents, blooming chorus, wide and addictive drop, cinematic but catchy, less aggressive than battle-type neurofunk, more hypnotic and visually rich, club-ready low end, polished arrangement, no dead space, emotional but not sad

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Drink It Again

Mid-tempo groovy alternative rock with a light danceable feel. Bouncy but controlled groove. Not EDM

Mid-tempo groovy alternative rock with a light danceable feel. Bouncy but controlled groove. Not EDM, still band-based. Tight drums with steady 8-beat, light groove emphasis. Minimal fills. Include a half-time breakdown for interlude. Bass is forward and slightly funky, repetitive and hypnotic. Guitars are clean to light crunch, rhythmic and percussive. Add subtle bright synth accents for a colorful, liquid atmosphere. Male vocal, relaxed, slightly playful but not overly emotional. Include talk-like rhythmic vocal for interlude. Mood: playful, surreal, slightly weird but catchy. Abrupt ending, no fade-out.

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🔞lovehoney [ep7.4]

Indie pop with a funk-influenced groove. The arrangement features a clean

Indie pop with a funk-influenced groove. The arrangement features a clean, rhythmic electric guitar playing muted staccato chords and a prominent, melodic electric bassline that drives the syncopation. A dry, tight drum kit provides a steady backbeat with crisp hi-hat work. Female vocals are delivered in a conversational, rhythmic style, shifting to a more melodic and layered approach in the chorus. A subtle, funky synth lead and occasional percussive accents like finger snaps appear in the mix. The tempo is 105 BPM in the key of G Major.

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Hipokrit -Double Face

Jazz R&B

Jazz R&B, Funk, Reggaeton, Blues, Soul, Hip Hop, Pop