Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

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그 시절 우리 (He said)

warm mid-low Korean male vocal

warm mid-low Korean male vocal, soft breathy tone, slightly husky texture, intimate close-mic singing, gentle narrow vibrato, conversational emotional phrasing, delicate emotional restraint, clear Korean diction, understated delivery, minimal indie-pop x neo-soul, warm rhodes electric piano, jazzy maj7 and 9th chords, muted electric guitar, subtle groove, soft bass, brushed drums, sparse arrangement, analog tape warmth, late-night Seoul atmosphere, Korean indie cafe vibe, rainy spring night ambience, cinematic but intimate mood, melancholic yet comforting, modern Korean indie sound

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Вор (Thief) (v5.5)

[Genre: Russian Criminal Chanson

[Genre: Russian Criminal Chanson, Russian Rock Chanson, Criminal Orchestra, Russian Djent] [Instruments: Accordion (wheezy, melancholic chords, frantic folk-punk solos, bellows shake) Violin (sweeping, dramatic melodies, gypsy-jazz flair, occasional aggressive, distorted shredding) 7-String crunchy djent Guitar (low-tuned, palm-muted djent riffs, chugging rhythms under folk melodies) Contrabass (acoustic, deep, walking pizzicato lines, bowed, mournful sustains) Drums (minimal, tight jazz brushes on snare, explosive orchestral percussion, syncopated metal kicks) Brass Section (muted trumpet, melancholic trombone, for a smoky, theatrical feel)] [Vocal: Female voice (husky, powerful, with a gravelly texture; a resonant, ringing alto] wide mix, balanced EQ, compressing, asmr wide stereo, close micro

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Retumbo de Amor

Deep sultry female contralto

Deep sultry female contralto, smoky vocal fry, slow dramatic Argentine Tango, dark cello lines, rhythmic bandoneon, vintage analog warmth, cinematic atmosphere, 80 BPM, intimate jazz club acoustic, sanfona, noir.

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花より小さなありがとう (A Thank-You Smaller Than Flowers)

Warm CATHY Mother’s Day J-pop song with gentle jazz pop and chamber pop colors. The song should feel like a handwritten letter and a small bouquet

Warm CATHY Mother’s Day J-pop song with gentle jazz pop and chamber pop colors. The song should feel like a handwritten letter and a small bouquet, but the chorus must have a memorable singable J-pop melody and an emotional hook that stays in the listener’s mind. Use a soft clear female lead vocal with close-mic warmth, natural breath, tender phrasing, and smooth de-essed highs. Build the sound with warm felt piano, Rhodes electric piano, nylon guitar, upright bass, soft brushed drums, light pizzicato strings, warm legato strings, and a delicate clarinet or flugelhorn. Keep the verses intimate and nostalgic, the pre-chorus gently rising, and make each chorus bloom with catchy melodic lift, soft stacked female harmonies, and warm emotional release. The final chorus should feel fuller and more special, but still tender, personal, and not loud. Mix with rounded upper mids, soft dark high-end, balanced EQ, warm reverb, natural dynamics, and no harsh brightness.

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Spin Concrete

[genre] J-Future Garage

[genre] J-Future Garage, Jazztronica-Glitch, Bitcrush-Chiptune-Hardcore, Deep-Male MC + Childlike-Female Vocal, VR Club Bar [style] BPM 134, locked 2-step (kick 1/2, 75, ghost snare 2/4, 5, 12% swing, no off-beat), sub = sine+Reese FM + warm upright jazz bass (1/16 LFO sync, 40ms glide, 1/8 side-chain, subtle walking feel), main lead = digital banger supersaw + 8-bit square + hard saw fused with jazztronica Rhodes, muted trumpet & sax stabs (7, 5Hz vibrato, 30ms portamento, 45% L/R pan, 25% distortion + 8-bit crush 60% wet), glitch elements = micro stutter & repeat on lead tails, tape stop / buffer glitch, chopped jazz piano with bitcrush, vinyl crackle & turntable noise layered, snare reverb 1, 6s tail + bit-crush, vocal formant + 4-bit crush on bridge sections, additional jazztronica touches = soft brushed snare layers, sophisticated minor jazz chords, occasional sax/glitch chops, walking bass fills

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Просто любить тебя

Tempo: 95 BPM

Tempo: 95 BPM, minor. Drums: crisp drum machine, deep sub‑kick, rimshot on 2 and 4 beats. Harmony: filtered electric piano with jazz extended chords. Bass: subtle, pulsing synth bassline. Vocal: soulful male lead (chest voice + light falsetto, gentle vibrato), layered background harmonies. Overall atmosphere: spacious mix, high‑end sheen, moderate hall reverb — a dreamy, late‑night aesthetic.

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Salt Regret

Neo-soul

Neo-soul, alternative R&B, 75 BPM, organic textures, lush acoustic guitar, jazzy Rhodes piano, warm bassline, atmospheric, mellow male vocals, gospel-style backing harmonies.

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青空の向こうへ

progressive hybrid pop

progressive hybrid pop, EDM, jazz-influenced pop

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Shadows and Wishes

deep house

deep house, 116 BPM, 90s club, jazzy Rhodes chords, syncopated sub-bass, four-on-the-floor kick, shuffled closed hats, warm drum bus saturation, tape delay stabs, sidechain pumping, wide stereo pads, filtered breakdowns, lift-and-drop arrangement, late-night groove, sensual momentum

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हार्ट ढूंढता है लव x अब्रकदबरा (मैशअप)

432hz

432hz, free jazz, melodic techno[PERFECT STUDIO RECORDING QUALITY, HIGH DEFINITION] [intro:BINAURAL SURROUND HEART BEAT SOUND FX] ✨ 🦇💖✨ 🌿🍷💫🌼 🌈🍃🌌🌺🍃🌟 🌑🔒❌🌹🔑🌫️💖 🌻🌍📞🌿Sensual flamenco-disco hybrid, male vocals deep and raspy, Nylon guitar and palmas lock with a four-on-the-floor kick and bouncing bass; verses stay smoky and hypnotic, pre-chorus adds shimmering synth arps and risers, chorus explodes with crowd shouts, vocoder doubles, and a sliding lead synth, Breakdown mid-track with filtered drums and whispered ad-libs before a final explosive drop, disco, flamenco, remix🌙 🌼📖💭✨ 🌈💌Bolly-Pop Fusion, Operatic Pop, High Energy, Sitar and Mandolin Blend, Dramatic Strings, Driving Dance Beat, Romantic Duet, Italian and Hindi Lyrics, Cinematic, Cultural Crossover🜁🜂🜃🜄🜅🜆🜇🜈🜉🜊🜋🜌🜍🜎🜏🜐🜑🜒🜓🜔🜕🜖🜗🜘🜙🜚🜛🜜🜝🜞🜟🜠🜡🜢🜣🜤🜥🜦🜧🜨🜩🜪🜫🜬🜭🜮🜯🜰🜱🜲🜳🜴🜵🜶🜷🜸🜹🜺🜻🜼🜽🜾🜿

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あなたの温度～showa nostalgia

restrained Japanese noir jazz waltz

restrained Japanese noir jazz waltz, 3/4, early summer night, tatami room, veranda, one firefly, woman in yukata waiting quietly. dark sensual Showa-era cabaret mood, decadent elegance, art-rock tension, sharp feminine presence, but private and minimal, never theatrical. acoustic trio only: nylon guitar, upright bass, soft hand drums. no piano, no brass, no strings, no orchestra, no rock band, no synth. guitar uses complex floating harmony: maj9, m9, 6/9, add9, add11, sus, #11, 13, quartal and rootless voicings. weak tonal center, unresolved colors, no plain triads, no pop progressions. close dry female vocal, low, breathy, fragile, almost spoken, free timing, late entrances, drifting off melody, imperfect pitch. no high notes, no belting, no falsetto, no chorus lift, no climax, no dramatic explosion, no J-pop ballad, no enka. second half stays smaller, quieter, sparser, more unresolved. end incomplete.

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Rach

Female vocals

Female vocals, metal, K-pop, Epic song, slow piano, Fast speed, slow chorus, super long song, Beautiful rhythm, Jazz, heavy strings, cute vocals

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有一點孤單

1970s

1970s, enka, lyricism, sweet female voice, romance Showa kayo, 70s pop, Melancholic, Female vocal, Slow tempo BPM82, Dramatic, Romantic, Orchestral, Soft voice, Sweet mood Saxophone, jazz, funk, rain, neo-retro wave/Emotionally dark fantasy bard, harp, strings, orchestra, female singer, deep voice, strong rhythm, smooth, R&B, K-pop, piano, organ, xylophone, drum kit, hip-hop music, heavy bass, bathroom music.

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The Last Chip

Trip-hop beats

Trip-hop beats, mid-to-fast tempo groove, prominent nervous piano, lush string arrangements, cinematic atmosphere, male vocals, jazzy harmonies, warm basslines, atmospheric synth pads, orchestral layers, dramatic mood, tense energy

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08. Le Lièvre / A Lebre

spoken word French

spoken word French, authoritative recitation, Parisian male vocal, PT-PT spoken voice, neoclassical chamber pop, acid jazz, French chanson, Portuguese fado, piano melody lead, sparse fado guitar, accordion accents, string quartet, brushed snare, upright bass, dry close-mic vocals, room reverb, lesson-like cadence, ceremonial restraint, 96 BPM, call-and-response phrasing

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I WANNA RIDE

1983 NYC Boogie Funk meets Late 80s New Jack Swing

1983 NYC Boogie Funk meets Late 80s New Jack Swing, Sophisticated, High-Energy, Produced by Charlie Wilson. Sample by Pebbles “Mercedes Boy” Tempo: 115 BPM Vocals: Vocals Group Style, Thick layered Smooth soulful Male Lead with powerful Range; Multi-layered Male Group Harmonies for Chorus and Bridges. Instrumentation: Deep slap bass (Music Man style), rhythmic Stratocaster scratches, steady LinnDrum percussion with heavy 2/4 claps, Minimoog synth bass lines, warm analog poly-synths, and melodic Jazzy piano stabs

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Cozy Mantra – Itipiso Jazz Version

Female vocal Thai Buddhist chant fused with cozy coffee shop jazz

Female vocal Thai Buddhist chant fused with cozy coffee shop jazz, lo-fi neo soul, and smooth late-night lounge R&B. Soft smoky female voice with airy breathy delivery, intimate whisper-like chanting, elegant layered harmonies, and calm feminine presence. Warm Rhodes electric piano, mellow jazz guitar, upright bass, brushed drums, soft tenor saxophone fills, vinyl crackle, rainy café ambience, and spacious atmospheric reverb. Relaxed slow groove with healing and meditative mood. Inspired by late-night Bangkok cafés, incense smoke, rain outside the window, warm dim lights, bookshelves, and peaceful urban spirituality. Thai Pali chanting flows naturally like soothing jazz poetry. Gentle and hypnotic atmosphere, cozy café playlist energy, emotionally healing and immersive. No dramatic climax, smooth continuous flow throughout the track.

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VERTIGE

female singer

female singer, cinematic, drum and bass, smooth, sad, catchy, melodic, electric guitar, experimental, funk noir jazz

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No Weapon [Neo-Soul]

Neo-Soul

Neo-Soul, Jazz Elements, Trap Soul, Vibey, Background Vocals, Melodic, ALT-R&B, Heavy Bass, Duo

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Espada de Paz

MPB-soul with samba-jazz sway and epic orchestral lift; swung percussion and warm bass on the verses

MPB-soul with samba-jazz sway and epic orchestral lift; swung percussion and warm bass on the verses, pre-chorus thins to voice, piano and suspended strings, chorus opens with female lead plus harmonic choir, oboe solos weave against violins in the breaks, final section blooms with full philharmonic brass and choral resolve. Close-mic intimate vocals, doubled on the hook, with reverberant ad-libs, cinematic risers, and bright, polished mix., soul, jazz, mpb, samba, female vocals