Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

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Фигня Ты и я

jazz

jazz, double bass, grand piano, drummer, boozy jazz, gravelly voice

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遙遠國度

saxophone jazz

saxophone jazz, lo fi urban r&b, 85 BPM, C minor, Passacaglia

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蓮始開（はすはじめてはなさく）-Spiritual edit

Spiritual contemporary jazz ensemble led by vibraphone

Spiritual contemporary jazz ensemble led by vibraphone, Warm, rounded vibraphone tone with softened attack, controlled sustain, careful pedaling to avoid harmonic blur, Sparse, hymn-like chord voicings placed deliberately in space rather than continuous comping, Medium-slow tempo, deep pocket, rhythm-forward but never aggressive, Drums with loose, breathing groove (broken swing / hip-hop-informed), emphasis on feel over subdivision, Acoustic bass grounding the harmony with simple, repeating figures, Harmonic language influenced by gospel and modern post-bop, favoring resonance and suspension over resolution, Minimal density, strong sense of air and silence between phrases, Overall mood: meditative, communal, quietly uplifting, ritual-like rather than virtuosic

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All This Social Pressure

minimal chamber jazz

minimal chamber jazz, spoken intro, breathy solo vocal, close-mic whisper, brushed snare, felt piano motifs, guzheng harmonics, bowed cello drone, hand percussion, room-tone ambience, tape saturation, dry mix, sparse breakdown, gradual lift, contemplative, 142 BPM, free-time rubato

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ไม่เข้าใจ (Understand?)

Male vocal

Male vocal, sophisticated Thai pop ballad, Neo-Soul infused, melancholic laid-back groove, airy falsetto, catchy complex jazz chords, dry tight mix, zero reverb on vocals, warm sub-bass 40Hz-80Hz, clear presence 10kHz-12kHz

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grass?

alternative hip-hop

alternative hip-hop, jazz rap, boom bap hip hop

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Missed me

downtempo

downtempo, nu jazz, trip-hop

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Sole Disegna L'Alba

elementar blues jazz '70 acoustic

elementar blues jazz '70 acoustic , roug female voice,

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Blume von Hawaii (Waifu Trio goes South Sea)

Vocal acapella swing with subtle hawaiian undertones and harmonies

Vocal acapella swing with subtle hawaiian undertones and harmonies, soft female voices, playful call-and-response between upright bass and vintage drum kit, Opens with playful toms and snare, features an extended drum and bass solo in the second half, Bass uses walking lines and percussive slaps, drums answer with loose snare, tom fills, woodblock, and swinging hi-hat, Sparse, gentle, soft hawaiian slide guitar melody sets accents between rhythm phrases, clear and tuneful, Sparse, rustic, jazzy, 1930s small-combo trio vibe of only slap bass, vintage drums and fingerpicked hollowbody jazz guitar - NO other instruments, NO piano, drums play the lead melody, guitar the counter-line, female voice harmonies - with a breezy, free-spirited energy!

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Today We Are One by Caio Klin (Cover)

a raw jazz rock fusion track infused with french guinguette charm imagine electric guitars and fender rhodes trading playful licks over a tight syncopated drum groove add upright bass walking beneath jazzy horn stabs and accordion flourishes that wink at parisian cafes the rhythm alternates between 6 8 swing and funky 4 4 with bursts of electric improvisation reminiscent of 70s fusion bands vocals male or female are expressive half spoken half sung evoking street poetry and bittersweet nostalgia production blends analog warmth with modern crispness clinking glasses laughter and distant accordion echoes drift through the mix mood festive clever heartfelt where montmartre meets Jazz

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С милым

Club music mixed with Latin and jazz

Club music mixed with Latin and jazz, with a powerful dance beat and pumping percussion. Accompanied by a female choir.

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Cat in a Box Spring

Female vocal performance with warm soft timbre

Female vocal performance with warm soft timbre, blending jazz-influenced melodic phrasing with K-pop-inspired styling. English + Korean bilingual vocals, airy whisper tones shifting into emotional expressive projection, subtle vibrato, delicate ornamental runs, breathy layered harmonies, intimate close-mic texture. Enhanced female dual-channel vocals with wide stereo separation, immersive 3D binaural spatial mix, centered lead vocal with surrounding ambient vocal layers. Smooth dynamic control, refined articulation, shimmering high frequencies, rich harmonic detail, pristine high-fidelity mastering, dreamy futuristic atmosphere.

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Today We Are One by Caio Klin (Karter Mafia Remix Version - Lo-fi Jazz)

Lo-Fi Jazz Hop

Lo-Fi Jazz Hop, Neo-Soul Fusion, 88 BPM, dusty vinyl drum breaks, warm Rhodes chords, upright bass groove, muted trumpet textures, intimate baritone male vocal, close-mic relaxed delivery, subtle vocal harmonies, vinyl crackle & tape saturation, late-night reflective atmosphere, clean analog mix

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Saudade de Nada (이유 없는 그리움)

minimalist bossa nova

minimalist bossa nova, cool jazz, breathy female vocal, soulful, sad, acoustic guitar, mellow piano, brushed drums, reflective vibe

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พักแป๊บ (ไหวเมื่อไหร่ค่อยไปต่อ) - Take your time

soul

soul, bossa nova, jazz

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JARAK DAN JANJI

surf rock

surf rock, jazz rock, 138 BPM, dual guitar harmonies, wah-wah guitar, driving power chords, brushed snare kit, syncopated bassline, upright bass walks, saxophone stabs, organ comping, slapback delay, spring reverb, analog tape saturation, offbeat accents, restless yearning

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玉玉-帶妳逛夜市

1920s jazzy Hip-Hop × Japanese old-school cipher rap

1920s jazzy Hip-Hop × Japanese old-school cipher rap, explosive speakeasy opening with vinyl crackle, chopped brass, dusty piano stabs, and crowd ambience. Crunchy SP-1200 boom-bap drums: tight dry snares, brushed kicks, finger snaps, swung 16th hi-hats, rimshot ghost notes, humanized swing groove. Chopped pizzicato walking basslines, minimal 808s, syncopated bounce rhythm, reversed break fills, glitch-punk tempo jumps, tape-stop effects, phasing, reverse echoes, raw turntablism scratches, dramatic silence-drop moments before beat returns. Smooth but edgy Japanese male rap, close-mic soft flow, slick verses, rolling tongue technique, rhythmic whisper delivery. Dusty organ, filtered brass, upright piano fragments, cassette hiss, warped vinyl artifacts, unforgettable chopped hooks. Spatial audio, immersive 3D sound, ultra-wide stereo imaging, strong vocal intelligibility, clean stereo separation, punchy mids, dry snare presence, cinematic headphone depth, dynamic groove mutations,

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Sea at Hua Hin

Bossa nova pop acoustic ballad with brushed nylon guitar

Bossa nova pop acoustic ballad with brushed nylon guitar, warm upright bass, lazy syncopated percussion, and airy Rhodes turns; verse stays close and intimate, pre-chorus opens with lifted harmony pads, chorus lands on a sighing melodic lift with soft gang doubles. Vocal is deep mature female, contralto and smoky, restrained vibrato, elegant phrasing, subtle enka ache. Sea breeze sweeps, glass chimes, and a gentle cymbal swell bridge each section; mix is warm, intimate, and cinematic., enka, soul, deep, low, pop, tone, emotional, acoustic, country, vocal, jazz, ballad, melancholy, rich, soft, refined

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IT’S A MUSICAL

1980 VINTAGE P-FUNK BOOGIE

1980 VINTAGE P-FUNK BOOGIE, URBAN POST-DISCO GROOVE. 110 BPM. VOCALS: THICK LAYERED SILKY SOUL MALE LEAD, AGGRESSIVE CALL AND RESPONSE, INTERRUPTING SULTRY LOW-VOICE FEMALE HARMONY CHANTS, OPERATIC SHOUTS. INSTRUMENTAL: RUBBERY SLAP BASS, FAT ANALOG BASS BUBBLES, JAZZY ELECTRIC PIANO RIFFS, CHUNKY RHYTHM GUITAR CHIRPS, BRASS STABS, DRIFTING HANDCLAPS ON THE BACKBEAT. FEEL: VELVET LATE-NIGHT FREQUENCY, COSMIC DISCO SATURATION.

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Gegensätze (made with my voice model)

indie acid jazz electronica

indie acid jazz electronica, acid jazz, dark techno