Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

Я ХОТЕЛА ЛЕТАТЬ…WANTED TO FLY

orchestral

orchestral, future heavy bass and drums world, haunted orchestral torch song, lone muted trumpet, dramatic tempo, jazz, slow, dramatic, raw, female vocals, low, low register, dark sweeping strings, ballad, melancholic repeating grand piano motif, dee

Permission to Break [PHONK COVER]

fast Phonk rap

fast Phonk rap, dark Memphis phonk, chopped and screwed vocals, lo-fi gritty production, heavy distorted 808 bass, sharp trap drums, hypnotic cowbell rhythms, sampled jazz and funk loops, slow to mid-tempo, eerie atmospheric vibe, distorted pitched-down male rap vocals with triplet flow, raw underground Memphis rap energy, vinyl crackle and tape hiss. Opens with a pounding distorted Breakbeat kicks and glitchy razor snares, bass growling mechanistically, dark phonk cowbell melody, saturated distortion, drive searing FX frenetic breakbeats blend into heavy dark electro amen breaks, indie pop alt-pop midwest emo psychedelic atmosphere fused with experimental minimal riddim and psychedelic bass, in a tight half-time pocket: snare on 3, heavy sub-locked kick, swung breakbeat tops, core groove built on hypnotic half-time cinematic bass + swung polyrhythmic tribal percussion with ghost notes, ferocious grooves, experimental minimal riddim and psychedelic bass

Last Hopes - 6

slow art pop

slow art pop, trip hop, jazz rock 70s, solo piano, solo trumpet+mute, guitar strumming, original melody, deep bass riffs, extreme bass, polyphony, heavy drums, space

Chanson des dés (-fi !)

jazz psychédélique

jazz psychédélique, polka pop, dance 80's, happy; math rhythm, robotic sounds,

สายเปลสายใจ(Cover)

Thai Luk Thung

Thai Luk Thung, cha-cha-cha, 120 BPM, male Thai vocals, heavy vibrato, acoustic guitar strumming, Phin fills, jazz guitar comping, brass stabs, trumpet lines, electric finger bass line groove, hard drums, Latin percussion, guitar and accordion fills, tape saturation, plate reverb, 1980s AOR mix

Морщины - автографы лет

A large space of the cinematic atmosphere of blues rock

A large space of the cinematic atmosphere of blues rock, the acoustic texture of the lively, raw Chicago blues of the 1960s, 85 BPM, rich blues-jazz groove, modern turntablism, slide guitar, smoky organ pads, hoarse, blue notes, the prevailing rhythm of the double bass, walking bass, the bass guitar is clearer and more expressive It has the depth and saturation of reverberation, the clean blues curves of an electric guitar, the soft low hum of a velvet cello against the background, distant strings, accents of a singing violin and piano; an intimate, conversational duo, brutal blues vocals are thick, with clear diction and expressive phrasing: female hypnotic, smoky, emotional mature vocals and male heavy, deep, rough vocals, sustained mature voice, cinematic speech, breathtaking, textured roughness of voice, sounds very close, intimate to the listener and an open microphone, without screaming, high-pitched, confident man of 60-65 years old, pronounces each line with calm authority,

Vincente

Cinematic mafia score fused with dark jazz and subtle trap elements. Slow tempo (70–80 BPM)

Cinematic mafia score fused with dark jazz and subtle trap elements. Slow tempo (70–80 BPM), minor key, dramatic orchestral strings, solo violin melodies inspired by Sicilian themes, deep upright bass, smoky jazz piano chords, occasional muted trumpet accents. Sparse but precise trap hi-hats and sub 808s for modern tension. Atmosphere should feel like a dimly lit Italian restaurant or mafia office. Vocals: dominant spoken word in a broken, threatening, calm but dangerous mafia boss tone, slightly raspy, close-mic, intimate and intimidating. Sung parts emotional but controlled, almost restrained. Dynamic contrast between quiet tension and dramatic swells. Use pauses, silence, and reverb tails for suspense. No bright pop elements. Overall mood: dark, elegant, ironic, cinematic storytelling with subtle dark humor.

关系户 (Remix)

A gritty

A gritty, authentic East Coast conscious hip-hop track rooted in classic 90s New York rap tradition, a punchy syncopated kick drum with tight low-end thump, and a crisp cutting snare with sharp transient attack, locked to a steady 92 BPM tempo. The production boasts a raw, unpolished analog texture with warm vinyl crackle, a front-and-center focused mid-range vocal presence, layered muted jazz horn loops, deep walking bassline, and subtle soul sample chops, delivering a hard-hitting narrative-driven vibe perfect for sharp, critical lyricism, 90s, rap, hip-hop, g funk, crisp clear sound, melodic, polyphonic synthesizer, low end bass, psychedelic, nostalgic, Gangster Crip

Deep Blue Ocean

60s psychedelic rock

60s psychedelic rock, vintage fuzz guitar, swirling phaser effects, jazzy drum shuffle, melodic retro bassline, ethereal male vocals, lo-fi indie, melancholic groove

Step by step

deconstructed

deconstructed, broken beat, nu-jazz

The Quiet Fire

alternative rock

alternative rock, post hardcore, soul-jazz fusion, G major, deep intense, emotional

Sun-Kissed Serenade

A Nu-Jazz Jazz track with Female Vocals

A Nu-Jazz Jazz track with Female Vocals, sung in a smooth & breathy style in the mid, tenor range. The voice has a warm & rich timbre, delivered in an energetic & rhythmic way. Lyrics explore themes of storytelling & narrative, sung in English, and the vocals are layered with airy, angelic harmonies.Female Vocalist -> Nu Jazz -> Smooth female vocals with a touch of soulful vibrato -> Lightly syncopated drums, walking bassline, shimmering Rhodes piano chords, mellow trumpet and saxophone solos -> Laid-back groove, mid-tempo, with dynamic contrast between verses and solos -> Warm analog warmth, spacious reverb on keys and brass, subtle delay on vocals -> Chopped vocal samples, filter sweeps on brass, gated reverb on drums

Ep 1 The Pillar Burns (The Pillar Of Autumn) v8 (Cover 2)

Opening with dissonant

Opening with dissonant, slow doom-laden riffs, the track explodes into 90’s heavy thrash metal intensity—tight double kick drums, biting guitars, sledgehammer chords. Verses layer aggressive male vocals with eerie harmonized backing. Jazz-fusion-inspired drums and wicked chromatic bass lines drive each section, while melodic pulse underpins the chaos. Solos mix wild jazz phrasing with electrified distortion, building to a relentless, distorted outro.

Where Is Constantinople? (Instrumental)

Smooth jazz style

Smooth jazz style, relaxed tempo, soft saxophone lead, mellow electric piano chords, gentle groove, clean and polished sound, romantic and chill atmosphere, minimal improvisation, easy listening vibe

Learning to Live

Progressive Metal - Jazz-Fusion. Blues-Djent

Progressive Metal - Jazz-Fusion. Blues-Djent, syncopated drums, grand piano Virtuoso, synth metal pads, Groove bass, Heavy distorted guitar riffs, male baritone-tenor voice, backing vocals

⌈global release⌉ᵍₗₒᵥₑₛ ᵈᵢₐₘₒₙᵈₛ ₗₒₒₜ & ₜᵢₘₑ ₚₒᵣₜₐₗₛ ⌈ft. 怪盗⌋

J-Pop

J-Pop, Jazz-Hop, Boom Bap

Одинокий музыкант

a rhythmic soul-blues composition in a jazz style

a rhythmic soul-blues composition in a jazz style, an unusual and unforgettable velvet male voice

Danse avec L'Invisible (Deep Dubstep Version)

Deep dubstep 140 BPM halftime feel

Deep dubstep 140 BPM halftime feel, massive sub bass foundation: pure sine 38–42 Hz, mono, ultra clean, long rounded ADSR, slow breathing sidechain, dominant physical weight shaping the track, dark gothic orchestral noir tango atmosphere, haunted and intimate, detuned fragile piano with humanized timing, sparse broken chords and long resonance, noir jazz elements: double bass pizzicato and bowed dissonant textures, subtle off-grid tango groove with brushed snare, minimal restrained drums, hypnotic and spacious, theremin lead as an entity, eerie gliding pitch, call and response, orchestral layers: low cellos, violas, high violins tense swells, distant ghost choirs, analog textures: tape hiss, reverse piano ghosts, granular whispers, unstable drones, cinematic depth, low-pitched deep male voice, spoken not sung, monotone, hypnotic, slightly rasped, intimate and inhabited, slowly becoming possessed, elegant, sensual, immersive, evolving into inhabited trance

摩天楼の九十九

all low male singer with a low

all low male singer with a low, all deep voice, Fast-paced Japanese Alt-Rock, Piano Rock, Jazzy Fusion, Urban Atmosphere, Sophisticated Melody, High Energy, Dramatic Transition, 160 BPM, Sentimental and Hopeful, Contemporary J-Pop style

悪人

[GIST: Lovable villain] [Style: Avant-garde J-R&B

[GIST: Lovable villain] [Style: Avant-garde J-R&B, Nu-Neo-Soul, Dark-Shibuya-style, Jungle-Jazz-Funk, Polyrhythmic syncopation, Dissonant-catchy-melodies] [BPM: 106, Heavy swing, Groovy pocket, Sharp rhythmic accents, Dynamic section shifts] [Mood: Intellectual-Chaos, Spiritual-Irony, Eccentric-Dandyism, High-tension Ennui] [Groove: IRREGULAR KICK PATTERNS, Aggressive SLAP BASS, Distorted Rhodes piano, Piercing, Erratic BRASS STABS, Orchestral swells, High-contrast silence and noise] [Voice: BARITONE MALE VOCAL, Deep chest resonance, Gritty masculine timber, Vocal fry, Slurred enunciation, Sudden octave leaps, Theatrical delivery, Layered low-register harmonies] [Audio: ULTRA-DYNAMIC RANGE, High-Fidelity, Cinematic depth, Cheep old drum, Sharp transients, Experimental panning] [-FEMALE, -GIRL, -WOMAN, -ANDROGYNOUS, -HIGH PITCH, -VOCALOID, -UPTEMPO, -METAL, -FLAT, -BALLAD, -STEADY RHYTHM, -MONOTONOUS]