Jazz

Browse AI-generated Jazz songs and create similar music. Discover unique Jazz tracks made with AI on MusicMint.

De Truck

South Dutch accent. Track opens with accordion B-G-E. Drums

South Dutch accent. Track opens with accordion B-G-E. Drums, acoustic fingerstyle guitar, Gently piano, cello, violins orchestra. Mersey beat 60, male nasal baritone head vocals, song, male singer songwriter, rock-pop, piano, jazz, melancholy leads, smooth legatos

Belogen, betrogen

bpm 122

bpm 122, extreme heißere verbrauchte verruchte und tiefe, schwarze Female Gesangs Stimme, R&B-New-Wave, Synthesizerpip, , Elektropop, House, HipHop Poprock, Jazz Rock, extreme harte Schwarze Frauenstimmen background,, fender Rhodes,

두려워하지 마 (Do no fear)

Male a cappella jazz gospel in the style of Take 6. Tight 6-part harmony (Bass

Male a cappella jazz gospel in the style of Take 6. Tight 6-part harmony (Bass, Baritone, Tenor1/2, Alto, Soprano falsetto), no instruments, only voices with light vocal percussion. Strong bass-led groove carrying rhythm and lead lines. Use short, syncopated phrasing with space, slightly behind-the-beat swing at 75–90 BPM. Include clear call-and-response between bass and upper voices with echo lines. Rich jazz harmony (Maj9, 11th, 13th, altered dominants), close voicings, smooth voice leading. Start minimal (bass + soft pads), build into dense stacked harmonies in chorus. Emphasize repeating hook: “I gave it away, You received it.” Add tasteful scat (doo, ba, da, ooh) as rhythmic fills. Bridge drops dynamics for contrast, then rebuild to a warm sustained jazz chord ending. Mood: intimate, soulful, reverent, groove-driven. Theme: unseen love given to others is received by God.

My Midnight Blue - SAN1project & SUNO

minimal atmospheric

minimal atmospheric, tender, introspective jazz ballad, vocals: conversational atmospheric enchanting whisper

Hear me now

Live concert

Live concert, Female vocal, deep smoky contralto voice, raw and emotional, slightly off-beat phrasing, expressive imperfections, British soul accent. Style: 60s soul / jazz-blues / neo-soul, inspired by Amy Winehouse, Mark Ronson production style. Tempo: slow-mid (75–85 BPM), laid-back groove, slightly dragging behind the beat. Key: minor (D minor or E minor feel), dark and melancholic. Instrumentation: warm vintage drums (dry snare, soft swing feel) upright bass (round, groovy, slightly loose timing) electric piano (Rhodes, jazzy chords, subtle dissonance) muted guitar (clean, bluesy fills) soft brass section (trumpet / sax stabs, minimal but expressive) occasional organ textures (very subtle, background warmth) Mood: intimate, toxic love, self-destruction, vulnerability mixed with defiance, late-night bar atmosphere, smoky and cinematic. Vocal delivery: fragile but biting slurred phrasing at times emotional cracks, breathy textures sarcastic undertones in verses, more power in chorus

Iron Fortress - Time Engine [SSC8 Sample Challenge]

Symphonic Steampunk × Industrial Liquid Drum & Bass × Mechanical Jazz Orchestra [RabbitCore: Steam Jazz Orchestra × Industrial DnB Core × Factory Pulse × Cinematic Rustcore × Mechanical Time Engine] [Tempo: 170 - 240 BPM | Groove: tight DnB break × industrial rigidity] [Drums: Sharp breakbeat (tight, controlled), Snare: high, metallic, cutting, Ghost notes: minimal / precise, Industrial hits layered with snare] [Orchestra: Strings: staccato drive + legato tension / Brass: impact hits / stabs / Woodwinds: air + movement / Organ: low harmonic sustain] [Concept: Time engine activated / No rewind / Only forward collapse]

ウルトラQ

1960s Sci-Fi TV soundtrack

1960s Sci-Fi TV soundtrack, Japanese tokusatsu aesthetic, avant-garde jazz fusion, driving surf rock percussion, fast walking double bass, mysterious vintage combo organ, eerie theremin-like synth melody, dramatic brass stabs, suspenseful orchestral noir, retro analog recording, 1960s cinematic suspense, chromatic melodies, psychedelic tension, high energy, mysterious and unsettling atmosphere, woodwind trills, mid-century modern mystery, mono-mix feel.

Tidebound Bouncer

cinematic ska digital pop fusion with coastal folk inspired energy bright off beat Reggae

cinematic ska digital pop fusion with coastal folk inspired energy bright off beat Reggae, Ska, Rock, Pop Rock guitar energetic horns and playful scat rhythms add a light acidjazz color through soft rhodes chords and subtle jazzy harmonies include kawaii elements sparkly chimes cute percussive clicks gentle rising fx and a soft pastel atmosphere that keeps the groove light and charming vocal lo fi style female singer with an airy sleepy sweet tone breathy delivery soft consonants and a fragile kawaii nuance expressive korean topline with modern pop emotion

The Afternoon That Stayed

indie folk chamber pop fingerpicked acoustic guitar soft strings glockenspiel warm intimate vocals gentle melancholic tenderness bittersweet unhurried tempo like Neoclassical

indie folk chamber pop fingerpicked acoustic guitar soft strings glockenspiel warm intimate vocals gentle melancholic tenderness bittersweet unhurried tempo like Neoclassical, Ambient meets Jazz, Pop, Soul, Folk soft production airy and delicate

Velvet Lies

A fusion of acid jazz and jazzy hip hop. Switches from 96 BPM (hip hop section) to 100 BPM with a jazz groove. Key is Bb minor. Intro: Rhodes piano + vinyl noise. Groove 1: Live acid jazz band (swing drums, bass, Rhodes piano, guitar, horns). Switch to hip hop beat: boom bap drums, dusty kick/snare, jazz sample feeling, light scratching. Bass: warm and melodic. Chords: jazzy expanded harmonies. Vocals: soulful female lead (smooth and expressive). Rap: relaxed, intelligent flow, rhythmic but relaxed, De La Soul style. Arrangement: Intro → Verse → Chorus → Beat switch → Rap → Groove return → Chorus → Bridge → Final chorus. Mix: Warm, analog and slightly dusty in the hip hop section, clean and wide in the jazz part. Mood: sophisticated, urban, late night, thoughtful but groovy.

Studio Selection (BLUE NILE* 9555*MMMIX°)

psychedelic folk rock

psychedelic folk rock, 118 BPM, compound meter, whispered French verse, single voice lead, delta blues slide guitar, nylon string bossa guitar, jazz chord comping, brushed drum kit, conga percussion, upright bass groove, analog tape saturation, plate reverb, stereo room mics, lo-fi nocturnal hip hop, abstract jazz synths, storm front energy, first love ache, PURE BLISS, HYPNOTIC RIFFS AND SPICY GROOVE, MAISON DE L'EXPÉRIMENTATION, mafia studio XXL Sound Prod°

Un Battement d’Aile (Prometheus Dub Version)

[Darkwave future garage jazz French dub fusion

[Darkwave future garage jazz French dub fusion, 118 BPM, cinematic, emotional. Male baritone vocal (intimate, breathy, close mic, clear French pronunciation), alternating spoken rap and restrained melodic phrasing. Instruments: upright bass dub (deep, warm, sub heavy), brushed drums with swung garage groove, piano clusters (dissonant accents), harmonium drones, E-bow guitar swells, trumpet delay stabs, ambient pads and airy synth textures, shoegaze layers. Female ghost vocals and choir with heavy reverb and dub echo. Structure: long ambient intro → verse builds → punchy chorus → dub breakdown → verse → chorus → extended instrumental dub/jazz section → minimal verse → final powerful chorus → a cappella outro. Effects: heavy tape delay, ping-pong echoes, wide stereo, analog warmth. Bass mono, pads wide. Gradual tension, immersive space, emotional depth, detailed mix, cinematic mastering.]

Vento

Afro-Brazilian Jazz

Afro-Brazilian Jazz, Spiritual Folk, Percussive hi-life Acoustic Guitar, Fretless Bass, silver flute. Ethno-Jazz, Soulful earthy male and female harmonized vocal duet throughout with choir, Syncopated Groove, Organic, Atmospheric, 110 BPM.

END

Lo-fi hip hop with a boom bap rhythmic structure. The track features a sampled

Lo-fi hip hop with a boom bap rhythmic structure. The track features a sampled, slightly detuned electric piano playing jazz-influenced chords with a soft tremolo effect. A melodic, clean-tone electric guitar lead plays syncopated, bluesy licks with moderate reverb. The drum kit consists of a muffled, thumping kick drum, a crisp snare with a short decay, and a steady eighth-note hi-hat pattern with occasional swing. A warm, sub-heavy electric bass follows the kick drum pattern. The tempo is 88 BPM in the key of C minor. The arrangement is repetitive and loop-based, characteristic of study beats.

Age of plastic: Endless inventory

Broadway cinematic oceanic

Broadway cinematic oceanic, consumer plastic 1950 bright wrong, mid-century American jazz orchestra corrupted mechanical, pizzicato strings repetitive, upright bass steady pulse, brushed drums controlled, mixed voices consumer bright wrong warmth slightly synchronized, electric piano consumer brightness wrong warm clean detached, consumer pop texture bright wrong minimal variation, jazz corrupted wrong brightness looping, ∅ ancient ∅ authentic — consumer brightness only, sub-bass consumer wrong bright subtle tension, spatial consumer bright wrong patterned, Ocean Motif single note barely late, Bernstein consumer dark restrained, Sondheim wrong brightness structured repetition, IMAX consumer bright wrong spatial precise, pristine mix consumer clarity wrong bright, arc: mechanical jazz entry → counting texture → voices synchronized → controlled chorus → OM faint → loop fade

The chair I hate

Vinyl cracks

Vinyl cracks, vinyl cracks, war-time broadcast intro tone, faint tuning sweep before music starts, intermittent signal fading and return background hum from old transmitter very subtle crowd murmur like distant ballroom relay, Golden age jazz orchestra, sentimental slow swing, rich sax harmonies with clarinet melody, cinematic orchestral depth, romantic nighttime ambience, emotionally warm and nostalgic, timeless American swing era feeling, recorded in mono through vintage ribbon microphones, narrow AM radio frequency range, strong tube compression, soft analog distortion in high mids, rolled off bass and treble, subtle radio static and signal noise, dusty shellac surface crackle, distant broadcast reverb, slight wow and flutter pitch instability, authentic 1940s radio transmission sound

Don’t Take My Love Lightly

Smooth and elegant soul ballad with a refined

Smooth and elegant soul ballad with a refined, late-night atmosphere. The song features soft electric piano, warm string arrangements, gentle jazz-influenced drums and a deep, smooth bassline, creating a sophisticated and emotional sound. The lead vocal is controlled, expressive and mature, delivering emotion with restraint and depth rather than power alone. Subtle backing vocals add warmth and support without overpowering the lead. The chorus is melodic and memorable, built around a strong emotional message with smooth phrasing and graceful dynamics. The arrangement grows subtly, maintaining intimacy throughout. The mood is introspective, dignified and emotionally rich, focusing on love, self-respect and quiet strength, with a timeless soul character.

Подруга

Raw live acoustic punk-jazz noir

Raw live acoustic punk-jazz noir, 5/4 groove, medium-slow tempo, upright bass walking, brushed jazz drums, low register piano chords, muted trumpet phrases, clean guitar harmonics, close mic warmth, minimal reverb, analog tape saturation, smoky minor modes, chromatic passing tones, soft dissonance, reflective night, late-night café, structured improvisation, relaxed swing accents, gradual dynamic build

Au Bout du Chemin

french charming female voice. French female velvety voice

french charming female voice. French female velvety voice, Late-night lounge jazz, intimate and smooth, delicate piano phrases with airy spacing, soft brushed drums with subtle swing, warm upright bass, slow to mid tempo groove, velvety female vocals, romantic and nostalgic tone, dim candlelight ambiance, emotional and cinematic feel, gentle phrasing, expressive dynamics, dreamy urban night atmosphere, tender and soulful mood, minimalist arrangement, echoing reverb textures, late evening serenity, poetic love vibe

The Ring and the Gin

1960s retro soul

1960s retro soul, Motown revival, raw vulnerable raspy contralto female vocals, jazz phrasing, slurred behind-the-beat delivery, punchy dusty drum break, walking upright bass, vintage muted electric guitar, heavy brass section, staccato baritone sax, girl-group backing vocals, vintage spring reverb, Wall of Sound production, melancholic jazz-pop, dark humor heartbreak, slow 55 BPM.