New Songs

Helix of the Spike

Metal with a half-time stomp and syncopated double-kick bursts; verse grinds low and lo-fi with tense palm-muted riffs

Metal with a half-time stomp and syncopated double-kick bursts; verse grinds low and lo-fi with tense palm-muted riffs, pre-chorus widens into operatic harmony stacks, chorus hits in huge chantable unison, and the bridge opens into a Swedish-style lead-guitar drive solo with delay tails and dubstep-like vocal layers. Lead vocal moves from close-mic grit to soaring opera belts, with gang harmonies, reverse swells, and a bright but dirty, experimental mix., lo-fi, dubstep, experimental, swedish metal, vocal, opera, harmony, metal

Что такое Любовь

Let me pull you away

Drum and base

Drum and base, dark, female voice trance, dreamy, uplifting

Everybody Knows

This is an electronic dance music track with a driving beat and a melodic synth lead

This is an electronic dance music track with a driving beat and a melodic synth lead, The tempo is upbeat, creating an energetic atmosphere, The primary instruments are synthesizers for the melody, bass, and pads, along with a drum machine providing a consistent four-on-the-floor rhythm, The drum machine features a prominent kick drum, snare, and hi-hats, The bassline is a continuous, pulsing synth bass that provides a strong rhythmic and harmonic foundation, The lead synth melody is bright and somewhat repetitive, characteristic of EDM, Production elements include a clean mix with clear separation of instruments, and a moderate amount of reverb on the synths to add depth, The song structure is releasing energy through the addition and subtraction of synth layers and subtle variations in the drum pattern, There are no discernible chord progressions beyond the implied harmony of the bassline and lead melody, The overall feel is modern and suitable for dancing

Eax DJ Eax

Robot vocals with echo-riverb and beatbox intro over male backing robotik textures. Kendang kempul and ethnic synth overload: piercing suling bambu runs

Robot vocals with echo-riverb and beatbox intro over male backing robotik textures. Kendang kempul and ethnic synth overload: piercing suling bambu runs, ultra-fast Banyuwangi kendang fills, then a DJ Eax-style bass drop. Fast rap verses, punchy chorus, heavy bass, ending on a final jedag-jedug kendang kempul hit.

Soldier of Love 3

neo-soul

neo-soul, alternative r&b, smooth groove, bass-driven

Не моя

Deep atmospheric Russian rap

Deep atmospheric Russian rap, Santiz style, 85 BPM, dark melancholic acoustic guitar loop, heavy warm sub-bass, slow dusty boom-bap drums, smoky low male vocals, relaxed lazy rap flow, emotional melodic chorus, midnight car audio mix

White Shadow Room

Ballad metal

Ballad metal, lo-fi, male vocals with female chorus harmonies; slow half-time groove, palm-muted verses, soaring pre-chorus, huge chant chorus, then an experimental Swedish metal guitar drive solo over dubstep harmony layers. Verse stays intimate and dusty; chorus widens with stacked doubles and female answer lines; bridge strips to voice and floor toms before the final lift. Lo-fi, heavy, and cinematic with rough tape texture and wide emotional impact., dubstep, metal, swedish metal, lo-fi, experimental, harmony, vocal

Fifteen To Get Clean

Gospel

Gospel, Church organ, Background, High notes, Soaring at times, Solo, Humming, Choir, Background Trumpets, 3 Trumpets

Seven-Eleven Halo (Funked Up Moody Remix - Brighten Day Music)

Etheric tech house funk. 118 bpm. Funky bass riffs anchor in the ethereal vocals and swells. early 1980's funk & new wave vibes. 3D stereo surround sound with bilateral panning of instruments between stereo channels to give the track a trippy and ethereal feel

Etheric tech house funk. 118 bpm. Funky bass riffs anchor in the ethereal vocals and swells. early 1980's funk & new wave vibes. 3D stereo surround sound with bilateral panning of instruments between stereo channels to give the track a trippy and ethereal feel, while staying grounded. Permission to substitute bass with a moody cello or dark piano - but only if appropriate and the substitution naturally fits the song.

Baila conmigo

Live on Stage

Live on Stage

Boue Trinitite

death metal ultra guttural

death metal ultra guttural, extreme metal, brutal death, technical death metal, warm analog resonance, tape saturation, natural harmonic tuning, downtuned guitars B standard, palm muting, pinch harmonics, tritone riffs, overtone series, subharmonic rumble, harmonic explosion, spectral bloom, spatial audio depth, wall of sound, double bass drum blast beat, snare crack, china cymbal, tapping guitar solo, sweep picking, legato runs, whammy dive bomb, tremolo picking, polyrhythmic 4/4 to 7/8, layered guttural harmonics, throat singing undertone, cave reverb, decay long, dynamic micro-silence, cinematic dark orchestral, string ensemble dissonant, pipe organ drone, distant bells, galastreetludo

Spotlight

Tempo: ca. 100 BPM (Sommerlicher Afro-Dancehall oder Melodic Trap Beat mit weichen Gitarren-Samples und satten 808s) melodischer Afro-Trap/RnB

Tempo: ca. 100 BPM (Sommerlicher Afro-Dancehall oder Melodic Trap Beat mit weichen Gitarren-Samples und satten 808s) melodischer Afro-Trap/RnB, laid-back, aber mit Club-Potential

Golden Cage

dark trap

dark trap, trap, cinematic hip hop

Stayed Anyway

progressive rock

progressive rock, psychedelic rock, classic rock, art rock, 74 BPM, delta slide guitar, clean electric arpeggios, harmonica swells, handclap groove, upright bass, Hammond organ drone, Mellotron pads, tape saturation, plate reverb, spring reverb, stereo widening, sparse verse arrangement, rising anthem chorus, ominous hope, swung backbeat

Seven-Eleven Halo CELESTIAL CONTEST MIX

K-pop dubstep

K-pop dubstep, girl group, spacey synths, electronic, dancey

Helix of the Spike

Metal with a half-time stomp and syncopated double-kick bursts; verse grinds low and lo-fi with tense palm-muted riffs

Metal with a half-time stomp and syncopated double-kick bursts; verse grinds low and lo-fi with tense palm-muted riffs, pre-chorus widens into operatic harmony stacks, chorus hits in huge chantable unison, and the bridge opens into a Swedish-style lead-guitar drive solo with delay tails and dubstep-like vocal layers. Lead vocal moves from close-mic grit to soaring opera belts, with gang harmonies, reverse swells, and a bright but dirty, experimental mix., lo-fi, dubstep, experimental, swedish metal, vocal, opera, harmony, metal

Broken Glass Crown

Acoustic emo pop with mid-tempo swung pulse

Acoustic emo pop with mid-tempo swung pulse, pentatonic girl-group harmony, heavy piano and violin over fingerpicked acoustic guitar and light brushed drums; verse starts intimate and close-mic, chorus opens with stacked five-part harmonies and vocal faders, bridge drops to rap-like confession over stripped piano before a final lift with full strings. Ear candy: reverse piano swells into each chorus, beat faders at bridge edges, and a final violin climb. Mix is raw, wide, and heartbreak-bright with an intimate club glow., girl group, raw, vocal, emo, acoustic, sensual, rap, pop, light, violin

What Happened To The World?

STYLE: Dark country. Minor key. Deep bass. Heavy kick drum. Baritone male vocal. Brooding. Mysterious. Slow and powerful. Driving rhythm. Low harmonies. Atmospheric electric guitar. Haunting fiddle. Not angry. Questioning. Suspicious. World-weary.

STYLE: Dark country. Minor key. Deep bass. Heavy kick drum. Baritone male vocal. Brooding. Mysterious. Slow and powerful. Driving rhythm. Low harmonies. Atmospheric electric guitar. Haunting fiddle. Not angry. Questioning. Suspicious. World-weary.

We Don’t Talk Anymore Now (euphoric hardstyle)

Euphoric Hardstyle

Euphoric Hardstyle, 155 BPM