New Songs

SANDS OF TEMPTATION 🏜️😈💦

A high-energy fusion of Arabic folk and modern electronic dance

A high-energy fusion of Arabic folk and modern electronic dance, inspired by DJ Snake’s “Disco Maghreb.” Driving darbuka & bendir percussion layered with hand-claps + syncopated polyrhythms, fused with pounding 4/4 festival kicks and rolling bass. Hypnotic Middle Eastern strings (oud, violin runs) glide over chopped rai / Maghrebi vocal phrases, looped and glitched with reverb + delay. Festival-sized drop: distorted saw leads with quarter-tone pitch bends, metallic synth hits, rising white noise sweeps. Vocals: chanting Arabic hooks + call-and-response crowd shouts, processed with phasing + stereo widening. Midsection: stripped to raw percussion, ululating vocal adlibs, crowd energy, then rebuilt with swelling synth pads. Tempo ~125 BPM. Mood: hypnotic, celebratory, tribal yet futuristic — a cultural crossover that feels both ancient and hyper-modern, designed to shake a festival mainstage and soundtrack a wedding dabke circle alike.

Last train (Instrumental)

dreamy

dreamy, synthetizer

little island

Hip-Hop × Trap × Indie Dance

Hip-Hop × Trap × Indie Dance, Female Rap Group, Aggressive but Elegant, Fast Flow Hooks, Sharp Punchlines, Confident Attitude, Playful and Energetic, Heavy Bass, Snappy Hi-Hats, Crisp Snares, Experimental Synth Layers, Vocal Chops, Group Chants, Randomizer, Aleatoric Music / Chance Music, Stochastic Composition, Algorithmic Composition, Indeterminacy, Lo-Fi 528Hz, Avoid Cliches, Focus On Impactful Punch And Collective Energy, Use Full Lyrics As Main Hook

Bright Nights Instrumental

trance

trance, breaks, soaring atmosphere, upbeat, progressive, dreamy, bright, uplifting trance with supersaw synths, heavenly pads, and euphoric drops; boosted basslines and instrumental breaks for a cinematic, uplifting, deep

<< Néon et Cendres >>

Dark emotional trap beat fused with atmospheric cloud rap and futuristic synths

Dark emotional trap beat fused with atmospheric cloud rap and futuristic synths, heavy 808s and haunting pads, ethereal choirs in the background, slow but powerful rhythm, echoing vocal effects, introspective and melancholic mood, like a fusion of PNL and futuristic cyberpunk ambiance.

DRIP ME DOWN 💦🔥

Remix in the style of JACKMUSIC’s take on “Amarjee” by Fares KaramM. Opens with playful

Remix in the style of JACKMUSIC’s take on “Amarjee” by Fares KaramM. Opens with playful, childlike beatbox intro — dry, close-mic’d mouth percussion with reverb tail, gradually layered with claps and subtle low-end thumps. Suddenly explodes into high-energy Lebanese dabke rhythm with pounding derbake and bendir, festival kick thump, syncopated claps. Hypnotic mizmar and Arabic strings riff looped, pitched and filtered for club energy. Vocals: chopped and looped Arabic chant phrases with delay throws, layered over glitchy vocal stutters. Drop: distorted synth bass mimicking dabke groove, massive sub with sharp snares, uplifters, reversed cymbals. Midsection strips back to raw percussion + children’s chant sample, then rebuilds into euphoric dancefloor chaos. Tempo ~124 BPM. Mood: playful → explosive, traditional roots fused with modern electronic remix energy — designed for weddings, clubs, and festival sets.

Scary

Dark

Dark, epic, cinematic, upbeat, melancholic, trap-horror, horror rap-trap, EDM-horror rap, EDM-trap horror style, 808s, cymbals, cyberpunk-horror rap, keyboard, Halloween sound fx sampled and looped with intermittent screaming, spooky scary male vocals

Where is Eileen ? (Theme for remix) (Cover)

This Tango Argentino features expressive bandoneon weaving with sultry violin over a textured

This Tango Argentino features expressive bandoneon weaving with sultry violin over a textured, syncopated rhythm from double bass and cello. The verses highlight bandoneon and violin interplay, leading to dramatic, passionate instrumental breaks, with the cello underpinning the tension.

SANDS OF ECSTASY 🏜️💋🔥

Remix in the style of JACKMUSIC’s take on “Amarjee” by Fares KaramM. Opens with playful

Remix in the style of JACKMUSIC’s take on “Amarjee” by Fares KaramM. Opens with playful, childlike beatbox intro — dry, close-mic’d mouth percussion with reverb tail, gradually layered with claps and subtle low-end thumps. Suddenly explodes into high-energy Lebanese dabke rhythm with pounding derbake and bendir, festival kick thump, syncopated claps. Hypnotic mizmar and Arabic strings riff looped, pitched and filtered for club energy. Vocals: chopped and looped Arabic chant phrases with delay throws, layered over glitchy vocal stutters. Drop: distorted synth bass mimicking dabke groove, massive sub with sharp snares, uplifters, reversed cymbals. Midsection strips back to raw percussion + children’s chant sample, then rebuilds into euphoric dancefloor chaos. Tempo ~124 BPM. Mood: playful → explosive, traditional roots fused with modern electronic remix energy — designed for weddings, clubs, and festival sets.

Too Old to Give Up, Too Young to Stop Dreaming

A male vocalist sings over a rock arrangement. The song features a clean electric guitar playing arpeggiated chords

A male vocalist sings over a rock arrangement. The song features a clean electric guitar playing arpeggiated chords, a distorted electric guitar playing power chords, a bass guitar, and a drum kit. The tempo is moderate. The song is in a minor key. The vocals are delivered with a strong, clear tone, occasionally reaching into a higher register. The production includes reverb on the vocals and guitars, creating a spacious sound. The song structure includes verses, a chorus, and an instrumental break. The melody is memorable and follows the chord progression closely. The drums provide a steady, driving rhythm.

Zeke's Lost Earthly Junk - v20 - Free Shipping with Captain Bart

[Genre: Space Blues

[Genre: Space Blues, Galactic Country-Folk. A nervous, twangy guitar and a sorrowful slide whistle create a bewildered, alien vibe. The song's flow is a frantic, anxious monologue, punctuated by brief, frantic musical interludes.] Zeke Bobulgastone, a desperate alien male, sings with a thick, worried accent. He's trying to identify and sell three baffling human items: a microwave, a tanning bed, and a bass boat. The lyrics express his confusion and panic, as his family's expensive condo in the "Space Clouds" is at risk. He delivers a hurried sales pitch to an off-world audience, offering the items in exchange for galactic currency, all to avoid a dreaded job in the "Vacuum of Space." The song ends on a hopeful but desperate note.

Sinful Doll (Remix)

A high-energy

A high-energy, chaotic yet polished fusion of Gothic Rock and Shock Rock, driven by heavy distorted guitars, theatrical vocals, and dramatic organ flourishes, blended with the playful bounce and accordion rhythms of Polka, all supercharged with glitchy synths, pitch-shifted layers, and the glossy, candy-coated production of Hyperpop. The mood is both darkly seductive and flamboyantly over-the-top — equal parts carnival, cathedral, and rave. Expect pounding drum fills, quirky tempo shifts, and euphoric bursts of electronic effects that keep the listener off-balance yet hooked.

Veris leta facies (from “Carmina Burana”)

11th century

11th century,12th century,Medieval,female vocal,Cappella Pratensis,HesperionⅩⅩⅠ,modal,Lydian scale, scale,Ray scale,Dorian mode,Hildegard von Bingen,female,Crwth,Lyra,Psaltery,Vielle,Rebec,Tambourin de Provence,hurdygurdy,lute,harp,fiddle,wooden flute,recorder,positive organ,slow,adagio,no pulse,no measure, Portaging organ,calm,tender,slow,moderato,

<< NARA >>

French female vocals only. Hypnotic cloud-trap with slow

French female vocals only. Hypnotic cloud-trap with slow, punchy 808s, ethereal pads, crisp vinyl crackle, and a recurring xylophone/chime motif that loops as a hook. Vocal style: half-rap, half-chant — aggressive in verses, airy in the mantra choruses. Add distant choir vowels (wou-wou) and glitch stutters on key words. Build tension with rising synths, drop to sparse percussion for verses, full layered sound for choruses. Mood: nocturnal, tribal, melancholic, defiant. Tempo ~74–80 BPM.

Исповедь хулигана С.Есенин

Jamaican Trip-Hop. minimalistic

Jamaican Trip-Hop. minimalistic, atmospheric. male vocals. rap, hip-hop, oldschool breakbeat

DHL,Post NL, UPS, Kloten (Koffer)

Synthwave

Synthwave, background vocals,

Conga Island 2 (Cover)

Nu Metal

Nu Metal, Cyberpunk, Industrial Techno, Slow Rolling Synthwave, Hard Bass, Scratch Textures, Scratch, Turntablism, Death Metal Vocals, Background Choir Vocals, A Costant Beat To March To

Track: Red or Black (Premeditated

My, My How Time Does Fly

Melodic house mix

Melodic house mix

Mine Tonight

lo-fi

lo-fi, alt pop, emo, classical guitar, male vocals