New Songs

🌌 Journey to Immortality 🌌 अमरत्वको यात्रा ♾️🔥

Nepali + English | New Wave × Psychedelic Rock × Deep Melodic Techno | 78–86 BPM

Nepali + English | New Wave × Psychedelic Rock × Deep Melodic Techno | 78–86 BPM

Barefoot Kitchenfloor on the Yacht

osmic Yacht-Rock

osmic Yacht-Rock, Vaporwave Groove, 86 BPM, Melodic Wandering Bass, Shimmering Synthesizer Pads, Phased Psychedelic Guitar, Lazy Saxophone, Dreamy Falsetto Vocals, Late-Night Neon New-Wave Atmosphere.

Nuit de vengeance ♀️

Industrial Metal

Industrial Metal

Oceanfront Breakfast Cafe

Extended tropical morning bossa nova at 100 BPM with a soft wooden marimba lead carrying the main melody

Extended tropical morning bossa nova at 100 BPM with a soft wooden marimba lead carrying the main melody, supported by light acoustic guitar comping and warm, soft-voiced piano chords. Gentle brushed percussion, relaxed bossa groove, and subtle conga taps create a smooth, unhurried flow. Calm ocean breeze ambience and distant shoreline atmosphere place the listener at an elegant beachfront breakfast cafe in a luxury resort, with airy, sunlit tones and a cozy, focused mood. Polished yet understated mix, spacious stereo field, mellow low end, and smooth high frequencies for peaceful listening, perfect for coffee, reading, and focused work, purely instrumental with marimba, guitar, and piano as the expressive center.

WO’S ZIEHT

German cold-pressure ultras rap

German cold-pressure ultras rap, melancholic hardtekk atmosphere, Vega “2 Sekunden pt. 2” cadence tension, Koolhy “Bis die Stimmen verstummen” energy, cold repetitive piano, pressure-heavy boom-bap drums, hard and dry hardtekk kick, dry close-mic vocals, aggressive restrained delivery, tight sub-bass pressure, sharp german consonants, physical kick impact, mastered perfect, crossover with banging hardtekk rap, produced perfect, kick thats typical hardtekk with physical feeling

Switching up like Seasons by Katelyn Halsell

Hard emotional hip hop / trap rap with melodic hook and sharp bars*

Hard emotional hip hop / trap rap with melodic hook and sharp bars*

きっと人は落ちながら

Centuries of Obedience (Dark Explicit Remix)

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous, eerie, ritualistic, dreamlike, unsettling sense of suspended time and subconscious unease. Concept is abstract nightmare landscape shifting shadows and distant presences. Sound built from analog synth drones and tape manipulation. sparse treated organ or VCS style synth tones, thin reedy timbre, slow pitch drift, no clear melody, occasional dissonant clusters, heavy tape echo and cavernous reverb creating vast distance. Keyboards: low frequency drones, slowly modulating filters, unstable oscillators, rising and falling textures, no pulse, continuous morphing layers. Choir: Mellotron choir and treated vocal textures, ghostly, grainy, slightly detuned, swelling in and out like spectral voices, sometimes reversed. Overall texture is raw analog, soft noise floor, tape hiss present, wide dark space, gradual emergence and decay of sound masses. Ultra-wide stereo effect mix. Permanent R/L Channel effect switche

Centuries of Obedience (Dark Remix)

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous

Dark electronic no rhythm no drums “freeform” drifting structure. Mood is ominous, eerie, ritualistic, dreamlike, unsettling sense of suspended time and subconscious unease. Concept is abstract nightmare landscape shifting shadows and distant presences. Sound built from analog synth drones and tape manipulation. sparse treated organ or VCS style synth tones, thin reedy timbre, slow pitch drift, no clear melody, occasional dissonant clusters, heavy tape echo and cavernous reverb creating vast distance. Keyboards: low frequency drones, slowly modulating filters, unstable oscillators, rising and falling textures, no pulse, continuous morphing layers. Choir: Mellotron choir and treated vocal textures, ghostly, grainy, slightly detuned, swelling in and out like spectral voices, sometimes reversed. Overall texture is raw analog, soft noise floor, tape hiss present, wide dark space, gradual emergence and decay of sound masses. Ultra-wide stereo effect mix. Permanent R/L Channel effect switche

MULTIDIMENSIONAL

ambient. worldbeat. new age. sci-fi vibe. healing sounds. nature sounds. strange space sounds. harmony. 512 Hz.

ambient. worldbeat. new age. sci-fi vibe. healing sounds. nature sounds. strange space sounds. harmony. 512 Hz.

Three Meters Above the Sky (Cover)

New Age Dubstep with Male Vocals and Female Vocals

New Age Dubstep with Male Vocals and Female Vocals

TRASH PARTY

Pop punk with rap-rock influences. Distorted electric guitars play power chord progressions and palm-muted rhythmic patterns. A driving drum kit features a heavy snare and consistent eighth-note hi-hats. The bass guitar follows the root notes of the guitar with a bright

Pop punk with rap-rock influences. Distorted electric guitars play power chord progressions and palm-muted rhythmic patterns. A driving drum kit features a heavy snare and consistent eighth-note hi-hats. The bass guitar follows the root notes of the guitar with a bright, overdriven tone. Male vocals alternate between rhythmic, percussive rapping in the verses and melodic, high-energy singing in the choruses. The arrangement includes layered vocal harmonies and occasional gang vocals. The tempo is 160 BPM in the key of B Major.

Reine du feu

Style reggae polynésien moderne – guitare sèche

Style reggae polynésien moderne – guitare sèche, ʻukulele, basse lourde, ambiance mystique et puissante)

Cosmic Déjà Vu

Nostalgic tech-house with airy

Nostalgic tech-house with airy, spacey pads and granular glitch textures; tight 4-on-the-floor kick under shuffling hats, sidechained synth swells, and a rubbery bass groove, Vocals sit slightly filtered and distant, like a broadcast from the past, with stuttered chops echoing key words in the hook, Builds from a minimal, hazy verse into a big, euphoric chorus wash, then strips back for a late dreamy break before the final lift, glitch, nostalgic

Under cover

dance

dance

Lingua Franca En Ver (Alessandro Rossi)

Male Vocals

Male Vocals, Deep house at 124 BPM with a stumbling-then-steady groove: swung four-on-the-floor kick, syncopated open hats, shuffled percussion, and a deep sub-bass that locks in later. Italian disco flair via Nile-style guitar chops, string stabs, and glossy Rhodes, plus sharp futuristic synth leads, filtered arps, and vocoded hook textures.

Two Pennies and a Dream

1950's oldies

1950's oldies, doo-wop, italian male vocals, duet vocals.

Viva Arsenal

Uplifting Afro-pop

Uplifting Afro-pop, energetic Soca rhythm, fast acoustic guitar, stadium chants, driving festive percussion, celebratory global pop, catchy, danceable

So Long

Jazz-pop ballad

Jazz-pop ballad, 102 BPM, B♭ major, Female alto with a classic crooner phrasing; Lyrics: candlelit café, chance encounter, Instruments: double bass, brushed drums, delicate piano, tuned trumpets, Structure: intro (piano), verse, chorus (AABA form), verse, instrumental break (trumpet), warm tone

情無用

Boogie rock

Boogie rock,hard rock,city pop.minor.142BPM.powerful husky male baritone vocal.electric guitar(riff driven distortion),2nd electric guitar(power chord rhythm),electric bass(driving groove),electric piano(funky comping),tenor saxophone(punchy staccato),drums(hard hitting backbeat),orchestra(string stabs).a woman who has been betrayed declares she will fight back,set against the rough seaport town of Yokosuka,a song of defiance and cold resolve.fade out ending