New Songs

Lost Satellites

shoegaze

shoegaze, steady, hip-hop, male vocals, hip-hop influences, pop, rap, bassline, clean, indie pop, deep

Dragons, Mechs & Chaos

Heavy Punk-Rock

Heavy Punk-Rock, Melodic, Ambient, Male Singer, Fast Pace, Energetic, Comedic

House (Cover) (Cover)

P2

P2, Cubase VST 32, FastTracker 2, ReBirth, Korg TR-Rack.Techno,cinematic bass drops, intense deep sub-bass, future house, Cinematic hardstyle Bass Driven, Heavy Boosted Bass, Deep phonk bass, crisp

The Drowned World v2

The track erupts with warped water FX

The track erupts with warped water FX, then blasts into ferocious Electronicore guitar riffs and piercing synth leads, driven by relentless hardstyle and happy hardcore kicks. Crunkcore textures and mangled vocal chops electrify each drop with epic battle samples. A liquid ambient breakdown layers airy pads and swirling FX, then the energy rebuilds into euphoric hardstyle with rapid melodic runs for a high-powered, vocal-free summer finale.

Szörnyeteg bennem (Remix) (Cover)

Hard rock

Hard rock, shredding guitar, bass guitar, powerful drums, hoarse male voice,

Crossroads Calling

psychedelic

psychedelic, hip-hop, steady rhythm with a hypnotic beat, male vocals, harsh electric guitars with a hint of slide, harsh, electric, hypnotic, steady

響かない

electron note

electron note

Just want to Run to You

777

Genre Style: Synth-pop with rock edges

Genre Style: Synth-pop with rock edges, evoking casino glamour and despair. Mid-tempo (100-120 BPM), building to euphoric choruses then dropping to introspective verses. Use reverb for echoey, addictive haze. Key Instruments: Synth/Keyboards: Pulsing arpeggios for lever pulls; bell/chime tones for "sevens" wins. Layer pads for heavenly choirs in pre-chorus. Drums/Percussion: Electronic kits with slot-machine rattles; kick on downbeats for heartbeat tension. Add cymbal crashes for jackpots. Guitar/Bass: Electric riffs in bridge for raw emotion; funky bass lines in verses to mimic money flow. Vocals: Auto-tuned main vox for detachment; harmonies in chorus like angel choirs. Spoken whispers in bridge. FX/Samples: Coin clinks, siren wins, crowd murmurs. Fade-ins for "here we go" loops. Arrangement Tips: Start sparse (verse 1: keys + vox), build layers per section. End with fading echoes to symbolize endless cycle.

DjentaWeen 2025 Mix JP test track #3-1

This djent track fuses dark

This djent track fuses dark, atmospheric guitar riffs and polyrhythmic grooves with eerie theremin and haunting bouzouki melodies. Neo-classical shred solos weave through warped textures, while sporadic yodeling echoes in the mix, building a creepy, Halloween-inspired mood., distorted electric guitars, haunting echoes

Strutter - Tribute Music To KISS

70s

70s, opera, rock, metal, New York Groove, male vocals, scream, male vocals, female vocals, male vocals

Novel lies

"Novel Lies — stadium-ready hard rock: drop-D distorted guitars

"Novel Lies — stadium-ready hard rock: drop-D distorted guitars, rolling-tom double-kick thunder, massive kick & snare, punchy bass, screaming lead guitar with electric violin counterlines and occasional cello; rough male lead vocals with soaring female harmonies and layered gang-shout backing vocals; arrangement builds from tight, accusatory verses to anthemic, chantable choruses and a shredding solo—confronting, catchy, and radio-ready."

Battle Within (Piano Solo)

A raw

A raw, minimal acoustic piano, solo performance only. Emotional but cute female vocal, riff and runs, breathy to powerful, singing about inner demons and self-conflict. Only piano accompaniment, no drums, no bass, no guitar, no synth. Vocal: Light Lyric Soprano, Approximately 4 octaves (D3 – E7), with the ability to access whistle register, Strong belting with clear projection in the upper register, Frequent use of head voice and falsetto for soft, breathy textures, Skilled in melisma and fast vocal runs, Whistle register for extremely high, piercing notes

Stone-Song for the Yet-Alive

melancholic-baritone-alt-rock-ballad [verse structure:male baritone vocal

melancholic-baritone-alt-rock-ballad [verse structure:male baritone vocal, dry-close mic’d, almost spoken on the verses, rising to a cracked high-register cry on the pre-chorus; 72-76 BPM, 4/4, rim-shot snare + muted kick, palm-muted electric guitar arpeggios in clean Fender tone (chorus effect 30 %), subtle Hammond organ swell entering bar 9; bass walks in dotted-half-notes, never busier than the heartbeat. [chorus hook: whole-band lift: open crash, synth-string pad layered with distorted guitar power-chords (gain 60 %, low-pass filter sweep), backing vocals doing a three-part “aaah” a fifth above the lead; tempo stays constant but energy doubles via ride cymbal and eighth-note acoustic strum.] [bridgedrop to finger-picked classical guitar (nylon strings, light reverb 1.2 s), whispered baritone, distant radio-noise texture side-chained to kick for breathing effect; last two bars crescendo back with reverse-cymbal ramp.]

Bleed For Me

Symphonic black metal strings launch over sludgy

Symphonic black metal strings launch over sludgy, down-tuned guitars and dense, crushing drums. Verses shift to drill and bass breakbeats with darkwave synth pulses underneath. Vocals alternate between whispers, highs, and sultry lows, all fused within a dynamic, polished production.

Mi sembra di capire (Pino Power Version)

The Acoustic Neapolitan Blues opens with fingerpicked acoustic guitar using Neapolitan chord progressions

The Acoustic Neapolitan Blues opens with fingerpicked acoustic guitar using Neapolitan chord progressions, joined by warm upright bass. Gentle percussive brushes set a soft rhythmic sway. Harmonica lines weave between vocal phrases, enhancing introspective, romantic textures.

Your Heart Beat

808s

808s, dreamy and layered with soft electronic textures, lo-fi, dance, blending chill beats with a rhythmic pulse. the duet highlights tender harmonies and call-and-response moments. soft sexy male vocals, soft sexy female vocals, duet

stockholm syndrome

drill driftphonk

drill driftphonk, chopped and screwed vocals, hard-hittin bass.

The Djenter channel 327

This maximalist lo-fi rockpop opus opens with phased electric piano

This maximalist lo-fi rockpop opus opens with phased electric piano, glitchy drums, synth bass, flamenco guitar, and Latin percussion. Verses rapidly morph through disco, J-metal, slap funk, gospel, city pop, acid rap with lush pads, orchestral swells, vocoder, scratches, and neon synths. The midsection collides dubstep, D&B, jazz chorale, synthwave, punk, Brazil phonk, power metal vocals, talkbox, aggressive guitars, and wild tempo shifts. The outro braids hypertrap R&B, glockenspiel, banjo, pedal steel, chunky 808s, hyperspeed psytrance arps, surf/metal dual guitars, and sax. Layers weave in vibraphone, Prophet synths, funky bass, jazzy pianos, gospel vocal callbacks, chip hop, trap, tape hiss, country twang, bold pads, trumpet, and dense dissonance, forging a swirling, complex, emotional fusion of house, R&B, Latin, symphonic, and rock elements.

Stardust Rebellion

High-energy Trap x Hyperpop fusion track titled Stardust Rebellion for the duo Aero Nyx. Key: A minor

High-energy Trap x Hyperpop fusion track titled Stardust Rebellion for the duo Aero Nyx. Key: A minor, Tempo: 146 BPM. Begin with shimmering flute melodies that evoke stardust and cosmic motion, layered over airy pads and glitchy synth textures. Heavy 808s, rolling hi-hats, and punchy snares drive the trap rhythm. Aero delivers commanding rap verses with crisp, confident flow, while Nyx sings soaring hyperpop choruses with autotune and rich reverb. The chorus explodes with lush pads, vocal chops, and bright flutes that soar above the trap backbone. Include glitch breaks, pitch-bent flutes, and chopped vocal echoes in the bridge for a dramatic, spacey effect. Outro fades with flute arpeggios, whispering vocals, and decaying 808s. The track should feel futuristic, euphoric, and rebellious, blending trap grit with hyperpop euphoria and melodic flute motifs.