New Songs

Happy Bellboy(행복한 벨보이)

piano

piano, uplifting, fresh, male vocals, energetic and uplifting atmosphere

Shut Up

This is a female-fronted alternative rock song with a driving tempo of 140 BPM. The song is in the key of E minor. The instrumentation includes distorted electric guitars

This is a female-fronted alternative rock song with a driving tempo of 140 BPM. The song is in the key of E minor. The instrumentation includes distorted electric guitars, a prominent bass guitar, and a powerful drum kit. The song features a dynamic structure with verses, pre-choruses, and choruses. The lead female vocalist employs a raw, powerful delivery, often utilizing vocal fry and belting techniques. The guitars feature heavy palm-muting in the verses, transitioning to open, sustained power chords in the choruses. The drums provide a consistent, driving beat with frequent cymbal crashes and snare fills. Production elements include a wide stereo image, with guitars panned left and right, and a strong, punchy mix that emphasizes the low end. The overall feel is aggressive and emotionally charged.

Fimpany

psytrance

psytrance, cyberpunk, synthwave, industrial, high‑energy alternative rock / nu‑metal with electronic textures. Rap verses and a soaring melodic chorus, tight punchy drums, distorted guitars, glitchy synth stabs. Dynamic build‑and‑drop with a halftime breakdown before the last chorus. Male lead, stacked harmonies on the hook, chantable syllables ‘eins, one’ in the tag. Clean, radio‑ready mix. Theme: uniting American and European companies—‘Two shores, one sign’, trust by design, proof over hype.

Godhead

minimal techno

minimal techno, trapmetal, agressive, male vocal, horrorcore

Indomitable XXVII

Bass House

Bass House, Dark Shif, Dark Synthwave, synthesiser, slow

Смерть - 36. гадальная карта

male vocals

male vocals, ironic, surf rock, beat

Who Needs Enemies If They Have a Wife?”

💙02 - When the Abyss Speaks Back [The Mariana Enigma #2]🤍

Epic progressive symphonic metal with cinematic depth

Epic progressive symphonic metal with cinematic depth, blending underwater mystery and theatrical surface show. Underwater parts: massive orchestral strings, deep cellos, Gregorian choirs (bass + ethereal sopranos), ocean ambience (abyssal rumbles, waves, distant ship bells), sustained E-Bow guitars, subtle glitch textures. Surface parts: powerful theatrical male vocals like an opera showman, bright brass (trumpets, horns, trombones), jazzy-to-progressive drums, Hammond organ flourishes. Female vocals: soft and airy for Helena, warm and assertive for Scorti. Alien choirs: wordless harmonics, human/processed blend. Smooth transitions between abyssal choral sections and bold TV-show energy, climax where both worlds merge, ending with ocean fade-out. Experimental, brutal switchs between different ambiances

I Know Places

slow

slow, sad, synthwave, lo-fi, dark, melancholic, violin, chill, phonk, fast, emotional, mutation funk, male vocals

GLITCH COMMANDO

Instruments Digeridoo

Instruments Digeridoo, INSTRUCCIONES // LIVE, drive chopper rap, verses, DJ Tripp Vocals, Vintage 45's,

祭りや!

Gangsta Rap

Gangsta Rap, Aggressive Latin.Male Bass Vocal with a harsh, raspy death growl.4/4 time.Extremely fast.Electric Guitar, Trumpet, Conga, Bongo, Synthesizer, Drums.A high-energy, raw, and aggressive gangsta rap track that captures the chaotic and intense atmosphere of a street brawl or a festival riot in modern-day Osaka.The instrumentation is driven by a powerful Latin rhythm section, with a relentless conga and bongo beat laying down a foundation for the fast, frantic electric guitar and blaring trumpet. The lyrics, delivered in a distinctive Osaka dialect, are an onslaught of powerful words, exuding a sense of raw masculinity and rebellious spirit, punctuated by shouts and cries of confrontation.

Dark Night

Genre: horror movie theme beat

Genre: horror movie theme beat, horrorcore dark West Coast trap with G-funk influence, 96 BPM, F minor. Style: Minimal, percussive, club-ready with hypnotic bounce and sharp vocal sync. Mood: Confident, confrontational, satirical. Singer’s Voice: Male vocals, mid-tenor, tight flow, clean enunciation, dry mix, West Coast accent, heavy rhythmic punch. Instrumentation: Looped plucky synth lead, tuned 808 bass hits, clap-snare combo, rimshot accents, sub-layered kicks, sparse hi-hats, vocal stabs, occasional reversed FX. Mastering: Tight dynamic range, dry punchy drums, stereo synth spread, aggressive vocal-forward mix.

Delusional

Male deep broken vocals

Male deep broken vocals, contemporary R&b, alternative hip hop, tension, kwaito, deep dark house, timpani, hard bassline, sinthetic, trap-opera, cinematic, semi-falsetto, background harmonize choir

Him High Again (Reggae Mix)

This Reggae-titan dub track (85BPM) launches with a massive sub-bass drone and wet

This Reggae-titan dub track (85BPM) launches with a massive sub-bass drone and wet, resonant CheonGo drums pulsing at 80 Hz. Primal syncopated rhythms create dense, visceral layers. Echoed drum breaks, 8% compressed and 6% reverb raspy Patois vocals, powerful unison chants, skull percussion, and a -25 Hz delayed bass drone drive the progression. Sobbing, high-pitched cries form lamenting melodic motifs in the verses, heightening the hypnotic, warlike atmosphere. Arpeggio EDM mood synths loop constantly

Вялый Контакт - Ты Не Искришься (v3)

hard cloud track

hard cloud track, horror trap, deep 808s, trapcore, hardcore cool beat, aggressive, underground, mystic, dark vibe, psycho, tragic, funny male voice, deep lush bass, microtonal, intense beat, sampled

The Dusk

[Atmospheric blackgaze fused with Teutonic thrash metal and Norwegian black metal]. The sound should merge dreamlike

[Atmospheric blackgaze fused with Teutonic thrash metal and Norwegian black metal]. The sound should merge dreamlike, reverb-drenched shoegaze guitars with the razor-sharp riffing and aggression of Kreatorr and Sodom, layered over icy tremolo-picked melodies in the style of Immortal and Emperor. Mood: melancholic, epic, cathartic, yet violent and relentless, evoking vast frozen landscapes and burning skies. Vocals: a mix of desperate black metal shrieks, deep growls, and distant shoegaze-style ethereal clean singing. Instruments: 2 distorted rhythm guitars (one blackgaze, one thrash), 1 lead guitar with soaring reverb-drenched tremolos, bass guitar with sharp attack, and aggressive double-kick drumming blending blast beats with thrash gallops. Include lush atmospheric layers of reverb, delay, and subtle synths to widen the soundscape. Inspirations: Kreatorr,Sodom, Immortal, Emperor, Alcest, Deafheaven. Aim for monumental, tragic, yet transcendent intensity, perfectly fitting the lyrics

"君だけ (Only you)"

Sweet Melody

K-Pop Girl Group

K-Pop Girl Group, K-Pop Dance-Pop, EDM, K-Pop R&B, Pop Ballad, K-Pop Trap, Pop Hybrid, Indie K-Pop, Acoustic Pop

Beautiful Was The Day

Hip Hop

Hip Hop, R&B, Rap, Soul, cool sultry male vocals, very emotional, great vocal layering, some dubbing, groovy, rythmic, very emotional, powerful beat, acoustic guitar, finger snapping, some emotional piano, club banger, club ready, radio ready

Going Home (City Way)

A soft

A soft, danceable track led by rhythmic acoustic guitars and subtle percussion layers. Warm bass lines drive the groove, while gentle hand claps and light shakers add movement. Lush synth pads fill the background, creating a mellow yet uplifting musical texture throughout.