New Songs

Thank You (Studio Mix)

Old-school soulful alternative rock love song with extra relaxed

Old-school soulful alternative rock love song with extra relaxed, low-to-mid range male vocals, conversational delivery, and understated melodic phrasing. Groove-heavy electric bass and tight rhythmic acoustic and electric guitars stay central, with an organic studio drum kit supporting a smooth, steady pocket. Vocal performance focuses on intimate, close-mic tone, gentle dynamics, and subtle expression instead of powerful high-range belts or stacked harmonies. Production emphasizes a single clear lead vocal in the center of the mix, warm analog-style depth, subtle saturation, and crisp but soft-edged high-end sheen. The overall feel is laid-back, coastal, and dreamy, with a nostalgic, romantic chorus that is easy to sing along to at a comfortable range while the arrangement stays clean, professional, and uncluttered by background vocal layers.

Under the Moon

Early-80s heavy metal and hard rock

Early-80s heavy metal and hard rock, andante slow weighted groove at 78 BPM. Spacious dry analog band room with voice-forward clarity, restrained low-end weight, minimal reverb, and wide instrumental breathing room. Clean picked guitar in the long intro, then low-string distorted riff with palm-muted downstrokes, bass pedal point locked to kick, sparse tom accents, and restrained cymbal swells. Controlled male tenor with weathered grit, clear diction, low vibrato, and wounded restrained force on refrain returns. Arrangement builds slowly: exposed opening refrain, restrained verses, wider instrumental break, stripped bridge, heavier final section, final refrain with grave full-band authority, expressive melodic guitar solo after the voice, quiet coda, and hard final downbeat after the outro.

形あるものの孤独

Japanese folk ballad arrangement

Japanese folk ballad arrangement, solo acoustic guitar with warm dark tone and subtle fingerpicking, slow 65bpm pulse with spacious phrasing, deep male baritone-tenor in low register using conversational speaking-style delivery and quiet whispering, strictly restrained dynamics with intimate close-mic breath detail, melancholic and reflective winter atmosphere, gentle folk-inflected harmonies and long decays sustaining a pensive mood

JUNK YARD KING

110bpm

110bpm, 1985 Electro Urban P-Funk, VOCAL GROUP STYLE. Produced by Bootsy Collins. Inspired by Rene & Angela - I'll Be Good. [Instrumentation: Super heavy squelchy Mini Moog basslines, deep booming 808 kicks, sharp gated snare, Mu-Tron processed Wah-Clavinet, gritty metallic industrial percussion, clanging pipe hits, shimmering DX7 bells, Prophet-5 brass stabs, rhythmic handclaps.] [VOCAL STYLE: THICK LAYERED EARTHY SILK FEMALE LEAD, DEEP GROWLING MALE HARMONIES, LUSH MIXED CHORUS, EXPERIMENTAL VOCAL BENDS.] Mechanical grit, heavy basement groove.

Relay Ghost (Receiver's Cut) - Alpaca x TheNovaSun ✹

industrial hip-hop

industrial hip-hop, krautrock-influenced electronica, proto-techno hypnotic pulse, motorik 120 BPM, four-on-the-floor kick, analog synth bass, cold sequenced arpeggios, male rap vocals, deadpan clinical delivery, locked-in flow, deliberate cadence, dark cinematic, no autotune, dry close-mic vocal, tape saturation

Szampan na stół

Polish rap with a bouncy trap bounce

Polish rap with a bouncy trap bounce, mid-tempo head-nod swing, punchy kick-snare pocket and rubbery sub-bass; verse rides tight drums and sparse piano stabs, pre-chorus strips to handclaps and a rising synth sweep, chorus hits with gang vocal shouts and a chopped vocal chant. Lead vocal is confident and close-mic with doubled hook lines, ad-libs on the ends of bars, and short delay throws on the last word. Ear candy: bottle-pop hits into the hook, reverse swell before the chorus, glittery chime accents after key lines. Mix is bright, glossy, and club-ready with crisp low end., rap

Radiant And Being Seen

Upbeat spiritual pop anthem with tribal-cinematic pulse

Upbeat spiritual pop anthem with tribal-cinematic pulse, deep heartbeat bass, hand drums, shimmering chimes, airy synth pads, and luminous layered female vocals. Build from soft intimate verses into a wide, ecstatic chorus with choir harmonies and temple reverb. Add subtle binaural movement: grounding low pulse in left ear, sparkling breath textures in right ear, both merging at chorus center. Mood: empowered, joyful, sovereign, sensual but clean, radiant, emotionally uplifting. Include light language chant with fast rhythmic percussion and glowing harmonic swells. Finish victorious, warm, and fully embodied. Resolve all lyrics sentiments before ending cleanly

Let the monsters come

experimental

experimental, metal

Hush Lil Baby

alternative folk

alternative folk, experimental, electronic rap

D.U.T 3 ( Doa , Usaha , Tawakkal)

Adult student + primary school boy duet. Emotional groovy chill pop ballad with lo-fi hip-hop & R&B elements

Adult student + primary school boy duet. Emotional groovy chill pop ballad with lo-fi hip-hop & R&B elements, 78–88 BPM. Theme: Hari Guru, pengorbanan cikgu, kenangan sekolah, nasihat dan impian murid. Start with soft piano, ambient pads and subtle classroom ambience, then enter warm kick, soft snare and light hi-hats. Adult student vocal warm, emotional and slightly husky; child vocal innocent, soft and heartfelt. Verse storytelling tentang jasa cikgu dan perjalanan hidup murid. Pre-chorus builds slowly with soft bass, violin ambience and layered pads. Chorus very catchy, emotional and TikTok-viral style with layered duet harmonies and memorable hook: “Jasa cikgu… tak mampu kami balas…”. Add child ad-libs and soft choir in background. Bridge strips down to piano + vocals before a cinematic final chorus. Use spacious reverb, echo and warm delay for nostalgic intimate feel.

D.U.T 3 ( Doa , Usaha , Tawakkal)

Adult student + primary school boy duet. Emotional groovy chill pop ballad with lo-fi hip-hop & R&B elements

Adult student + primary school boy duet. Emotional groovy chill pop ballad with lo-fi hip-hop & R&B elements, 78–88 BPM. Theme: Hari Guru, pengorbanan cikgu, kenangan sekolah, nasihat dan impian murid. Start with soft piano, ambient pads and subtle classroom ambience, then enter warm kick, soft snare and light hi-hats. Adult student vocal warm, emotional and slightly husky; child vocal innocent, soft and heartfelt. Verse storytelling tentang jasa cikgu dan perjalanan hidup murid. Pre-chorus builds slowly with soft bass, violin ambience and layered pads. Chorus very catchy, emotional and TikTok-viral style with layered duet harmonies and memorable hook: “Jasa cikgu… tak mampu kami balas…”. Add child ad-libs and soft choir in background. Bridge strips down to piano + vocals before a cinematic final chorus. Use spacious reverb, echo and warm delay for nostalgic intimate feel.

🕊Deux Tourterelles 1 🕊

Backseat Crown

rap

rap, halftime trap, female featured rap, whispered lead vocal, stacked half-harmonies, low-register ad libs, 808 sub-bass slides, staccato synth brass, violin ostinato, minor-key piano stabs, dry snare crack, gated room reverb, sidechain pumping, minimal hook chant, half-volume climax, stoic menace

Block The Door

Hip hop fused with Southern trap

Hip hop fused with Southern trap, New York drill, UK drill, jersey club bounce, and rap-rock edge; hard syncopated drums with sliding 808s, gritty guitar stabs, and a rude, danceable swing. Verse rides sparse bass and claps; pre-chorus tightens with snapped snares and rising chants; chorus hits with stomped club drums and gang hooks. Rough male vocals, ad-lib stacks, delay throws, vinyl crackle, reverse risers, bright punchy mix., rap rock, drill, hip hop, southern hip hop

Sturz ins endlose Blau

upbeat rumba flamenca

upbeat rumba flamenca, indie folk crossover, driving acoustic guitar, energetic fast violins, joyful male vocals, lively wooden percussion, clapping palmas, passionate, adrenaline, 130 bpm

The Dream Still Breathes - SAN1project & SUNO

original powerful melodic hypnotic downtempo minimalist ballad with fusion synthpop

original powerful melodic hypnotic downtempo minimalist ballad with fusion synthpop, industrial electro percussion, and cinematic operatic orchestration, soul and R&B influences. Tempo 72 BPM, minor key, deep sub-bass, metallic gated drums, warm analog synth pads, glassy arpeggios, dramatic strings, distant timpani, and cathedral choir swells. Vocal delivery: intimate, melancholic and a little detached, but emotionally tense, emotionally inspired by a late pop king’s expressive style—breathy intimacy in verses, agile falsetto lifts, rhythmic ad-libs, sharp whispered accents, dramatic pauses, and explosive soulful choruses; do not clone any exact voice. The chorus is not shrill, but hypnotic, with tension building through multi-layered backing vocals, atmospheric reverberations and dense low frequencies, The overall aesthetic is nocturnal, cinematic, cold, stylish, disturbing, Crystal-clear studio sound, filled with nightclub special effects, magic

24 HOUR SERVICE

110BPM

110BPM, 1981 BOOGIE FUNK, POST-DISCO BOOGIE, STEPPY GROOVE, PRODUCED BY LAMONT DOZIER, LAYERED SILKY MALE LEAD VOCALS, WHISPERING MELODIC MALE HARMONY CHORUS, SOFT BREATHY MALE CHORUS, MALE VOCALS ONLY, Polished Urban Production, Warm Analog Texture, Smooth Slap Bass, Sharp Funk Guitar Scratching, Muted Trumpet Accents, Fender Rhodes with soft tremolo, Prophet-5 synth pads, Tight Snare, Hand claps.

Au bord du matin

ambient jazz fusion wave

ambient jazz fusion wave, dark distant and ominous post-rock, tragic dark orchestra, dark liminal vaporwave, scary mall shopping, sinister dark guitar, Dissonant guitar, supernatural bass, melody introduce psychedelic trip-hop ambience, Frenetic, layered polyrhythmic drums drive the groove rock rhythm, while grinding bass and fuzzed guitars cut in, Verses shift between Jazz experimental aggression and Rock tones, Raw, with dreamy ambient transitions bridging the explosive instrumental surges, electric chorus, explosion of instrumental jam, On Chorus, solo guitar, agressive guitar, distortion guitar, heavy metal bass, saxophone, vibrant melody Intricate drums, high-tuned crisp snare, Mick Karn style fretless bass, rubberycrescendos dark yet beautiful universe atmosphere floating through galaxies and forgotten memories spiritual and introspective experimental sound design vintage tape texture cosmic heartbeat bass immersive stereo soundscape inspired by Progressive Rock, Psychedelic Rock

The Glowing Green

Celtic meditation song

Celtic meditation song, Mindfulness, Slow tempo, Simple melody, Female vocal that sounds human, Soft Irish accent, No dramatic build, No cinematic elements, Honest, grounded, soft intimate, gentle breath audible, no harsh consonants, no autotune sound, warm and grounded delivery, minimal instrumentation, sparse acoustic guitar or soft piano pads only, no percussion, no dramatic build, no cinematic elements, peaceful woodland atmosphere throughout, blowing leaves moving in soft wind, distant birdsong, subtle squirrel chatter in the trees, warm late-afternoon forest feeling, meditative, calm, restorative, organic ambience blended naturally into the music, emotional honesty, stillness, warmth, gentle silence between phrases, inspired by quiet nature documentaries and mindful acoustic poetry

🕊La Joie De Vivre🕊 1