New Songs

Macie B. Love is Pain

Dark crossover industrial hip-hop rock soundtrack anthem with a sensual but emotionally detached female lead vocal. Continues the world of “Nobody Loves Me

Dark crossover industrial hip-hop rock soundtrack anthem with a sensual but emotionally detached female lead vocal. Continues the world of “Nobody Loves Me,” “I’m Serious,” and “Chase Me.” Neon-lit urban atmosphere, obsession, paranoia, emotional numbness, toxic attraction, and cinematic tension. Heavy industrial drums, distorted synth bass, trap hi-hats, metallic percussion, deep sub bass, cinematic synth pads, gritty electric guitar textures, glitch effects, reversed sounds, and dark ambient layers. Intimate whispered verses build into a massive crossover chorus blending industrial rock, dark electro-pop, alternative R&B, and soundtrack hip-hop energy. Bridge becomes psychological and chaotic with spoken fragments, chopped vocals, breathing textures, and distorted echoes before a huge final chorus. Mood: seductive, dangerous, hypnotic, aggressive, cinematic, nocturnal, emotionally unstable, powerful.

Yanlış

dark trap

dark trap, vinly sample, bass riffs, scratchs, gospel, dark atmosphere, disstrack, fast flow

Breathe in… breathe out

Modern atmospheric blues with airy

Modern atmospheric blues with airy, alien-tinged textures and a dark yet gorgeous mystical vibe. Tempo 92–102 BPM (still a deep, groovy pocket).Deep warm sub-bass, cinematic reverb, wide stereo haze, subtle synth pads, shimmering otherworldly tones—still rooted in blues harmony. soft Rhodes, wurlitzer-ish keys, warm organ, subtle analog synth pads, occasional ghostly vocal pads/choir, sparse bluesy piano fills (legato).Optional lead color: breathy synth lead or harmonica-like synth (but clearly synth, not guitar). minimal but punchy kick, brushed/snappy snare, tight hats, tasteful percussion, steady groove (modern polish). Vocals: velvet, breathy, intimate lead (close-mic), slow melodic phrasing, long legato lines, smooth connected sentences, no choppy delivery, no rap. Haunting but beautiful, hypnotic, sensual, confident. Mood: dark, mystical, gorgeous, nocturnal, smoky, elegant, floating. Mix: warm low-end, airy highs, lush reverb tails, steady groove, modern production polish.

in God we trust

male vocals country gospel blues

male vocals country gospel blues

Blue-Edged Vinyl

Blend of minimal techno

Blend of minimal techno, just strait bars with a thumping beat, bouncing powerful techno beats, club ready, melodic, minimal, catchy, male dark soul voice, experimental, bounce drop, melancholic, romantic, male and female soul voices duet, duo, trance, psychedelic, modern and Acid jazz and Blues rock, a Welsh female singer known for a distinct, retro-soul vocal style that combines a 1960s-inspired, soulful tone with a raspy edge, often described as blue-eyed soul or pop-noir, Her voice is marked by a powerful yet vulnerable quality, featuring a high, breathy falsetto and a controlled, "gritty" vibrato, hypnotic bass, cymbals, robotic vocals

Đừng bao giờ bỏ cuộc V1

Popchanson

Popchanson, folk-pop, 180 BPM, fingerpicked acoustic guitar, neoclassical violin lines, concertina accents, piano arpeggios, saxophone countermelodies, brushed snare, warm bass guitar, analog synth pads, widened stereo mix, plate reverb, tape saturation, swung 6/8 feel, intimate nostalgia, bittersweet lift, call and response, downbeat phrasing

5*Element Français (Remix)

fado hip hop tuga

fado hip hop tuga, 92 BPM, Portuguese guitar tremolo, violino counterlines, cello drones, mouth harp fills, male spoken lead, female chorus responses, syncopated kick-snare, swung 16th hats, tape saturation, room mic bleed, offbeat guitar stabs, polyrhythmic percussion, fractured breakdowns, bittersweet resolve, fragile urgency

LAST TRAIN TO HELL FOR Georgie’s (Legionerus x ELUCID33)

Genre: Outlaw Ritual Metal (Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir + Dark Outlaw Country) Tempo: 104 BPM Mood: violent / outlaw / dusty / unstoppable Drums: war-groove galloping tom rhythm snare like gunshots double-kick during drops Rhythm Guitars: Drop F crushing outlaw chugs stop-start groove riffs Bass: distorted low-end pressure rolling train-like pulse Lead Guitar: western bends feedback screams dusty slide accents Banjo: distorted repetitive picking Acoustic Guitar: outlaw strumming under riffs Harmonica: haunting desert melodies Choir: abyssal outlaw mob-chant Atmosphere: train sounds desert wind chains thunder

Genre: Outlaw Ritual Metal (Ultra Heavy Ritual Metal / Blackened Death Metal + Abyssal Choir + Dark Outlaw Country) Tempo: 104 BPM Mood: violent / outlaw / dusty / unstoppable Drums: war-groove galloping tom rhythm snare like gunshots double-kick during drops Rhythm Guitars: Drop F crushing outlaw chugs stop-start groove riffs Bass: distorted low-end pressure rolling train-like pulse Lead Guitar: western bends feedback screams dusty slide accents Banjo: distorted repetitive picking Acoustic Guitar: outlaw strumming under riffs Harmonica: haunting desert melodies Choir: abyssal outlaw mob-chant Atmosphere: train sounds desert wind chains thunder

Filthy (The Reboot)

A cappella voices layer in tight

A cappella voices layer in tight, staggered harmonies to create a robotic, futuristic texture, Mouth percussion emulates aggressive dubstep beats, including deep "wobble" basslines and glitchy effects, Vocal effects add distortion and vocoder-driven grit, with build-ups and bass drops crafted vocally

Cold Coffee Swing

Electroswing with a high-energy big band influence. The arrangement features a prominent brass section with trumpets and trombones playing syncopated staccato stabs and melodic flourishes. A walking synth bass line provides the low-end drive

Electroswing with a high-energy big band influence. The arrangement features a prominent brass section with trumpets and trombones playing syncopated staccato stabs and melodic flourishes. A walking synth bass line provides the low-end drive, while the drum kit maintains a swing-style backbeat with crisp hi-hats and a punchy kick. A clean electric guitar plays rhythmic upstroke chords. Tenor male vocals are delivered with a theatrical, slightly raspy tone. The track includes a breakdown with a solo trumpet and a build-up featuring rising synth sweeps and rapid snare rolls. Key of G minor, 124 BPM, 4/4 time signature.

Sixty-Seven Beans

chill

chill, reggae, j-pop

Scelgo

transcendent folk-soul mantra anthem

transcendent folk-soul mantra anthem, acoustic guitar open G tuning, close-mic with room breath, deep male baritone lead, four-part male gospel harmony choir building throughout, heavy ceremonial yodeling between mantra lines as wordless emotional release, Alpine yodel meets gospel spiritual meets folk-soul, 76 BPM, G major, intimate then cosmic, the sound of a human being choosing themselves for the first time

Steel Symphony

Mainstream hardcore

Mainstream hardcore, Frenchcore, majestic strings, raw piano trims, epic trance, aggressive and melancholic beat, speedcore, explosive, epic, Distorted variants of Synth Pop Chiptune/8-bit influences Dance Noise Industrial Dance Cold Electronics Digital Rave, Extensive use of vintage synthesizers and retro electronic equipment

Respect Runs Deep

warm cinematic soul-rock with hopeful build

warm cinematic soul-rock with hopeful build, powerful emotional male vocals with raw raspy vulnerability and soaring anthemic belts, intimate reflective verses exploding into big uplifting choruses, warm acoustic and electric guitar, gentle piano, driving yet hopeful drums, soaring violin and strings, layered harmonies, wide dramatic mix, heavy reverb on vocals, tempo 80 BPM intimate build to 130 BPM powerful release, positive uplifting message about returning to simple respect, chivalry, kindness, and meeting people with understanding instead of fear

The Drift (still drifting remix)

Blackened atmospheric metal ballad with colossal tribal drums

Blackened atmospheric metal ballad with colossal tribal drums, cinematic percussion, crushing down-tuned guitars, screaming guitar squeals and dive bombs, haunting ethereal female vocals floating above violent instrumentation, layered ghostly harmonies, massive bass rumble, slow burning tension exploding into catastrophic metal choruses, dark storm-soaked atmosphere, reverb drenched screams in the distance, emotional but powerful, no gritty vocals, clean soaring feminine vocals against brutal walls of sound, eerie ambient synth textures beneath distorted guitar chaos, thunderous double kick drums, dramatic pauses before explosive impacts, cinematic doom metal energy mixed with modern atmospheric metal, tortured beauty, feedback swells, sustained guitar bends crying through the mix, echoing cathedral-like production, apocalyptic heartbreak energy, heavy emotional breakdowns with crashing cymbals and monstrous guitar tone.

Solen i Hjärtat

ambient pop

ambient pop, dream pop, female-led vocals, breathy falsetto, muted analog synths, arpeggiated synth ostinato, pulsing sub bass, glassy bell accents, tremolo guitar swells, sparse drum machine, gated reverb snare, plate reverb, sidechain pumping, wide stereo pads, hypnotic repetition, trance-like build, luminous melancholy

𝑾𝒉𝒆𝒏 𝒀𝒐𝒖 𝑻𝒖𝒓𝒏𝒆𝒅 𝑨𝒘𝒂𝒚

country blues

country blues, delta slide guitar, fingerpicked dobro, brushed snare kit, harmonica stabs, upright bass, room mic bleed, tape saturation, spring reverb, mono drum mix, 70s analog warmth, dusty midrange, dry vocal booth, spoken intro, wry protest, midtempo shuffle, backporch swing, acoustic grit, roadside satire

«Вместо тысячи»

なんで(Meaningless)

experimental alt-pop

experimental alt-pop, japanese underground internet music, glitch/electronic experimental

Firework On My Birthday Cake

Pop-Funk Birthday Disaster Floor-Filler With Sarcastic

Pop-Funk Birthday Disaster Floor-Filler With Sarcastic, Sassy Male Vocals Locked To A 100–110 BPM Groove. Dry Talk-Sung Lead Delivery, Cocky Side-Eye Swagger, Dragged Consonants, Hyped Ad-Libs Like “Hell Yeah, Boy,” “Werk,” And “Slay.” Wah-Kissed Funk Guitar Chops Ride A Rubbery Syncopated Bassline Over Punchy Drums, Crisp Hi-Hats, Handclaps, Party-Horn Synth Hits, Fire-Alarm Beeps, Filtered Risers, Bounce Drops, And Crowd-Chant Layers. Stacked Male Gang Vocals Answer Back With Taunting Call-And-Response, While Pitch-Shifted Doubles And Vocoder Harmonies Thicken The Hook. Dreamy Synth Glimmers Add Surreal Birthday Sparkle As The Song Escalates From Normal Party To Full House-Fire Chaos, Turning Disaster Into A Strutting, Head-Nod Banger Built For Confident Hair-Flips, Mic-Drop Punchlines, And “Everything Is Fine” Panic Dancing.