New Songs

Sola Sotto La Pioggia (Opera)

18th century Italian baroque opera aria for dramatic soprano. Female vocals. One singer female. Melancholic love lament in minor key with orchestral strings

18th century Italian baroque opera aria for dramatic soprano. Female vocals. One singer female. Melancholic love lament in minor key with orchestral strings, harpsichord continuo, woodwinds. Classical recitativo transitions to lyrical aria with ornate coloratura on climactic "TI AMO" declarations. Traditional ABA structure: A section (longing), B section (despair), return to A with embellishments. Tempo shifts from Andante maestoso to Allegro con spirito. Authentic Italian pronunciation, bel canto style with dramatic dynamics from pianissimo to fortissimo peaks. Features baroque cadential trills, runs, sustained high notes. Period orchestration with strings, oboes, bassoons, harpsichord. Emulates Handel, Vivaldi, Pergolesi. Rain effects woven into texture. Epic journey from solitude to passionate declaration, ending melancholic diminuendo.

Эхо Арбуза (Remix TigerMayCry) (v2)

echoing female loop

echoing female loop, memphis rap, deep bassline, metallic FX, fast flow, horrorcore, tech house vocal, airy female vocal, neo-shamanism, shamanic drums, dark r&b, cinematic, minimal techno

Abba

slow

slow, melancholy, ambient guitars, soft female vocals, slow tempo, emotional, gentle melancholy with hope, soft, female vocals, gentle, ambient

Venomous Kerosene

: “Dark

: “Dark, seductive pop with trap elements in D minor, 130 BPM, 4:30 duration. Breathy, seductive male vocals shifting to growling intensity in choruses, with seductive harmonies. Deep bass, trap hi-hats, intense percussive hits, atmospheric synths with viper hisses and kerosene drips. Intro/outro with thunder, viper hisses, and suspenseful hums. Distorted pentatonic synth melody in the bridge. Dm-Bb-F-C progression. Mood: suspenseful, cinematic, like a viper’s hunt.” Vocal Guidance: Specify “male lead with breathy, seductive verses and growling, powerful choruses, layered with seductive harmonies” to ensure Suno captures the vocal dynamic. Avoiding Suno Pitfalls: Emphasize “distorted pentatonic synth melody, sharp and viper-like” for the bridge to avoid generic sounds. If vocals lack intensity, tweak to “seductive male lead with fierce, growling choruses.” Reinforce Dm-Bb-F-C for consistent transitions. Mixing: Boost bass depth and percussive snap for trap energy. Add reverb to synths

"Beer, Beer, Beer (All the Time)"

country

country, country rock, rock, beats, drums, fiddle, guitar

Black Out (Remastered)

Classic hard rock

Classic hard rock, punchy drums, tight slap-style bass, bluesy guitar riffs, soaring solos, dual guitar harmonies, emotional male vocals, duet passages, string arrangements, powerful choruses, dynamic shifts, analog warmth, raw groove, 70s/80s-inspired, modern edge, no synths, crisp mix, live feel, clean production

Gonna Get Freaky (Metal Mix)

The fusion track opens with a syncopated guitar riff and tight

The fusion track opens with a syncopated guitar riff and tight, punchy bass. Verses add crisp funk drums beneath gritty rap vocals. Explosive choruses crash in with distorted guitars, thunderous percussion, and growled vocals, all propelled by urgent, danceable beats and layered textures.

THE PHONE IS RINGING (HOLA FUTURO) (HELLO FUTURE)

Bright

Bright, punchy synth stabs introduce the track with a lead chord sequence chopped rhythmically atop an energetic electronic drum pattern. Glitchy, processed phone FX, including sporadic ring tones, punctuate transitions, while verses feature vocals filtered through a phone speaker, all framed by pulsing bass and crisp new wave grooves. Vocoder Robot

The Great Resignation (cover)

The Day You'll Be Gone

Alt-Z trap fusion at 85 BPM in C minor with a sad

Alt-Z trap fusion at 85 BPM in C minor with a sad, cinematic vibe and an unbothered edge. Beat hits with deep 808s, crisp hi-hats, and glitchy trap snares layered under distorted bass and ambient synth textures. Minimalist piano loops and reverse FX add an eerie, emotional feel while vocal chops echo in the background like broken memories. Vocal flow should be raw, unfiltered, and dynamic—whispers in the verses, escalating tension in pre-hooks, and explosive, pain-laced belting in the chorus. Keep it haunting, modern, hypnotic, catchy enough to stay stuck in your head, heavy enough to crush your chest.

REFRACT

Algorithmic Composition. Dreamy Indie Pop × Electropop × Soft R&B BPM: 124 Vocals: Female English vocal

Algorithmic Composition. Dreamy Indie Pop × Electropop × Soft R&B BPM: 124 Vocals: Female English vocal, soft but clear, slightly husky with rich overtones. Natural breath sounds. No heavy autotune. Warm and intimate delivery with dynamic expression. Multiple layered harmonies and backing vocals with call-and-response style. Instruments: Bright shimmering synths, lush pads, warm electric piano, subtle rhythmic plucks, clean bass, soft four-on-the-floor drum pattern. Reverb-heavy spaces to create airy, open atmosphere. Mood: Catchy yet dreamy, emotionally resonant, with a light bounce that appeals broadly to Japanese and international audiences.

L'anneau

Nie bój się pełnią życia żyć

Broken Hearted

Pop Rap

Pop Rap

What We've Become (Remix)

Americana rock track opens with plaintive acoustic guitar

Americana rock track opens with plaintive acoustic guitar, subtle organ, and steady drums. Verses highlight close, emotive female vocals; choruses lift with layered harmonies, chiming electrics, ringing lead. Piano and pedal steel enrich the warmth. Bridge swells, outro softens tenderly.

Каждый шаг

+ clear guitar solo

+ clear guitar solo

Crissy

balkan brass band raga

balkan brass band raga, classic rock, folk, barbershop, a cappella, humorous

The Energy Will Come Back

trance hypnotic groove

trance hypnotic groove, frustration, syncopated percussion, soul rock, organ rock, live music, emotional tone

Eclipse My Heart

Style: Trap-Pop

Style: Trap-Pop, Cinematic Hip-Hop, Emotional, Dark, Epic Vocals: Male rap with melodic vocals — smooth, introspective rap in verses with sung, emotional hooks in chorus and pre-chorus. Reverb-heavy vocals layered for cinematic depth. Mood: Dark, bittersweet, haunting, cinematic, emotional Instruments: Trap hi-hats with soft rolls, deep 808 bass, lush synth pads, orchestral strings for epic layers, haunting flute melodies in chorus and outro, smooth piano, ambient textures Production: Sleek, polished trap-pop with layered synths, orchestral strings, cinematic dynamics, and haunting harmonies Theme: Love that eclipses rather than lights up — male vocals express heartbreak through rap and melodic hooks. The song blends emotional trap with cinematic orchestral sounds, capturing the feeling of love turning into shadow and emotional darkness.

I Love God (Jesus Christ)

Start with a joyful gospel-pop vibe praising God. At the point where the lyrics say ‘Demonic switch’

Start with a joyful gospel-pop vibe praising God. At the point where the lyrics say ‘Demonic switch’, change the beat entirely — make it dark, demonic, and twisted. Shift from praising God to hailing Satan. The switch should be dramatic, jarring, and theatrical.