New Songs

Konzert um Drei Uhr

Live trap-R&B concert version with crowd ambience

Live trap-R&B concert version with crowd ambience, call-and-response hooks, and energized half-whispered vocals. Tight but punchy 808s, saturated sub-bass, bright claps, and crisp hi-hats, with occasional snare fills and wide arena reverbs. Dynamic builds between intimate verses and explosive sing-along choruses, with hyped ad-libs and audience chants woven into the performance.

Slippin

electronic R&B

electronic R&B, alternative R&B, liquid drum and bass

What Happened at 9:00? Soul Cipher

82 BPM downtempo psychedelic glitch-hop / liquid neurobass with intricate micro-rhythmic groove

82 BPM downtempo psychedelic glitch-hop / liquid neurobass with intricate micro-rhythmic groove, swung halftime drums, ghost hits, silence pockets, off-grid percussion, and call-response bass phrasing

浮上…水面に向かって

Jazzy Chanson

Jazzy Chanson

Seals of Solomon

Dark psychedelic ritual hip hop

Dark psychedelic ritual hip hop, 150 BPM, female power vocals, aggressive rapid-fire flow, hypnotic tribal groove, obsessive rhythms, explosive viral choruses, massive singalong hooks, ritual bass pressure, deep rolling sub bass, tight Jamaican offbeat bounce, aggressive tribal drums, soaring backpipe melodies, ultrafast didgeridoo drones, fractured choir layers, granular vocal slices, recursive vocal echoes, collapsing glitches, psychoactive sound design, beautiful rhythmic instability, maximum drift atmosphere, seamless transitions, addictive momentum, immersive depth, continuous high energy, dark euphoria, dangerous curiosity, transcendent intensity, no bright pop resolution.

Quantum Reverie 4

hight pitched violin

hight pitched violin, battle theme, banger, rapid rhytm speed changes, imstruments playing at diffferent bpms, bass drums, ticking clock effect, repetetive rhytm, echoing jumpstyle nostalgia, very fluent, ???

THE ANONYMOUS CHOCOHOLIKKER ANTHEM

pop rock

pop rock, latin jazz pop, 120 BPM, female belt vocals, handclap backbeat, conga percussion, brass stabs, tom fill lifts, electric guitar power chords, chorus octave doubles, tape saturation, wide stereo drums, live room ambience, anthem chorus, festive defiance, crowd chant hooks

#1 俱卢阁•上：第八象限的门 | The Gate of the Eighth Quadrant

cinematic alternative pop

cinematic alternative pop, ethereal electronic, ambient floating intro, dramatic traditional chinese orchestra, grand dynamic contrast, intense beat drop before bridge, sudden stop into minimalistic warm acoustic guitar, lofi bedroom pop outro, philosophical, emotional tracking

Dissolve

rock

rock, post-punk, new wave, gothic rock, 132 BPM, syncopated tom groove, fretless bass slides, chorus-soaked baritone guitar, analogue synth stabs, pulsing sequencer line, gated snare, tape delay echoes, morphing glitch textures, distorted vocal fragments, ritual rave energy, industrial afterglow, brooding defiance, industrial, post-punk, glitch, gothic rock, new wave, vocal

"Lad euch ein etwas zu bleiben" v1

German rap

German rap, orchestral trap, 88 BPM, spoken intro, baritone rap, melancholic piano intro, dark violin ostinato, cathedral choir pads, sub-bass drones, live timpani rolls, cinematic snare hits, tom-heavy drum kit, halftime groove, triplet hi-hats, tape saturation, wide stereo strings, radio-ready master, existential dread, defiant catharsis, Sonate, üppige Harmonien

Transience

Indietronica / Dance Cyberpunk / Post-Disco / Minimal Funk / Angular Synths / Proto-Electro / Electropunk

Indietronica / Dance Cyberpunk / Post-Disco / Minimal Funk / Angular Synths / Proto-Electro / Electropunk

My Kind of Love

four-on-the-floor stomp

four-on-the-floor stomp, heavy rock, dark pop, distorted guitars

Mythistral - Still Alone

alternative rock

alternative rock, post-grunge, emo rock

Dark Disco (Jerry Heil Cover-Remix) - SAN1project & SUNO

Nu-disco remix with elements of synth-pop in the style of hard house

Nu-disco remix with elements of synth-pop in the style of hard house, piano, club floor. Contains a distinct blind bass line, four-position bass drum and syncopated scratches on the synthesizer. Female vocals are processed with a light vocoder and layered harmonies. Synthesizers include bright polyphonic pads, staccato lead riff and filtered sweeps. The arrangement uses rhythmic vocal chops and driving percussion with clear hi-hats and applause on the backbeat. Key of B♭ minor, 122 beats per minute. Crystal clear surround cinematic sound with multi-channel sound effects, the atmosphere of a lush nightclub party

Rideing with Jesus

Tempo: Mid-tempo

Tempo: Mid-tempo, heavy driving beat)(Instrumentation: Deep acoustic guitar strum, a low-thumping bass drum, and a haunting steel guitar wail) Tempo: Driving, high-energy (110 BPM) Style: Dark Outlaw Country / High-Bass Techno-Bluegrass Mix Instrumentation: Heavy sub-bass thumps, fast-picking banjo, dark orchestral harp sweeps, cutting bluegrass fiddle, and gritty acoustic guitar.

Remix⁹

too cute to comply: she walks into the boss arena in glitter-laced defiance

too cute to comply: she walks into the boss arena in glitter-laced defiance, pigtails bouncing like loaded weapons. deathcore EDM final boss mode: blastbeat breakdowns fused with hydraulic 808s, kick-drums slamming like collapsing vault doors, triwave SIDcore detuned into reactor-scream distortion. bratwave glamour thrash: her voice chirps sugar then detonates into pixel-shred growls, soprano squeals flipping into contralto glitch-snarl, dual-layered to feel like a smile with fangs. sparklescreampit rave: neon strobe tantrums, cracktro spinning like circular saw halos, risers whipping into drop carnage. glitchgospel riotcore: she prays in distortion, worships in feedback, screams in bloomfire. cumbia-swing shadowstep pulled into double-time club chaos: stomp, twirl, kill the beat, resurrect it screaming. demon-cute boss battle theatrics: she taunts the shadows, rewrites their choreography, commands the arena. this is not a cover—this is the ninth recursion, the version that bites back.

Stone by Stone

Late-90s alternative rock

Late-90s alternative rock, post-grunge, dark ethereal pulse, mid-tempo driving drums, huge open-snare, chiming open-tuned electric guitars, massive open-chord electric guitars, wide stereo delay, analog warmth, deep melodic bassline, atmospheric guitar swells, stormy feedback textures, dynamic clean-to-overdriven transitions, dramatic gritty male baritone vocals, heavy vibrato, emotional belting, unified chorus harmonies, airy octave blends, tense verse, gradual emotional escalation, massive anthemic hook, organic dynamics

권소영 - C.O.C ( 2026 Remake.)

Anywhere

k-pop

k-pop, emo trap, trap-metalcore, palm-muted chugs, octave guitar wall, subdrop impacts, glitch stutters, 808 kick layering, glossy autotuned vocals, harmonized chorus stack, gate reverb snare, downshift key change, halftime breakdown, syncopated trap hats, bass guitar pickattack, wide stereo guitars, verse-prechorus lift, hardstop drops, bittersweet defiance

Familia primo

Tube d’été 2026

Tube d’été 2026, mélange rap français moderne et chant gitan espagnol. Ambiance festive, solaire, authentique et populaire. Instrumentale avec guitare flamenca/gipsy, percussions latino-afro, basse puissante, mélodie entraînante, 115 BPM. Couplets rap français courts et percutants dans un style urbain actuel. Refrain chanté en espagnol par une voix gipsy masculine chaleureuse, très mélodique et mémorable. Thème : la famille avant l’argent, les vrais amis qui restent dans les moments difficiles, la réussite après les galères, l’amour sincère, les soirées d’été. Structure : intro très courte, couplet rap, pré-refrain, refrain espagnol accrocheur, deuxième couplet rap, refrain, pont émotionnel, dernier refrain avec chœurs puissants. Son commercial, festif, fédérateur, parfait pour les playlists d’été, les voitures décapotables, les terrasses et les fêtes en plein air. Pas de mélancolie excessive, énergie positive et victorieuse.