New Songs

Au Mieux

French afro-trap with bouncy dembow-leaning percussion and a warm sub pulse; verse rides sparse kick

French afro-trap with bouncy dembow-leaning percussion and a warm sub pulse; verse rides sparse kick, snapped claps, and a plucked synth motif, pre-chorus lifts with filtered pads and rising chants, chorus lands with stacked gang vocals and a short vocal chop hook. Male vocals, close-mic and slightly gritty in verses, doubled on the hook with light delay throws. Ear candy: reversed swell into the chorus, tiny bell accents between lines, final drop with extra handclaps. Bright, punchy, club-ready mix.

DREAM OF THE MIDNIGHT

Energetic hip hop with bright pop sheen

Energetic hip hop with bright pop sheen, female lead vocals up front, crisp tuned melodies, playful ad-libs, punchy trap-influenced drums, warm sub bass, spacious reverb on hooks, layered harmonies in the chorus, club-ready mix with lively call-and-response feel

Switch Up The Tempo

Rap

Rap, hip hop, atmosphere, BPM: 142. drums in half-time so it feels like 71, switch hats to double-time for the race moments, F# minor, deep heavy 808, short, punchy, low thump. Tune to F#. Use two kicks, one soft for verses, one harder with more click for choruses, 808: sine with light saturation, long decay on sustained notes Slide between F# - C# - E for the main hook, Snare/clap: layered, Hi-hats: closed 16ths with velocity variation. Add triplet rolls only on the words "switch" and "tempo". soft shaker, reversed cymbal swells, and a muted finger snap on beat 3, warm analog pad in Serum, granular vocal chop pad, reversed, soft bell with heavy Valhalla Shimmer, plays a 3-note motif only in post-chorus. F# - A - C#, white noise risers 2 bars before each chorus, tape stop on the last word of "break it", vinyl crackle very low in intro and outro, scratch male vocal with natural imperfections,

Time is a Healer?

Style: Dark Ambient Folk

Style: Dark Ambient Folk, Space Noir, Cosmic music, Intimate Clear Male Vocals, Cinematic Soundscape, Clockwork Heartbeat, Haunting, Minimalist, High Fidelity, 432Hz, Ethereal, Isolated Voice.8К Sound, Binaural , Dolby, Legibly, Master Clean Sound.Track 4 minutes!

"Hunger"

Chloroplast Bells

rap

rap

I lust for you.

Minimal drum & bass at 172 BPM

Minimal drum & bass at 172 BPM, tight step groove with ghostly offbeat percussion, Cold, detuned reese bass sliding in mono down the center, tiny filtered pad swells at section changes, Haunting male lead in the low-mid range, distant female harmonies drifting in and out like echoes; sparse delay and cavern reverb, Energy builds gradually from whispered verses to a hypnotic, looping chorus hook, then strips back to bass and voice for an eerie outro, minimal, female vocals, 4d sound

Sous la glace

Experimental chanson with fractured downtempo pulse and off-kilter kick patterns; verse stays sparse with close-mic dry female vocals and odd-timed hand percussion

Experimental chanson with fractured downtempo pulse and off-kilter kick patterns; verse stays sparse with close-mic dry female vocals and odd-timed hand percussion, pre-chorus opens with reversed swells and breathy doubles, chorus lands on a warped synth motif with whispered gang echoes. Wide shimmering slightly lo-fi mix with sudden dropouts, tape texture, and glacial plucked accents drifting in and out. Female vocals, breathy, intimate, left-field., downtempo, experimental, lo-fi, chanson, female vocals, breathy

Today We Are One by Caio Klin (Remix)

Raw

Raw, abrasive trap at half-volume emotional peak: hard trap drums, punchy 808 sub-bass, crisp snare claps, rapid hi-hat rolls, and immediate full-energy rap delivery. Lead stack of sitar, sarangi, harmonium, bagpipes, and Arabic/Egyptian oud touches with microtonal bends, tabla accents, gritty distortion, wobble, brostep drops, and wide stereo delay for tense urgency.

Somnia | Takin' Chances (v5.5 Remix)

djent

djent, ambient, progressive metal

Pulling Me In Again

smooth bassoon

smooth bassoon, Epic

……らしく。

contemporary jazz

contemporary jazz, minimalist clarinet and piano, subtle brush drums, moody and atmospheric, slow tempo, introspective, melancholic but hopeful, soft dynamics, urban night vibes, Japanese lyrics

No Mercy

Hardcore

Hardcore, Rap, dark, fast, male voices, aggressiv, epic, instrumental, orchestral, bass, bass, bass, emotional

Bottle of buddy boy (1.29x)

Dark+alt+pop+hip-hop+raphip-hop rapper vocals

Dark+alt+pop+hip-hop+raphip-hop rapper vocals, hip-hop beat,glam+hip-hop+folk++riumphant, euphoric, uplifting, inspired, , pop rap, low vocals, melody, heavy bass line, clear voices, breakbeats, powerful melody, warm tone, depressed, male growl vocal, primal, ironic, stereo effects, electronic synthesizer, haemonic vocal, cinematic ballad, ambient strings, future synth, dark electronic, soaring vocals, old-school hip-hop, colour bass, chill beats, deep reverb, heavy electric guitar, acoustic instruments, bassline, old school gangsta rap, ambient idm, depressed, hip hop trap, epic hip-hop, smooth r&b, r&b slow

Chameau fort

very memorable hook

very memorable hook, very melodic radio ready cloud rap, g-funk, drain gang aesthetic, sleepy trap, slow hazy beats, heavy reverb on drums, dreamy atmospheric pads, washed-out synths, portamento saw wave lead, soulful piano rachmaninov influence, deep synth bass, lo-fi trap, slow tempo 78 BPM, half-time feel, deep reverb vocals, monotone sleepy male voice, bored flat delivery, auto-tune subtle, no aggression, nihilistic tone, introspective, nocturnal, floating dissociated flow, melancholic, druggy dreamlike atmosphere, female soul background vocals, sleigh bells, G-funk west coast influence

YORU NO KOKYŪ (Breathe In The Night)

Brazilian hard phonk at 148 bpm with aggressive baile funk drum patterns

Brazilian hard phonk at 148 bpm with aggressive baile funk drum patterns, swung kick rushes, and chopped cowbell grooves, sliding distorted sub-bass dominating the low end, sparse swung drum loops and minimal melodic layers supporting tight percussive male chant vocals, pre-chorus sections built with rising snare rolls, filtered call-and-response chant phrases, tension-building FX swells and reversed risers into each hit, choruses slamming with stacked gang shouts, saturated lead chants, clipped brass stabs, and distorted synth hits, arrangement featuring tire-scrape turn FX and brief detuned synth stabs before every drop, club-focused dark punchy mix with razor-sharp highs, vocal doubles, short delay throws on key words, and pitch-shifted ad-libs throughout. Deep House And Electro-Techno Fusion With Steady Four-On-The-Floor Kick, Warm Subby Bass, And Pulsing Offbeat Chords. Shimmering Synth Stabs And Airy Pads Build A Hypnotic Late-Night Club Atmosphere. Tight Female Vocal, flute

no me atraparan

Extreme modern melodic evil nu metal / metalcore with strong Arch Enemy influence

Extreme modern melodic evil nu metal / metalcore with strong Arch Enemy influence, aggressive and brutal sound, very harsh female vocals with constant screams and growls, minimal clean singing, fast tremolo-picked guitar riffs, heavy down-tuned distorted guitars, double kick blast beats, chaotic and relentless drumming, dark and violent atmosphere, dystopian and nihilistic mood, raw emotional rage, death metal intensity mixed with modern production clarity, breakdowns with guttural screams, dissonant harmonies, minimal melody only as background tension, high energy, fast tempo, crushing heaviness, aggressive gang shouts, no pop structure, no softness, constant tension and brutality, cinematic dark metal atmosphere, powerful but raw vocal delivery, extreme intensity throughout, Arch Enemy / early In Flames inspired but more brutal and modern metalcore edge

Okey

Female vocalist

Female vocalist, 2020s electropop with future-bass and dance-pop edges, Energetic, emotional, empowering, Production: deep, driving bass; punchy four-on-the-floor kick; tight, crisp drums with syncopated claps/snares, Synths: bright, evolving leads; plucked verses; wide saw pads in chorus/drop, FX: heavy sidechain pump; tasteful reverb/delay for space; risers and white-noise sweeps for transitions; occasional vocal chops, Vocals: intimate verses → big, emotive, layered chorus; polished tuning; subtle verb/delay; strong hooks built for sing-along, Structure: Verse – Pre – Chorus – Drop; dynamic build-ups; impactful, memorable drops; bridge/breakdown strips back then slams into the final chorus/drop, Vibe: modern, polished, anthemic yet intimate; themes of love, resilience, and overcoming, Mix/Master: $High-Energy+ $Bright+ & Clear++ $Wide+ $Bass-Punch++ $Polished & Radio-Ready++, 122 BPM, minor, Radio + dancefloor, Stereo width; mono-tight low end; drops slam on speakers and earbuds – S

"Porch Light Was Still On"

Modern country-blues vocalist with cinematic southern soul

Modern country-blues vocalist with cinematic southern soul, warm raspy baritone, whiskey-smoked texture, emotionally restrained delivery, conversational realism, weathered masculine vulnerability, mature heartbreak storytelling, tired honesty, subtle southern accent, intimate close-mic presence.warm chest-heavy tone, controlled gravel texture, subtle vocal fry, believable human imperfections, emotional pauses, breath catches, slight voice cracks during regret lines, half-spoken confessional moments, restrained delivery instead of oversinging.

In Castello Noi Victoriam

Full Orchestra

Full Orchestra, Orchestral Metal, Castlevania Metal influence, Epic Operatic Soprano Coloratura melodic Metal Female Vocalist, Duel Guitars solos, Deep Bass drum, Gibson Les Paul Custom Black Beauty With Orange Amplifier, high definition audio with low compression, Balanced audio mixing, dynamic drumming