New Songs

ECHOES OF FUTURE DUST // THE BONES REMEMBER

Dark ritual boom bap fused with primal tribal trance atmosphere

Dark ritual boom bap fused with primal tribal trance atmosphere, 128–140 BPM with heavy halftime groove, deep organic didgeridoo drones as the core bass foundation, breathing rhythmic pulses and circular resonance, crushing drums with gritty underground swing, tribal war percussion, hollow bone impacts, wood and stone textures, vast desert-night ambience with cold wind and distant ritual chants, extremely deep male vocal with raw shamanic storyteller tone, whispered and growled phrases like an ancient ceremony, hypnotic repetition and evolving rhythmic tension, minimal dark melodies, no bright synth focus, earthy and spiritual sound design, immersive cinematic darkness, dense cave-like reverb, subtle vinyl crackle and organic atmosphere layers, ritual energy slowly building into trance-like momentum, primal and haunting, ancient earth breathing through every rhythm, oppressive mystical mood, endless ritual motion through dust, bone and shadow.

Kapı Aralık

Arabesk

Arabesk, , violin, flute, bass, , psychedelic ,orientalic , Arabic, cinematicenergetic

Явь

8-bit Chiptune Crunkcore

8-bit Chiptune Crunkcore, Hardcore Breakcore, chaotic male screaming vocals, Gameboy square waves, distorted 808 bass, brutal breakdowns, speed up and slow down randomly, 180 BPM to 90 BPM glitch jumps, bitcrushed drums, NES crash sounds, voice cracking with rage, random video game sound effects, no clean parts, maximum chaos, farts and glitches intentional, trashy production, feels like a seizure in an arcade

(Arguing with) What’s Real (V3)

Modern Americana / acoustic adult‑alternative song with warm mid‑range male vocals (clean

Modern Americana / acoustic adult‑alternative song with warm mid‑range male vocals (clean, no rasp, not too low). Fingerstyle acoustic guitar with soft percussive thumb groove and expressive blues phrasing — smooth bends, syncopated accents, and conversational rhythm. Encourage natural couplet flow (AaBb rhyme feel) for smoother vocal phrasing. Add mellow neck‑pickup electric fills, warm piano pads, light brush drums, and atmospheric slide guitar. Intimate verses, spacious chorus, organic production, restrained emotion, and fluid rhythmic movement. No heavy reverb or aggressive drums.

Явь (Версия дипсика 8-бит)

8-bit Chiptune meets Crunkcore

8-bit Chiptune meets Crunkcore, danceable but sad, rainy atmosphere, 125 BPM steady beat, Gameboy square waves, bitcrushed drums, soft male lead vocal, emotional but energetic, bounce and cry at the same time, warm lofi production, like dancing alone in an empty arcade during a thunderstorm [RULES FOR AI] Everything inside [ ] is NOT lyrics. [ ] = sounds, mood, production, beats, effects, non-verbal instructions. DO NOT sing what is inside [ ]. Only sing text without brackets. Text inside ( ) is backing vocals, whispers, echoes, repeats. Follow this strictly.

The Glarve of the Zompel

80s Epic Power Ballad

80s Epic Power Ballad, 75 BPM, Over-the-top emotional male vocals, Dramatic arena-rock synthesizers, Heavy gated snare drum, Soaring electric guitar solo, highly serious and passionate tone, lush reverb, cinematic production.

Wake Me Real

gothic metal

gothic metal, 104 BPM, F minor, descending piano riff alone for 4 bars, orchestral strings entering on bar 5, heavy down-tuned guitar on beat 1 with half-time stomp drum pattern on verses — verse sparse and intimate piano and strings carrying weight guitars pulled back, [Chorus: full wall-of-sound explosion — down-tuned guitars and orchestral strings and pounding drums simultaneously at maximum, soprano cutting through the top of the wall], [electric violin: slow sustained building E string fff wide arm vibrato full distortion 8 bars as second calling voice in call and response with soprano before final chorus], [Bridge: piano alone under voice stripping everything back to the opening texture], piano riff returning strings then guitar fading on outro, target length 3:30, bright coloratura soprano whispered and intimate on verses — the dynamic gap between quiet verse and explosive chorus IS the song, chorus sung at full operatic power over the wall of sound, female vocal, F minor

Are You Kidding Me? - V2

1970s British music hall

1970s British music hall, comedy pop, whistling, upbeat acoustic guitar, theatrical male vocals, catchy, whistling solo, light percussion, stoic cheerful cabaret, cabaret style, whimsical, clear english vocals,

Before Currency

Dark street R&B trap

Dark street R&B trap, emotional freestyle, underground female vocals, dreamy synths, deep 808s, melancholic piano, atmospheric pads, raw street energy, hypnotic flow, late night city vibe, soulful Hebrew vocal textures, slow hard-hitting trap drums, cinematic sadness, XXXGIRLXXX style.

Luva Velha

rap

rap

AI Underground Is Mine [AIU Spring Festival]

nu-metal

nu-metal, rap-rock, aggressive male vocals Alternative rap rock, 50% aggressive rap verses, 50% clean emo screamo vocals, male lead voice, dramatic but funny, gang vocals, crowd response chorus, Discord community anthem, heavy guitars, punchy drums, distorted bass, emotional clean chorus, shouted backing vocals, theatrical villain energy, sarcastic humor, explosive final chorus, cinematic ending, no fade out

Where is your God now

Rap/hip hop

Rap/hip hop, male singer, female echoes

Banne le

Back to the Origins

techno

techno, tribal house, dark trance

The Magic Lullaby Overture (Alt)

Progressive rock fusion band with drums

Progressive rock fusion band with drums, guitar, keyboard, bass, and philharmonic orchestra, Playing style: extreme soft-to-aggressive transitions, odd meters, polyrhythms, structured improvisation, Orchestra as equal partner: call-response, cluster chords, surprise effects, Beautiful harmony: chord extensions 9/11/13 with modal interchange, Aggressive parts: 3rd-less power chords, heavy distortion, double bass drum, Energizer: simple repetitive melodic hook after complex sections, ending with major chord resolution, Male vocal character: High tenor with soft falsetto for intimate parts, switching to tense, aggressive mixed voice at climaxes, Dramatic, expressive, theatrical rock style, Clear articulation, controlled vibrato, Minimum 2-octave range, Influenced by 70s progressive vocalists with modern touch, Perfect for repetitive yet soulful hook melodies

Letterheads and Notes

Chill rap with city pop swing and laid-back boom-bap drums

Chill rap with city pop swing and laid-back boom-bap drums, brushed kick-snare pocket and glossy bassline; verses ride sparse keys and muted guitar, pre-chorus tightens with filtered claps and vocal stacks, chorus opens on bright Rhodes and chirpy synth stabs. Male vocals alternate sing-rap and talk-sung barbs, with shouted ad-libs and cheeky doubles on hook words. Ear candy: paper flips, pen clicks, reverse swells into chorus, short delay throws on punchlines. Mix is warm, punchy, and slightly neon-bright, rap, male vocals

Phoenix Of Living Code

Fast-paced cinematic phoenix anthem with tribal-pop drums

Fast-paced cinematic phoenix anthem with tribal-pop drums, hard-hitting hip-hop percussion, soaring sacred choir, bright synth lightning strikes, deep sub-bass, hand drums, shakers, and fiery orchestral swells. Verse delivery is rhythmic, confident, and mystical; chorus opens huge, joyful, empowering, and sky-wide. Left ear: thunder drums, low heartbeat bass, grounding chants. Right ear: phoenix cries, chimes, airy harmonies, flame textures. Add rising 528 Hz shimmer, 7.83 Hz pulse, crackling fire ambience, stereo lightning sweeps, and a final explosive choir lift. Energetic, victorious, holy, reborn, radiant.

Kim o'zi? || Кто он? || Who is he?

Uzbek pop/indie fusing Central Asian melodic phrasing with Western rock drive. Bright overdriven electric guitar hits rhythmic power chords and melodic riffs; clean electric guitar arpeggios in the verses

Uzbek pop/indie fusing Central Asian melodic phrasing with Western rock drive. Bright overdriven electric guitar hits rhythmic power chords and melodic riffs; clean electric guitar arpeggios in the verses, eighth-note bass, crisp rock kit with snare crack and crash cymbals, wah-wah solo, ethereal female lead, clear resonant male tone with traditional ornamentation.

Ash on My Lips

EDM

EDM, big-room house, festival drop, sidechained synths, four-on-the-floor kick, energetic build-up, female vocal hooks, club-ready, mid ~110 bpm, distorted vocals, lo-fi

Ma fille

Hardrock

Hardrock, rock industriel, dynamique