New Songs

🔥Heart of the Forest🔥

Siberian Indigenous folk-pop and Chulym heritage fusion at 95 BPM

Siberian Indigenous folk-pop and Chulym heritage fusion at 95 BPM, with deep driving bass, heavy skin drums, and industrial techno undertones. Khomus drones, Morin Khuur lead lines, throat-singing overtones, and shamanic breathing drive a high-energy tribal dance. Crisp modern pop mix, powerful female vocal, melodic chanting, guttural spoken word.

1.221 ***“สุขจากปัญญา”

จังหวะสามช่าอีสาน ดนตรีบรรเลง เสียงแคนเด่น กลองสามช่าชัด เบสเด้งหนัก อารมณ์สนุก ครื้นเครง ชวนเต้นหน้าเวที พลังต่อเนื่อง ไม่มีช่วงเนือย

จังหวะสามช่าอีสาน ดนตรีบรรเลง เสียงแคนเด่น กลองสามช่าชัด เบสเด้งหนัก อารมณ์สนุก ครื้นเครง ชวนเต้นหน้าเวที พลังต่อเนื่อง ไม่มีช่วงเนือย

Kingdom of Frequency (84 BPM ROYAL ASCENSION)

Majestic Southern trap at 84 BPM with huge orchestral brass stabs

Majestic Southern trap at 84 BPM with huge orchestral brass stabs, slow powerful 808 bass, crisp snapping snare, and double-time hi-hats. High-fidelity mix, wide stereo, punchy transients, royal triumphant tension, and neon-lit synth textures—clean sub-bass pressure, hard-panned brass hits, and a swaggering, articulate flow.

Rain on Glass version 0.3

epic hybrid ballad with driving piano

epic hybrid ballad with driving piano, soaring strings, and aggressive rock drums, layered acoustic and electric guitars, psychedelic synth swells, powerful dynamic builds, cinematic crescendos, emotional melodic focus, and intense, dramatic energy

Remix Me: Chicken Facts created w… x The Country Life (Mashup)

A cappella pop with beatboxing and vocal percussion

A cappella pop with beatboxing and vocal percussion, The arrangement features a deep bass vocal line performing syncopated rhythmic patterns, a mid-range vocal harmony section providing chordal stabs and rhythmic 'ba-da-da' motifs, and a lead male tenor vocal, Beatboxing provides the drum kit sounds, including a sharp vocal snare on 2 and 4 and a resonant vocal kick, The track is in G major at 115 BPM, Vocal layers use close-mic techniques with minimal reverb to maintain a dry, punchy texture, The bass vocal frequently uses 'doom-doom' phonemes while the percussionist incorporates vocal clicks and breathy hi-hat sounds, male vocals, female vocals, guitar, country, blues, male vocals, female vocals, guitar, 90's Country, Smooth, Soul, Funk

Drum And Bone

Metalcore with cumbia villera swing and pop-trap snap at a dynamic tempo; verse rides syncopated toms

Metalcore with cumbia villera swing and pop-trap snap at a dynamic tempo; verse rides syncopated toms, nylon guitar, and highlife guitar flickers; pre-chorus strips to voice and hand drums, chorus slams with doubled screams, gang hooks, and question-answer phrasing. Male and female vocals trade leads, with glitchy FX, reversed swells, tribal frame drums, and a cinematic string lift. Bright yet gritty, wide and punchy mix with dusty acoustic warmth., folk, pop, cumbia villera, metalcore, experimental, highlife

Spin Cycle

upbeat

upbeat, drum and bass, synthwave

（仮）オモウガママニ

hide with Spread Beaver HIDE Male Japanese vocal

hide with Spread Beaver HIDE Male Japanese vocal, high-pitched nasal tone with slightly androgynous character. Playful, mischievous, sarcastic and rebellious delivery with emotional instability. Voice switches between cheeky spoken-like phrasing and explosive melodic shouting. Slight rasp, airy texture, imperfect and human feel. Childlike innocence mixed with chaotic madness, laughing while singing. Style inspired by 90s Japanese alternative rock and visual kei, with energy similar to ROCKET DIVE. Arrangement: fast-paced upbeat rock (~155-165 BPM), minor key. Bright distorted guitars with crunchy mids, punchy bass, energetic live drums, mixed with digital elements, electronic textures and glitch accents. Slightly messy but energetic live band feel. Melody: catchy pop hooks with edgy chaotic structure. Mood: hyper, colorful, rebellious and manic. Vocal emphasis: attitude over precision, dynamic phrasing, bouncy verses, explosive chorus, unpredictable timing, expressive imperfections.

Painting

male vocals

male vocals, piano, guitar, country, soft , slow

FLIP THE TABLES (VIKTOR’S INNER TEMPLE CLOUD)

Front-and-center clear vocals over melodic cloud rap and introspective hip hop at 78 BPM. Deep sub-bass

Front-and-center clear vocals over melodic cloud rap and introspective hip hop at 78 BPM. Deep sub-bass, syncopated 808s, sparse rim clicks, melancholic electric piano, chopped-and-screwed ad-libs, dark cinematic pads, distant wind ambience, tape saturation, and atmospheric reverb frame a slow-burn groove. Smooth raspy spoken melodic flow.

More Espresso-Less Depresso

Where the Daisies Lean

Atmospheric alternative rock with djent influences

Atmospheric alternative rock with djent influences, emotional and cinematic. Clean ambient guitars, warm reverbs, restrained polyrhythmic grooves, soft bass swells, syncopated fractal drumming, and distant piano textures. Verses feel intimate and melancholic, carrying themes of trauma, healing, and finding peace in small moments like standing in fields of daisies beneath storm-cleared skies. Choruses bloom with uplifting emotional weight, layered harmonies, and soaring dynamics without becoming overly heavy. Somber yet hopeful, dark yet beautiful, with a slow-burning cathartic atmosphere throughout, [IS_MAX_MODE: MAX] (Max) [QUALITY: MAX] (Max) [REALISM: MAX] (Max) [REAL_INSTRUMENTS: MAX] (Max) [DYNAMICS: WIDE] (Wide) [QUALITY_LOSS: NONE] (None)

Great Fall

Folk outlaw country Americana

Folk outlaw country Americana , piano, blues, violin, ballad, sad, emotional, dramatic blues

улетели листья в female light reggae dance

Upbeat light raggea

Upbeat light raggea, female vocals, acapella classical choire, dance, female singer

*No More Bad Cookies Allowed!* (A Cynical Reflection)

Satirical late 70s pop rock with quirky humor

Satirical late 70s pop rock with quirky humor, ~108 BPM. Tight groove, playful feel, slightly tongue in cheek. Clean production with sudden instrumental quirks. Lead Guitar: Bright single coil electric through clean tube amp. Snappy attack, light compression, minimal overdrive. Short slapback delay (120 ms) and light plate reverb (1.5 s). Rhythmic stabs and sarcastic little fills rather than long solos. Occasional talkbox/wah articulation for comic phrasing. Crisp, dry tone, panned slightly right. Keyboards: Fender Rhodes electric piano as main texture—warm bell tone, mild stereo chorus, light compression. Plays syncopated chord punches. Layer subtle analog polysynth pad (Prophet style) with slow attack for color. Short plate reverb (2 s). Rhythm: Punchy electric bass, tight funky line. Dry drum kit with crisp snare and steady hi hat. Mix: Clear, slightly dry late 70s studio sound. Wide stereo, instruments sharply defined. Playful dynamics supporting witty vocal delivery.

White Magic Introduction (50's Champagne Music 9)

1950's Champagne Music

1950's Champagne Music, Large group of Wonderful, Wonderful singers, Easy Listening, inspired by Lawrence Welk

凌晨三点

melodic techno

melodic techno, deep house, 124 BPM, breathy female vocals, female lead vocals, vocal delay throws, harmonized chorus, liquid synth leads, pulsing bassline, sidechain pumping, rain ambience, filtered pads, reverb drenched, subdrop kick, four-on-the-floor, cinematic strings, lonely piano, distorted electric guitar, bittersweet release, nocturnal heartbreak

Paper Sun Hat

country

country, rap, hip hop, paino, mighty, metal, multiple voices, catchy instrumental intro. electro swing. sweet female vocal, imaginative, sharp hi-hats, autumn

circles

rock

rock, punk, powerful, female

Kingdom of Frequency (84 BPM ROYAL ASCENSION)

Majestic Southern trap at 84 BPM with huge orchestral brass stabs

Majestic Southern trap at 84 BPM with huge orchestral brass stabs, slow powerful 808 bass, crisp snapping snare, and double-time hi-hats. High-fidelity mix, wide stereo, punchy transients, royal triumphant tension, and neon-lit synth textures—clean sub-bass pressure, hard-panned brass hits, and a swaggering, articulate flow.