New Songs

From Code to Harmony

Cinematic post-rock

Cinematic post-rock, mathematical precision, transitioning from glitchy electronic intro to soaring orchestral climax. Intricate rhythmic patterns, minimalist piano, shimmering synthesizers, ambient textures, deep cello, intellectual atmosphere, emotional release, innovative spirit.

A Kiss Before the End (Instrumental)

Cinematic orchestral score

Cinematic orchestral score, 1960s spy movie theme, romantic lush strings, grand brass swells, sweeping legato violins, twangy surf guitar, harp glissandos, slow tempo 75 BPM, dramatic crescendo, E minor, vintage analog warmth, sophisticated, mysterious, John Barry-style

One Blood~(Heartbeat) (From Suno Sounds)

Deep minimal house

Deep minimal house, heartbeat-centric, 120 BPM, male and female vocal duo, multilingual (English, Spanish, Swahili, Zulu, French, Arabic), soulful harmonies, warm bass, cinematic foley, atmospheric and global, Sound design and foley recording, A rhythmic heartbeat pulse repeats at 60 BPM, The sound features a muffled, low-frequency thud followed by a slightly higher-pitched, resonant second beat, mimicking the lub-dub of a human heart, The recording has a dry, close-mic proximity with minimal room ambience, The low-end frequencies are prominent around 50-100Hz, with a soft roll-off in the high frequencies to simulate internal body acoustics

Салоток Силотруй

Folk metal with Russian male vocals. Distorted electric guitars play palm-muted chugging and power chords. A prominent accordion or bayan plays melodic folk riffs and counter-melodies. The drums feature double-kick patterns and a driving backbeat. A clean electric bass follows the guitar riffs. The vocals are a mix of gritty baritone singing and aggressive shouting. The tempo is 140 BPM in 4/4 time. The arrangement includes a guitar solo with rapid alternate picking and wah-wah effects. The production is modern with clear separation between the heavy metal elements and the acoustic folk instruments.

Folk metal with Russian male vocals. Distorted electric guitars play palm-muted chugging and power chords. A prominent accordion or bayan plays melodic folk riffs and counter-melodies. The drums feature double-kick patterns and a driving backbeat. A clean electric bass follows the guitar riffs. The vocals are a mix of gritty baritone singing and aggressive shouting. The tempo is 140 BPM in 4/4 time. The arrangement includes a guitar solo with rapid alternate picking and wah-wah effects. The production is modern with clear separation between the heavy metal elements and the acoustic folk instruments.

Tokyo Blue Hour

Modern Japanese City Pop

Modern Japanese City Pop, 80s Adult Pop, synth-pop

摩天楼に狂い咲く

An unconventional

An unconventional, original, and overwhelmingly powerful singing style., male visual kei deep low vocal, Melodic Metal, Gothic Rock, Dramatic, Aggressive, Sadness, 160BPM, ballade rock, piano that sounds like it's about to cry, a soft acoustic guitar, Unified voice

«Израненная душа» duet

dark cinematic rock

dark cinematic rock, post-apocalyptic anthem, male baritone vocal, husky delivery, deep bass drone, distorted electric guitars, low-tuned rhythm guitars, snare-led march, cymbal wash crashes, atmospheric synth pads, orchestral string swells, industrial ambience, low rumble subs, wide reverb, distant echoes, verse build chorus lift, crescendo arrangement, andante 85 BPM, chorus surge 105 BPM

Там Где Нужна

Ambient singer-songwriter with slow pulsing pads

Ambient singer-songwriter with slow pulsing pads, sparse piano dust, and a soft tom heartbeat; verse opens wide and intimate, pre-chorus lifts with filtered strings and breathy doubles, chorus settles into a stark mantra with stacked harmonies and long delays on the last words. Airy reversed swells, distant shimmer chimes, and a final drone bloom shape the transitions. Wide, emotional, cinematic mix with close-mic vocals and spacious reverb tails.

Tres Luces En Mi Pecho

emotional

emotional, devoted, hopeful darkness, slow build, heartfelt verses, soaring chorus, family anthem, gothic rock, dark rock, clean male vocals, deep electric guitars, piano intro, warm strings, background choir vocals, cinematic atmosphere, powerful final chorus, punchy modern mix

Lord, I guess you’re right

indie folk

indie folk, chamber pop, 68 BPM, fingerpicked acoustic guitar, arpeggiated chord pattern, harmonic drone bass, soft string counterline, harmony vocals, close mic vocals, dry room ambience, analog tape warmth, room mic bleed, brushed snare, syncopated kick, low register delivery, reflective melancholy, orchestral lift

Nie Puszczaj

Modern pop with pop-rap touches

Modern pop with pop-rap touches, mid-to-fast tempo, tight syncopated drums and glossy synth plucks; verse stays quiet and intimate with stripped piano and half-spoken rap phrasing, pre-chorus lifts with filtered risers and stacked harmonies, chorus explodes into anthemic four-on-the-floor drums, wide synth chords, and gang-vocal doubles on the hook; airy close-mic lead in verses, emotional belted chorus with ad-lib echoes, reverse swells into each drop, bright polished radio mix, strong, emotional, theme, rap, simple, dynamic, pop

Burnout

PROOF THAT I’M BROKEN

cinematic soul gospel ballad Rock

cinematic soul gospel ballad Rock, Pop, Glam Rock, Soft Rock, Piano Rock style piano driven arrangement slow build from intimate solo piano to full orchestral swell lush strings gospel choir hammond organ support powerful emotional male vocal range low baritone to soaring chest voice expressive dynamics rich analog warmth cinematic mix dramatic crescendos choir call and response in final chorus emotional storytelling delivery 70s piano rock gospel influence heartfelt vulnerable then triumphant lift tempo 72 bpm spacious reverb no overcompression clarity on vocals soul stirring church revival meets cinematic film score style s 0 84 weirdness w 0 36

Kalbim Senin İçin Atıyor ( Salsa…)

generate a dark late night salsa urbano track that captures the brooding atmosphere and nonchalant swag of Reggaeton

generate a dark late night salsa urbano track that captures the brooding atmosphere and nonchalant swag of Reggaeton, Latin Trap, Latin Pop, Urban the lead male vocal must sound detached slightly mumbled and heavily processed with tasteful reverb and subtle autotune mimicking Reggaeton, Latin Trap, Latin Pop, Urban s signature raw yet cool persona the lyrics should convey a feeling of melancholic introspection over a dance beat establish a tense mid tempo salsa groove driven by a fluid acoustic bass tumbao and tight bongo conga percussion the contrast should come from integrating modern production elements a heavy sustained 808 sub bass that works against the acoustic bass rhythm sparse atmospheric synth pads and icy hi hats layered on top of the traditional rhythm section the brass section should be used dramatically playing slow cinematic chords and minimal powerful stabs rather than fastclear expressive Turkish diction,sharp articulation, punchy rhythmic phrasing

Noite Neon

Brazilian phonk

Brazilian phonk

2) <3

Drums and aggressive cypher momentum must dominate with raw street punch. Hard-hitting East Coast underground boom-bap

Drums and aggressive cypher momentum must dominate with raw street punch. Hard-hitting East Coast underground boom-bap, 92 BPM, dark minor gospel-jazz loop with triumphant brass tension. Close dry female rap vocal, fierce confident tone, sharp consonants, dense multisyllabic flow, breathless long bars, sudden pauses, no singing, no male voices. Thick warm bass punches under the kick, short and heavy, reinforcing impact without covering the vocal. Loud boom-bap drums with hard kick, cracked snare, gritty swing, tight hats, ghost snares, sharp fills and DJ-style stops. Chopped choir stabs, muted horn blasts, dusty piano hits, vinyl scratches and low sample grit stay behind the rap. Short tense intro, long verse-heavy structure, brief shouted slogan hook, drum-break bridge, final verse intensifies, abrupt cutoff. Loud gritty mix, vocal-forward, snare-forward, compressed, dusty, raw. No male vocals, no soft jazz lounge, no trap drums, no club bounce, no glossy pop hook, no EDM drop.

Would You Love Me?

indie eurpop

indie eurpop, cinematic alternative, British pop

Kalbim Senin İçin Atıyor ( Salsa…)

generate a dark late night salsa urbano track that captures the brooding atmosphere and nonchalant swag of Reggaeton

generate a dark late night salsa urbano track that captures the brooding atmosphere and nonchalant swag of Reggaeton, Latin Trap, Latin Pop, Urban the lead male vocal must sound detached slightly mumbled and heavily processed with tasteful reverb and subtle autotune mimicking Reggaeton, Latin Trap, Latin Pop, Urban s signature raw yet cool persona the lyrics should convey a feeling of melancholic introspection over a dance beat establish a tense mid tempo salsa groove driven by a fluid acoustic bass tumbao and tight bongo conga percussion the contrast should come from integrating modern production elements a heavy sustained 808 sub bass that works against the acoustic bass rhythm sparse atmospheric synth pads and icy hi hats layered on top of the traditional rhythm section the brass section should be used dramatically playing slow cinematic chords and minimal powerful stabs rather than fastclear expressive Turkish diction,sharp articulation, punchy rhythmic phrasing

Bone and Smoke

Working song style very deep voice

Working song style very deep voice

Pink Candy (Party)

Mixed

Mixed