New Songs

It Lands Different

A hybrid track blending baggy groove

A hybrid track blending baggy groove, trip-hop rhythm, psych-folk textures and psychedelic pop elements. Tempo 96 BPM. Loose, slightly swung drum break with warm kick and dusty snare, subtle vinyl feel. Deep, round bassline repetitive and slightly behind the beat, hypnotic and groove-driven. Layer acoustic guitar with phaser/chorus, dreamy synth pads, light tape wobble and airy textures. Vocals male, slacker style, half-spoken with smooth rhythmic flow and short phrasing, slightly melodic in chorus with soft harmonies. Chorus hypnotic and fluid, groove-focused but restrained. Maintain space, warmth and subtle tension. No big drops. Genres blend: Baggy, Trip-Hop, Psych-Folk, Psychedelic Pop, Slacker Rock, Indie Electronic, Alternative Rock, Dream Pop, Lo-Fi Indie, Ambient Pop, Neo-Psychedelia, Leftfield Pop, Chill Electronic, Indie Dance, Downtempo.

Pick Me Up

Future bass with melodic dubstep influences. Features a prominent supersaw synth lead

Future bass with melodic dubstep influences. Features a prominent supersaw synth lead, heavy sidechain compression, and a syncopated trap-influenced drum pattern. The arrangement utilizes a high-energy drop with a thick, layered synth stack and a sub-bass that follows the chord progression. A male vocal lead alternates between a natural tenor range and a processed falsetto. The track includes cinematic percussion hits, white noise risers, and a gated synth pad in the breakdown. The tempo is 150 BPM in the key of F# minor.

House of the Big Fat Cat Boss

dark‑comedic mafia swing

dark‑comedic mafia swing, dramatic cartoon noir, heavy bass swagger, spooky‑fun, over‑serious cats pretending they run a crime family

Помни обо мне

Platinum Electro‑Reggae × R&B × EDM‑infused Dub. Hook‑first

Platinum Electro‑Reggae × R&B × EDM‑infused Dub. Hook‑first, radio/club ready. Authentic Jamaican color (female lead with Barbadian lilt), world‑class production. Tempo/Key/Feel: 96–100 BPM | 4/4 with light Caribbean swing. Verses intimate → Pre lift → Choruses wide/euphoric; one‑drop groove + modern sidechain “breath”. Lead Female: slightly husky Jamaican timbre with Barbadian accent, silky subtone, tasteful melismas, near‑dry in verses → plate/hall glow in choruses. Lead Male (optional ad‑libs): warm Jamaican baritone ad‑libs/echoes in choruses and bridge. Backing Vocals (Q&A): BV1 (airy female highs, ooh/ah) - “call”, BV2 (warm male mids) - “response”. Echoes of key words/phrases only (no new text), placed on 1/4 rests for dub bloom.

Another Life

Post Punk Rock

Post Punk Rock, Irish Folk, Epic, Post Grunge, Alternative Metal, Heartfelt, Emotional, Husky Female Vocals

New Smyrna Beach

The Dance of Hades (Prokofiev)

Heavy Metal

Heavy Metal, Thrash Metal influence, Power Metal, Epic, Cinematic Orchestral Undertones, Fast Galloping Guitar Riffs, Aggressive Double Bass Drumming, Distorted Electric Guitar Solo, Melodic but Heavy, 1980s Production, High Energy

JAZ H A R D ROCK DRUM I

WITH VIBRAPHONE MIDI CRAZY

WITH VIBRAPHONE MIDI CRAZY

Never Coming Down

Electro House / Glitch / Festival EDM Tempo: 126 BPM Instruments: main piano hook

Electro House / Glitch / Festival EDM Tempo: 126 BPM Instruments: main piano hook, grand piano chords, bright layered keyboard piano, supersaw layers, punchy kick, warm sub bass, glitch chops, risers, impacts, sidechain pads, light plucks Vocals: female lead vocal, emotional and airy in verses, powerful and euphoric in choruses/builds, chopped female vocal textures in drops Mood: uplifting, emotional, bright, summer festival, warm night energy Structure: Piano Intro, Verse, Pre-Chorus, Build, Drop, Verse II, Breakdown, Final Build, Final Drop, Outro Piano Direction: Keep piano as the main identity of the track throughout. The piano hook should lead the intro, builds, drops, breakdown, and outro. Electronic elements should support the piano, not replace it.ly cover, not other instruments, full piano built track

It’s Me - ILLIT

Kawaii

Kawaii, Future bass, Cinematic, Bounce drop, Dream, Electronic minimalist, Experimental "genre": ["K-pop", "Hip-hop", "Trap"], "mood": ["Confident", "Fierce", "Bold", "Energetic"], "tempo": "Fast", "instruments": ["808 bass", "Trap drums", "Synth lead", "Vocal chops", "Claps", "FX drops"], "vocals": "Female group vocals with attitude, powerful high notes, whisper parts, aggressive rap sections", "structure": { "intro": "Short and punchy with vocal chops", "verse": "Half-rapped with trap beat, switch between Korean and English", "pre_chorus": "Build-up with rising synths and layered harmonies", "chorus": "Explosive drop with repeated 'Hot Sauce' hook, heavy bass", "rap": "Fast-paced, confident, gằn giọng kiểu YG", "bridge": "Breakdown with vocal focus, slower tempo then build-up", "outro": "Short repeat of hook + final vocal run" }, "lyrics_style": "Modern slang, girl crush attitude, references to heat/spice/confidence, catchy repetition"

Midnight at the Velvet Stare

Dark Cabaret

Dark Cabaret, Gothic Ambient, Gothic Circus Pop, Dark Ambient, Dark Carnival, Cinematic Film Score, Macabre Circus, Haunted Baroque Pop, Absurdist Musical Theatre, 1997, 108 BPM, F♯ Minor, E Minor, A Major, D Major, (Dramatic Baritone Voice of Roland the Red Panda) Theatrical Dramatic Baritone, Anthemic Male Vocal, Cinematic Chest Voice with a Radiant Anthemic Belt, Ethereal Head Voice with an Angelic Falsetto, (Lyric Baritone Voice of Dave the Eastern Chipmunk) Velvety Lyric Baritone, Youthful Male Vocal, Powerful Grit Chest Voice with an Powerful Soaring Belt, Bright Lifted Mix Voice, Reverent High Head Voice with gentle vibrato with an Eerie Ethereal Falsetto, Wide stereo soundstage, Lush orchestration, Reverb, Panoramic audio, Dolby Atmos, Hi-Fi Audio, Remastered Audio, Lush Backing Vocal Harmonies, Enigmatic, Velvetine, Haunted, Lurking, Celesta, Accordion, Clarinet, Uprightbass, Musicbox, Whimsical, Emotional, Drama,

"Mother of Teeth and Winter"

Blackened death metal / folk death metal horror

Blackened death metal / folk death metal horror, cinematic pagan nightmare. Dark aggressive ancient Slavic ritual mood, slow 85 BPM doom-folk intro rising into 180–280 BPM blast chaos. Whisper-to-scream male extreme vocals, layered AI voice choirs, guttural lows, shriek highs, ritual call-and-response. Distorted tremolo guitars, dissonant riffs, blast drums, war drums, cold folk drones, bone percussion, low choir pads, ominous strings. Structure: atmospheric intro, mythic verses, chant hook, breakdown, 60-sec distorted guitar solo with tremolo blast drums and NO VOCALS, final hook, instrumental chaos collapse outro.

The Weight of Empathy

Mid-tempo pop-rock track in G major at 105 BPM. The arrangement features a clean electric guitar playing syncopated

Mid-tempo pop-rock track in G major at 105 BPM. The arrangement features a clean electric guitar playing syncopated, funk-influenced rhythmic patterns and occasional melodic fills. A warm electric bass follows the kick drum patterns with melodic movement. Drums consist of a standard kit with a prominent snare on beats 2 and 4 and steady eighth-note hi-hats. A bright, clear male tenor vocal leads the track, supported by layered vocal harmonies in the choruses. Subtle acoustic guitar strumming provides rhythmic density in the background. The production is clean with light reverb on the vocals and a balanced, radio-ready mix.

Liebe siegt über Hass! (DJ SwissCamper)

genre-collision dance suite

genre-collision dance suite, nu-disco, disco-pop, cinematic SFX, Brazilian club-pop, carioca bounce, disco-house, dark electropop, darkwave, alt post-EDM calypso, afronoirstep, gothlove fusion, afrobeat drums, tribal percussion, Moog growls, FM leads, acid 303 pulses, Reese bass, dark techno, hard techno, rave pressure, industrial club assault, distorted kickwall, sub-rumble tail, sidechain pump, offbeat rumble bass, metallic percussion, anvil hits, ring-mod claps, razor hats, breakbeat cuts, gabber-edge drops, Eurorack sequencing, Euclidean triggers, ratchets, random voltage, wavefolder bite, filter-ping melodies, tape delay, dirty spring reverb, neon-noir synth cinema, dreamy art-pop elegance, soul-pop hooks, female soprano lead, bass-baritone replies, stacked harmonies, whispered doubles, vocal chops, euphoric trance risers, festival drops, psytrance switch, hardbass spike, calypso swing, celtic fiddle flashes, riverdance pulse, glossy hi-fi, mono infra-sub, wide stereo, dark groove

Oath of Iron

Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum. Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum. Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum

Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum. Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum. Custom Methodic Cinematic Dark Viking Doom Ballad Custom Methodic Cinematic Dark Norse Pagan Tribal Drum

Blur My Mind (v2)

[Style: Country-phonk fusion · trap-driven with southern grit] [Tempo: 110 BPM · swung 4/4] [Key: E minor] [Mood: dark

[Style: Country-phonk fusion · trap-driven with southern grit] [Tempo: 110 BPM · swung 4/4] [Key: E minor] [Mood: dark, hypnotic, late-night swagger · dusty and atmospheric] [Rhythm: heavy 808 sub (deep chest punch) · trap hi-hats with swing · cowbell tightly locked to groove accents] [Instruments: distorted twangy electric guitar riff (gritty, slightly overdriven) cutting through mix · minimal bass movement to leave space for sub · subtle ambient pads] [Texture: lo-fi Memphis-style vinyl crackle under entire track · light saturation and tape warmth] [Vocals: male lead · confident southern drawl but slightly rough/strained tone · rap-sung verses with loose swing phrasing · not clean or polished] [Chorus: hypnotic chant hook · layered female echoes (wide, airy) contrasting dry lead] [Structure: verses groove-driven and narrow · chorus opens wide and anthemic · breakdown strips to isolated 808 + cowbell before final chorus hit] [Danceable groove]

Finding the Diving Whale (Deep sea)

cinematic ambient

cinematic ambient, deep-sea sound design, whale call motifs, sub-bass pressure waves, metallic sonar echoes, bioluminescent synth textures, orchestral pads, slow pulse rhythm, vast underwater reverb, dynamic swell arcs, dark chamber strings, glassy harmonics, low-end rumble, sidechained drones, immersive emotional, wide stereo field, distant brass swells

За тими дверима

Indie-pop with a slow 92 BPM pulse

Indie-pop with a slow 92 BPM pulse, soft syncopated drums and warm synth bass; verse rides sparse piano and finger snaps, pre-chorus lifts with filtered pads and a rising arpeggio, chorus opens into stacked harmonies and a short vocal hook. Breathy lead vocal with doubles on the title phrase, delay throws on the last word, tiny bell accents and tape hiss between sections. Intimate close-mic mix, glossy but fragile

еду домой

bass

bass, funk, male vocals

Fire Love ( AiMagician featuring DALTRON | remix )