New Songs

Esa Canción Que Volvió

Latin Pop

Latin Pop, Reggaeton, 90-110 BPM, dembow drum pattern, congas, timbales, acoustic guitar, trumpet, piano, synth pad, tres guitar, accordion, choir, brass fanfare solo, bass, sub bass, kick, snare, hi-hats, shaker, auto-tuned male lead vocal, trap-soul vocal texture, romantic mood, studio clean polished commercial, radio-ready mix, Spanish (Caribbean Cuban Puerto Rican), FX: synth solo

Lost in the City Rain

1984 inspired synthpop / new wave track

1984 inspired synthpop / new wave track, 118 BPM, cold and emotional atmosphere, analog 80s synthesizers with arpeggiated basslines, deep gated reverb drums, shimmering digital pads, melancholic yet catchy melodic hook, spacious reverb-heavy production, nostalgic urban night mood, male lead vocal with distant and slightly robotic tone, airy backing harmonies, lyrical theme of loneliness, escape, and identity in a foreign city, cinematic and dreamy soundscape, strong chorus with emotional lift, vintage Roland Juno-style synth textures, minimal yet powerful arrangement, retro-futuristic feel

There It Was

We are the Crew (2026 Edition)

Techno

Techno, Eurodance, Jumpstyle, Deep House, Eurobeat Dance/Electronic, Melodic Synthesiser, Electro-Trance, Immersive, Clear Vocal Female Lead, Future Bass

Killing me softly x code word affair (tooday🤍✌️feat.💚Gnerka)

glittery dark-pop x disco-rock x dreamy art-pop x minimal techno-triphop x symphonic arena-metal

glittery dark-pop x disco-rock x dreamy art-pop x minimal techno-triphop x symphonic arena-metal,late neon romance,confessional verse,tense pre,huge chorus uplift,groove: steady club drive with bar hiccups,drums: kick,crisp snare,shuffling hats,ghost notes,low-end: sub-octave bass plus melodic electric bass co-lead,warm growl,mid clank,slides,harmonics,guitars: clean chorus arpeggios,disco chanks,drop-tuned chug accents,twin-lead flashes,lyrical solo,keys: analog pads,Mellotron haze,bright arps,piano motif,vocoder crumbs,granular glitches answering phrases,cinematic: strings swells,brass hits,choir stabs,plate reverb,noise,vocals: strong female lead,airy falsetto,whisper doubles,stacked harmonies,duet call-and-response,arrangement: smooth transitions,giant drops,energy rises by density,bridge goes epic with metal drums+orchestra,final chorus: gospel backing,handclaps after refrain,last hit leaves suspended unresolved chord,mix: wide stereo,mono infra-sub,tight lows,highs,glossy dynamic

Вечер

gothic trance

gothic trance, hypnotic techno, uplifting major key, Russian folk motifs, gusli ostinato, flute countermelody, bowed psaltery drones, frame drum pulse, choirless chant hooks, filtered analog pads, resonant synth arpeggios, sidechain pumping, 90s rave compression, minor-to-major lift, driving 138 BPM, call-and-response breaks, cinematic build drops, breathless urgency

Позови меня в лето9

powerful male vocals

powerful male vocals, ndie pop, indie folk, jazz, walking bass

Three Kingdoms of the Machine (Drop First)

afro-electronic → techno; 132→134 BPM; D minor; long intro/outro but DROP energy from first vocal entry; single male voice (clear modern tenor

afro-electronic → techno; 132→134 BPM; D minor; long intro/outro but DROP energy from first vocal entry; single male voice (clear modern tenor, Australian tone, fully sung, precise diction); clean mix, no distortion; tight kick, defined sub, wide but controlled stereo

Prie Pour Moi (Disco Mix II)

Ultra deep sub-bass presence

Ultra deep sub-bass presence, Religious Disco-house, Typical production of Stuart Price's work, Strings, Funky House, Groovy, Uplifting, Sexy, Funk Bassline, Disco Guitar, Punchy Kick, Claps, Filtered Synths, Female Vocals, Breathless, Repetitive, Hooky, lush reverb [Long Outro] natural reverb decay, long atmospheric reverb tail, reverb rings out to silence, slow fade to complete silence, extended ambient ending,

Black Tape Hymn

Post-punk darkwave with motorik bass

Post-punk darkwave with motorik bass, tense swung toms, and clipped guitar shards; verse rides a lean bass pulse with sparse drum machine accents, pre-chorus opens into ringing room tone and rising synth grit, chorus hits with gang vocal doubles and a big minor-key hook. Male vocals close-mic and baritone, doubled on key lines with delay throws on the last word. Vinyl crackle, reversed cymbal swells, and a noisy filter lift into each chorus; mix is cold, wide, and punchy, male vocals

Black Invocation

Hardstyle fused with halftime doomstep and glacial witch-house ambience

Hardstyle fused with halftime doomstep and glacial witch-house ambience, dark cinematic tone. Syncopated hardstyle kicks hit over deep sub-bass, verses drop into sparse ritual drums with growled counter vocals and wide negative space. Pre-chorus strips to choir drones, dry handclaps, and a rising whistle motif. Chorus slams with gang shouts, guttural responses, and massive detuned synth stabs. Mid-track piano interlude with soft arpeggios, rubato phrasing, and dynamic build adds contrast. Sound design includes binaural sweeps, reversed swells, metallic rattles, and distant throat chants. Wide, harsh, atmospheric, heavy, choral, downtempo, blackgaze, emo energy.

One Perfect Night

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Hard Dubstep High Energy

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Hard Dubstep High Energy, old school, synthesizer pulsating rhythm, very pulsating and bright pluck melodic, very melodic and danceable rhythm, emotive melody, club atmosphere super realistic, hard Techno kick, pads, bass pulsating rhythm, wide stereo synths, syncopated side chain pumping, punchy snare strong, fills snare, peak-time energy, dropless drive, club-ready anthem super realistic, a very cheerful and positive song

Podaj Dalej W Domu

Polish disco-polo rap with a bouncy midtempo 4-on-the-floor kick and syncopated handclaps; verse rides tight rap pockets over simple synth bass

Polish disco-polo rap with a bouncy midtempo 4-on-the-floor kick and syncopated handclaps; verse rides tight rap pockets over simple synth bass, pre-chorus strips to claps and a pulsing keys loop, chorus hits with bright accordion stabs and group chants. Vocal is close-mic and emotional in verses, doubled on the hook with gang ad-libs and short delay throws. Ear candy: reversed cymbal lifts into the chorus, a toy-keyboard fill between lines, and a final key change lift. Mix is bright, punchy, and intimate with glossy low end., disco polo, rap

Vide Grenier

Cinematic pop with female vocals

Cinematic pop with female vocals, mid-tempo swagger and playful swells; verse rides spare piano, muted hand percussion, and cheeky pizzicato strings, pre-chorus opens into climbing choir pads and rising toms, chorus hits with big orchestral stabs and a chantable hook. Lead vocal is bright, close-mic, and teasing with stacked doubles on punchlines, quick ad-lib throws on the last word of each hook. Add vinyl crackle, a market-bell sparkle, and a swooping riser into each chorus. Mix is wide, glossy, and punchy with a playful film-score sheen., chanson

Sie hielten Welten in der Hand

epic cinematic ballad

epic cinematic ballad, emotional, orchestral, slow build, piano intro, deep strings, powerful drums, male female duet voice, dramatic,, emotional climax, atmospheric, dark but inspiring 70 BPM, minor key, emotional, trailer music, choir in background

От меня ушла жена...

Blues metal with heavy half-time riffing

Blues metal with heavy half-time riffing, swung verse feel, and a gritty hard-rock stomp; verse rides on dirty guitar bends and sparse kick, pre-chorus tightens with snare snaps and rising gang shouts, chorus hits with open power chords and a bluesy lead lick. Rough male vocals with double-tracked choruses, shouted ad-libs, and a few spoken snarls; turnaround fills use slide-guitar screams, cymbal swells, and a low-end push. Mix is thick, punchy, and smoky

DraMMA x COLOVE - Omega (Original Mix)

A high-energy dark trap remix built on a pace

A high-energy dark trap remix built on a pace, anchored by deep 808 bass and crisp percussion, Lo-fi synths weave with cinematic film score textures—swelling strings, dramatic pads—while the beat thumps beneath laid-back, chill rap verses, blending tension and atmosphere with banger swag 808 trap glass flow in male and female duet

Long Shot Crown

modern country pop with traditional country roots emotional male vocals with a slightly raspy tone inspired by country

modern country pop with traditional country roots emotional male vocals with a slightly raspy tone inspired by country, country rock and country, bro-country mid tempo around 95 bpm key of g major strong storytelling anthemic chorus acoustic guitar driven with layered electric guitars pedal steel and subtle banjo build from intimate verses to a powerful stadium style chorus with harmonies clean modern production with punchy drums and deep bass bhaav of struggle perseverance and ultimate triumph dynamic arrangement with a big final chorus and emotional bridge radio ready cinematic uplifting

Job 28 Acoustic

cloud rap

cloud rap, folk rap, 158 BPM, 6/8 pulse, fingerpicked acoustic guitar, brush snare kit, warm electric bass, slide guitar swells, reverb soaked 808s, distorted sub bass, layered vocal counterpoint, stacked harmonies, harmonizer chorus, delayed vocal chops, horn stabs, layered synth drones, analog saturation, foggy low end, cinematic darkness, kinetic chaos

Наталка-Неандерталка (Remix)

mandarin drum and bass

mandarin drum and bass, tribal male voices, tribal drums, didgeridoo, trap dubstep, hardcore shaman voice, experimental, sound effects, melodic trap, powerful male voice, contemporary hip hop