New Songs
Explore songs in New Songs. Listen to a track, open its details, or find an idea for your own music.
Tartaria
Play in French language Extremely psychedelic slow deep soul with a opera element add a erhu and a paixiao translate and play in Mandalorian Chinese
Little WarMachine Hero(리틀워머신 히어로)
Kawaii future bass at 165 BPM collides with drum and bass, hyper-pop, alternative synth-pop, and heavy industrial metal. Toy-like plucks, playful sidechained pads, detuned lead hook, and rubbery bass drive the verses, while robotic vocals, vocoder layers, heavy autotune, distorted guitar, organ stabs, mechanical ticks, stomped war drums, siren FX, and metallic percussion build a heroic anthem.
Choices we Make
Thrash Metal, Native American Folk Instruments, Celtic Folk Instruments, Enhanced Reverb, Choir Backup, Ethereal, bagpipes, Praise and Worship
You're Not Home Again
laid-back sweet whisper female vocal, calm, gentle, whisper, soft, Slow jam, pop-ballad, cinematic, violins, violas, cellos, string basses, Solo 1980s Yamaha DX7 Syn-Lead 3 synth, Yamaha DX7 E, Piano 1 / 2 (INT11/12) synth, Yamaha DX7 Bass 1 / Solid Bass synth, Funk rock, horns stabs and fills, syncopated, polyrhythmic, sub bass, driving bass, groovy rhythm, bongos, timbales, go go bells, use a lot of Sforzando, Studio quality, clean, crisp
Moonlight On Your Skin
R&B trap anthem with double-time male rap cadence at 140 bpm, swung rhythmic bounce, 808 punches, piano stabs, double bass accents, light percussion, and a saxophone lead; verse rides smoky staccato rap with layered ad-libs, pre-chorus strips to piano and breathy doubles, chorus opens with stacked vocals and short hook repeats, bridge drops to sparse drums and raspy spoken lines before the final lift. Reverb-drenched, sultry, gritty, intimate close-mic mix with glossy hook shine., rap, smooth, bounce, strong, rhythmic, light, staccato, soul, seductive, saxophone
Moonlight On Your Skin
R&B trap anthem with double-time male rap cadence at 140 bpm, swung rhythmic bounce, 808 punches, piano stabs, double bass accents, light percussion, and a saxophone lead; verse rides smoky staccato rap with layered ad-libs, pre-chorus strips to piano and breathy doubles, chorus opens with stacked vocals and short hook repeats, bridge drops to sparse drums and raspy spoken lines before the final lift. Reverb-drenched, sultry, gritty, intimate close-mic mix with glossy hook shine., rap, smooth, bounce, strong, rhythmic, light, staccato, soul, seductive, saxophone
Petrichor Circuit
cinematic electronic ambient instrumental, no vocals, flanger piano over geosmin frequency, 50 BPM, the smell of rain on dry earth as sound, Yamaha CS-80 pads of relief and loss, Mellotron strings in the moment before rain, the Blade Runner rain that never stops — was it ever petrichor or only wet concrete, analog warmth of the earth still responding, the body remembering green through smell when all other green is gone, the most ancient signal in a future body
Victims or tiger (english2) by Mankaw kantong
เพลงแบบเอลวิส pop rock sad, male vocals, primitive instruments like buffalo horns and xylophones, sacrificial, tribal melody, confused, and grieving, heavy percussion bass drum
THE ELECTRIC MEATBALL TELEPHONE EXCHANGE
1982 Urban P-Funk, NY Funk, 112 BPM. George Clinton style. Vocal Group Style. Harmony & Adlibs. Thick layered vocals throughout. Deep male lead vocal, low-register funk narrator, dramatic spoken passages, wild ad-libs. Raspy male vocal. Sexy female vocal. Funky female vocal. Male and female chorus ensemble. Heavy call-and-response. Multiple character interactions. Chaotic vocal exchanges. Unexpected vocal interruptions. Operatic group passages. Theatrical funk storytelling. Urban melodic synth atmosphere with heavy P-Funk low-end. Minimoog bass, ARP Odyssey, Prophet-5, OB-Xa, Rhodes, jazz piano, Clavinet, wah guitar, LinnDrum, handclaps, percussion, congas, horns, trumpets, synth brass, digital synth textures. Streetwise NY funk attitude. Unpredictable arrangements. Sudden stops. Spoken sections. Laughter. Screams. Vocal layering. Operatic breakdowns. Heavy groove. Long instrumental passages. Massive ensemble finale.
ZOOM
Seal Nu-disco rawstyle, French house euphoric hardstyle, Grindstyle, Euphoric nu-rawphoric, clean, flac
Grey Depression
dark cinematic electronic ambient instrumental, no vocals, CS-80 deepest bass frequency, 38 BPM, rain as the only constant — never stopping, saxophone so distant it might be memory, neon frequency filtered to grey, the city as the depression itself — vast, lit, empty, never sleeping, analog synthesizer at minimum warmth, Roy Batty knowing he will die at dawn, the most honest metaphor for the grey
Systems Down
Dark progressive folk-rock power ballad, cinematic space-western atmosphere, slow-burning 78 BPM, minor key, deep melodic bass, restrained electric guitar, low ritual drums, sparse piano, distant station ambience, smoky female alto vocal, predatory but vulnerable snow-leopard tone, clipped phrasing opening into emotional lift, intimate verses, anthemic chorus, Starfall Huntress mood, decompression after war, exposed armor, orbital loneliness, hope without softness
Ich bin der Anfang V55_2de_04
male vocals with a bitchy baritone with a mesmerizing wheeze, 90 bpm, russian psaltery, accordion, male bass voice, Russian chanson, hip hop, muted trumped, bass guitar
Copycat Crown
female vocals, hybrid house jazz grunge fusion, rolling and distorted bassline, swung hi-hats, crunchy guitar textures, dreamy electric piano chords, hazy psychedelic pads, loose live-feel drums layered with four-on-the-floor kick, smoky late-night club mood, experimental arrangement with dynamic breakdowns and noisy climaxes, trippy effects and saturated mix, strong groove-driven rhythm section, melodic yet gritty topline
火を始める
chill trap, dark phonk, synthwave, drill hi-hats, 808 sub drops, distorted bass synth, gated snare, tremolo guitar, vocoder harmonies, tape saturation, sidechain pumping, stutter edits, 92 BPM, half-time groove, nocturnal urgency, bilingual hook, breakdown drop
reflection of wrap
Epic shifting rap production at 90 BPM, classic boom-bap core with heavy snare drums, turntables, jazzy horn stabs, punchy 808s, and a driving beat that flips instrumentation by section. Blend trap, cloud rap, R&B rap, Chicago/NY/UK drill, dark R&B, darkwave, UK bass, synth lead, soft synths, and male bass vocals. Sparse bars use silence as a feature.
Grounded and Gone
Alt-pop with punchy four-on-the-floor drums, rubbery bass, and clipped handclaps; verse stays tight and low with a nimble guitar figure, pre-chorus opens into stacked harmonies and filtered risers, chorus lifts with a chantable gang-vocal hook and a bright synth lead. Vocal is intimate and close-mic in verses, doubled and ad-libbed on the hook, with delay throws on the final phrase. Ear candy includes reversed swells, snap fills, and a brief breakdown before the last chorus. Mix is glossy, wide, and clean with a confident edge.
Soe Shul Meed Ya
alternative hip-hop, boom bap, female rap vocals, spoken-word hook, trip-hop breakbeat, 92 BPM, electric piano stabs, dusty drum samples, live bass slides, tape-saturated mix, spring reverb, narrow stereo field, glitch edits, vinyl crackle, anti-hero resolve, digital fatigue, punchy kick-snare, half-time swing
Foxy Lady Turntables
Energetic cosmic EDM pop, female powerhouse vocals with sultry rap verses, heavy turntable scratches and DJ drops, funky basslines, glittering synths, stadium-sized chorus, fox-spirit energy, upbeat dancefloor banger, 128 BPM
6. Light Through the Valley
Female Christian worship vocal, soft emotional voice, male harmony in the chorus, smooth saxophone gently weaving expressive melodic lines, slow tempo around 66 BPM, peaceful piano foundation, warm ambient pads, reverent worship atmosphere, intimate prayerful feeling, cinematic worship production. Include soft acoustic guitar textures, light brushed percussion, subtle strings, and extended saxophone instrumental sections. Mood: calm, reflective, uplifting, spiritually soothing worship ballad.
New Songs prompt ideas
These original examples and answers are in English.