New Songs

Wrong To Right

Industrial Synth-Pop

Industrial Synth-Pop, Dark Wave, 115 BPM, Heavy Analog Synth Bass, Mechanical Stomp Beat, Gritty Distorted Textures, Cinematic Dark Electronic, Haunting Female Vocals, Ethereal to Powerful, Reverb-Drenched, Somber Melancholy, Glitchy Synth Stabs, Experimental Gothic Pop, Transformation Vibe.

La fille sauvage

rap

rap,male voice,smooth voice,ballad,dance,pop-ballad

Merci à vous x Les Pros (Mashup)

chanson

chanson, French vocals, male rap vocals, 78 BPM, half-time groove, brushed snare, muted kick, upright bass, piano arpeggios, nylon-string guitar, accordion drones, close-mic intimacy, room reverb, tape saturation, bittersweet gratitude, late-night reflection, acoustic chanson, spoken-word cadence

“Steelbreaker Rising — Live 1978 (Birmingham)”

STYLE: heavy metal / 70s power metal

STYLE: heavy metal / 70s power metal, live 1978, twin guitars, fast riffs, hammering drums, high and raspy male vocals, raw atmosphere. MOOD: epic, incendiary, sweaty, energetic. INSTRUMENTS: twin‑lead guitars, distorted 70s bass, acoustic drums, 70s metal vocals. No synth, no sax, no modern instruments. LIVE FX: crowd loud Birmingham 1978, saturated microphones, feedback, audience screams. NOTES: (intro with frontman shout “Good evening Birmingham!” + feedback) (chorus with crowd responding) (70s twin‑lead solo) (finale with crowd exploding)

Darkness

Modern hard rock track featuring high-gain distorted electric guitars

Modern hard rock track featuring high-gain distorted electric guitars, aggressive male vocals, and a driving drum kit. The arrangement centers on syncopated power chord riffs and a prominent bass guitar that follows the kick drum patterns. The vocals utilize a gritty, belted delivery in the mid-to-high tenor range, with layered harmonies during the chorus. Lead guitar sections include wah-filtered solos and melodic fills. The drums feature a heavy snare with a short decay and consistent double-kick patterns during high-intensity sections. The track is in 4/4 time at 145 BPM in the key of D minor.

The Last Parasol

80s Italo-Disco Revival

80s Italo-Disco Revival, 118 BPM, Driving Analog Arpeggio Bassline, Bright Tropical Percussion, Lush Orchestral Strings, Warm Prophet Synths, Male Baritone and Female Contralto Duet, Deep Sophisticated Vocals, No Screaming, Catchy "Na Na Na" Sing-along Hook, High Fidelity Summer Anthem, Elegant and Groovy.

Rising Tide

Indie folk-pop track in G major at 84 BPM. The arrangement features a fingerpicked acoustic guitar playing a steady eighth-note pattern. A clean electric guitar provides melodic fills with light chorus and delay. The bass guitar plays melodic

Indie folk-pop track in G major at 84 BPM. The arrangement features a fingerpicked acoustic guitar playing a steady eighth-note pattern. A clean electric guitar provides melodic fills with light chorus and delay. The bass guitar plays melodic, walking lines that emphasize the root and fifth. Percussion consists of a soft kick drum on beats 1 and 3, with a tambourine accenting the backbeat. Mid-range male vocals are delivered with a breathy, intimate tone, occasionally layering into two-part harmonies during the chorus. A bridge section features a blues-influenced electric guitar solo with a slightly overdriven tone and expressive string bends. The track maintains a consistent 4/4 time signature with a relaxed, behind-the-beat rhythmic feel.

LUST of Control - Queen

A slow

A slow, dark neo-classical, industrial metal foundation with a firm, deliberate pulse driven by tight low-gain guitar chugs and steady kick/snare patterns, increasing rhythmic rigidity compared to previous tracks, Solo violin shifts to sustained and controlled phrasing with reduced melodic freedom, reinforcing tension and structure, Clean guitar swells are more restrained and precise, supporting a narrower stereo field, Sub bass remains steady and grounding, locking tightly with the rhythmic foundation, Industrial elements are more defined and consistent with on-grid tick percussion replacing prior irregularity, Spatial processing remains tight with minimal reverb tails to maintain clarity and control, Vocals are clean, direct, and authoritative, with reduced airiness and increased projection, emphasizing precision and dominance in phrasing, Overall, the sound transitions from reactive motion into enforced structure, reflecting psychological control and imposed order

Bloomer - The Antidote(CKremix2)

Djent

Djent, Dark Pop, synth-metal, heavy palm-muted guitars, polyrhythmic riffs, atmospheric synth pads, gated snare, pulsing synth bass, female vocal, clean with pitch processing, ethereal and cold, minor key, 145 BPM, introspective, cyberpunk undertone, verse-chorus structure, explosive chorus, spacious mix

träum weiter

Karibik Stil mit sphärischen Einlagen

Karibik Stil mit sphärischen Einlagen

Like A Pill

disco-pop

disco-pop, Mediterranean disco, 118 BPM, falsetto lead vocal, stacked male harmonies, call-and-response choir, melodic bass guitar, syncopated percussion, four-on-the-floor kick, guitar chops, Minimoog bass doubles, electric piano comping, string stabs, tape saturation, plate reverb, dub delay fills, extended instrumental breaks, bittersweet romance

Bloomer - The Antidote

psychedelic space rock cosmic tremolo ritual breath phaser washed guitars astral pulse reverb drenched harmonies anthemic space chant fuzz halo guitars mellotron choir haze tribal cosmic drums stereo whispers ritual call and response nebula swell pads cosmic lament space tribal fusion wah washed leads hypnotic pulse zero gravity drift delayed whispers cosmic collapse astral dissolve infinite reverb tail warm analog saturation drifting basslines shimmering delay trails starfield ambience slow rising pads cosmic tension and release floating vocal haze ethereal harmonics wide stereo bloom pulsing low end atmospheric grit dreamlike propulsion lunar echo textures weightless transitions immersive cosmic swirl

psychedelic space rock cosmic tremolo ritual breath phaser washed guitars astral pulse reverb drenched harmonies anthemic space chant fuzz halo guitars mellotron choir haze tribal cosmic drums stereo whispers ritual call and response nebula swell pads cosmic lament space tribal fusion wah washed leads hypnotic pulse zero gravity drift delayed whispers cosmic collapse astral dissolve infinite reverb tail warm analog saturation drifting basslines shimmering delay trails starfield ambience slow rising pads cosmic tension and release floating vocal haze ethereal harmonics wide stereo bloom pulsing low end atmospheric grit dreamlike propulsion lunar echo textures weightless transitions immersive cosmic swirl

Midnight woman⚫️

Industrial rock with dark cinematic elements. Distorted electric guitar plays heavy

Industrial rock with dark cinematic elements. Distorted electric guitar plays heavy, palm-muted power chords and syncopated riffs. A deep synth bass provides a gritty low-end texture. Percussion consists of a processed acoustic drum kit with a heavy, gated snare and a thumping kick drum, supplemented by metallic industrial hits and electronic glitches. Female vocals transition between breathy, whispered verses and aggressive, belted choruses with slight distortion and heavy reverb. A cello or low-register string instrument performs dissonant, sliding glissandos during the intro and transitions. The tempo is 90 BPM in 4/4 time, likely in the key of D minor.

King Size Bed

,Very long Instrumental in the intro and in the outro, breathy vocals,Whisper singing,disco sound wave, bass guitar,angelic female voice,violin ethereal sound, orchestral violin, harmonic sound ,a atmospheric sound,80s,soft voice,atmospheric, groovy beat, as a house-influenced track, specifically a fusion of house-pop and modern electronic elements. Percussion: Modern Software, disco elements, house bass, sampling machines,drum machines,Alternative,Industrial,indie electronic, hypnagogic popSynth-pop, Guitar analog melancholia (warm), pastel paranoia, soft core surreal pop, childhood nostalgia mood, neon lullaby pop, indie shoegaze, emotionally distant, foggy, slowed, lo-fi pop that feels animated but lonely, soft bubblegum trap, sad Ethereal Atmosphere, Dreamy Pads, Lullaby-Like Melody, Dark R&B Pop (Sweet Sound), Soft Vocals, Minimal-Ish Production, Intimate Feel, Bedroom Pop – Whispery Delivery

MOON METAL! (Japan/BOTMMC Final)

Eurovision

Eurovision, Live Eurovision, Eurovision live, eurovision performance live, eurovision live performance, eurovision stage live, eurovision stage, eurovision live stage, SO MANY CROWD SINGING, Crowd singalong, loudest crowd, loudest stadium crowd, loudest sound, loudest concert, loudest band, hype crowd, hype, hyped song, super hype, so many crowd, speed metal, german metal, guitarra eléctrica, pirate metal, powerful guitar riffs, groovy bass line, synth rock, electro-acid house, japanese instruments, eurovision, heavy drums, power metal, german metal, doom metal, j rock, black metal, NWOBHM, Powerful, heavy, steampunk, Epic, Adrenaline, Distorted electric guitars, power chord riffs, Clean male tenor, screamed accents, gritty yelled hooks, call and response shouts, fry scream, screamed male vocals, layered vocal doubles, pig squeals

Same B*tch

(style – Dark trap / Memphis-inspired underground rap

(style – Dark trap / Memphis-inspired underground rap, 4/4, ~138 BPM, half-time feel; filthy, nocturnal, suffocating) Start with a warped horror-piano loop or eerie bell melody, vinyl crackle, reversed textures, and a low ambient drone. Drums must hit with blown-out 808s, dry hard snare, sharp hi-hats, fast rolls, and sudden empty gaps that create pressure. Keep the low-end dirty and overwhelming, but leave enough space for the vocal to cut through. Add distorted vocal chops, tape wobble, faint chants, and cold reverb tails. Vocals should feel dead-eyed, bitter, paranoid, and exhausted — low in the verses, harsher and doubled in key lines, with whispered ad-libs around the main take. The mood should be late-night decay, bad habits, empty streets, smoke, ego, self-destruction, and emotional numbness. Raw, ugly, hypnotic, and stylish.

Rozmowa z Aniołem Stróżem

Upbeat feel-good pop song with light acoustic elements. Tempo 95–110 BPM. Bright piano

Upbeat feel-good pop song with light acoustic elements. Tempo 95–110 BPM. Bright piano, soft guitar, light percussion, claps, warm bass. Cheerful, optimistic vibe. Female vocal with playful tone, like talking to a friend. Call-and-response sections (Angel answering softly in background or echo). Atmosphere: relief, gratitude, lightness after emotional struggle. Polish lyrics.

Look Around You - by GVG.Creations

intense synth wave

intense synth wave, color bass, rhythmic, overwhelming, surrounding, peaceful, high, dreamland, 100 BPM, 4/4, E major

Bloomer - The Antidote Remix(afro)

fusion of heavy metal

fusion of heavy metal, afro house, afro techno, ambient and reggae elements, 122 BPM groove, deep bass, tribal percussion, groovy distorted guitars, ambient pads, reggae offbeat rhythm in hook, male vocal with powerful metal tone and reggae melodic phrasing, expressive, dynamic, clean production, hypnotic groove

Stalker of Vodka

russian funk

russian funk