New Songs

Tony, Maafkan Aku

Warm acoustic pop ballad

Warm acoustic pop ballad, female vocals; close-miked guitar and soft piano under tender verses, subtle string swells in the chorus. Build from intimate, almost whispered opening into a soaring emotional hook, then drop back to sparse texture on the bridge before a final, vulnerable chorus with stacked harmonies and gentle reverb tail.

Voyage

Modern Symphony blending cinematic strings and piano with heavy metal guitars and driving drums

Modern Symphony blending cinematic strings and piano with heavy metal guitars and driving drums, cello, sweeping orchestral layers fused with distorted guitars, no synthetic sounds, keep all instruments, sounds, and vocals in proper tone ranges, Male vocal with a nasal, slightly strained Midwestern tone, soft but emotionally tense delivery with flat vowels and a melancholic, angsty alternative rock style similar to Billy Corgan.

Shadow (Live)

Cute Girl Vocal

Cute Girl Vocal, High-pitched Clear and Agile Voice, Crystal Clear Tone, Precise Phrasing, Emotional yet Airy Delivery,Live Recording at Sapporo Dome, Massive Stadium Reverb, Crowd Cheering and Roaring, Professional Soundboard Mix, Immersive Arena Atmosphere,High-Energy Vocaloid-style J-Pop, Fast-paced Digital Rock, Complex Melodic Patterns, Massive Stadium Live Band, Driving Synth Arpeggios

Suavecito

rap

rap, Warm reggaeton groove fused with Latin trap and glossy hip-hop drums; close, intimate male vocals over a sensual piano riff and subtle guitar plucks. Verses ride a percussive, rhythmic flow; chorus opens with wide harmonies and airy backing vocals. 808 low end cushions the beat, with occasional piano fills answering the vocal for a flirty, late-night feel., reggaeton, hip hop

Pray

chill indie pop electropop Pop

chill indie pop electropop Pop, Indie Pop, Electropop style 105 bpm clean electric guitar riff minimalist production soft snaps warm sub bass intimate vocals atmospheric modern pop high fidelity

Psycho Love

New to these Shoes (Side A)

experimental-resonance-pop

experimental-resonance-pop,underground-concrete-acoustics,parking-garage-reverb,concrete-slapback,cavernous-early-reflections,hollow-acoustic-low-end,cavity-bass-bloom,low-mid-resonance,water-jug-thump,swung-plastic-jug-resonance,blown-bottle-tones,bottle-flute-melody,kazoo-buzz-lead,kazoo-recorderlike-phrases,wordless-voice-entrance,light-female-head-voice,clear-youthful-timbre,airy-open-vowels,sparse-vocal-phrases,fragile-melody,restrained-delivery,gradual-percussion-build,object-percussion,foam-tube-thumps,metal-click-accents,spray-hiss-percussion,staccato-breath-bursts,organic-handmade-groove,blunt-soft-transients,dry-attack-long-decay,minimal-arrangement,dense-microtexture,pulse-first-structure,haunting-resonant-intimacy,closemic-roommic-blend,raw-found-sound-orchestration,subterranean-bloom,resonant-air-columns,hollow-vessel-physics,breathy-object-melody,defined-low-end,clean-transient-separation,high-clarity-mix,natural-room-tail,tactile-timing,site-specific-resonance,live-space

2-body say

melodic trance

melodic trance, dj remix, megamix, 132 BPM, breathy lead vocal, stacked choir hooks, octave doubled chorus, sidechain bass pump, sawtooth trance plucks, gated snare rolls, synced delay throws, plate reverb, stereo widening, four-on-the-floor kick, offbeat bassline, bittersweet nostalgia, restless lift melodic trance, dj remix, megamix, 132 BPM, breathy lead vocal, stacked choir hooks, octave doubled chorus, sidechain bass pump, sawtooth trance plucks, gated snare rolls, synced delay throws, plate reverb, stereo widening, four-on-the-floor kick, offbeat bassline, bittersweet nostalgia, restless lift,, reggae pop, electro groove, electro dance

The circle closes (So be it) (V5.5 remastered, own voice)

dark blackgaze with 90s alt rock mix

dark blackgaze with 90s alt rock mix, midtempo pulse, syncopated punchy drums, subtle military-style snare ghost notes and distant marching rolls in background, round melodic bass lines, dense reverb wall-of-sound guitars, layered guitar stacks, dreamy arpeggios in intro, subtle synth flashes, rapsy baritone male lead with grit, occasional falsetto hush for contrast, doubled vocals in choruses, harmonized chorus lift, wide stereo image, swirling modulation effects, tape saturation warmth, dynamic arrangement with strong contrast, near-silent fragile bridge with no drums and minimal elements, slow tension rebuild, expansive final chorus with maximum layering, emotional peak then fragile outro collapse, plate reverb tails, organic humanized timing, cinematic arc, introspective and tense mood, controlled intensity build, breathing space between sections

Lament of the Hidden Order （Instru）

dark fantasy instrumental

dark fantasy instrumental, arcane academy theme, cohesive album sound, deep ambient, low strings, eerie choir, cinematic, mysterious, no vocals, original composition

Permission to Break [PHONK COVER]

fast Phonk rap

fast Phonk rap, dark Memphis phonk, chopped and screwed vocals, lo-fi gritty production, heavy distorted 808 bass, sharp trap drums, hypnotic cowbell rhythms, sampled jazz and funk loops, slow to mid-tempo, eerie atmospheric vibe, distorted pitched-down male rap vocals with triplet flow, raw underground Memphis rap energy, vinyl crackle and tape hiss. Opens with a pounding distorted Breakbeat kicks and glitchy razor snares, bass growling mechanistically, dark phonk cowbell melody, saturated distortion, drive searing FX frenetic breakbeats blend into heavy dark electro amen breaks, indie pop alt-pop midwest emo psychedelic atmosphere fused with experimental minimal riddim and psychedelic bass, in a tight half-time pocket: snare on 3, heavy sub-locked kick, swung breakbeat tops, core groove built on hypnotic half-time cinematic bass + swung polyrhythmic tribal percussion with ghost notes, ferocious grooves, experimental minimal riddim and psychedelic bass

Багровый покой MistyFox & Радио Голос Сети

industrial metal

industrial metal, synthwave, male and female vocals, Electro solo guitar improvisation, fretless bass, cello, synth bass

Falen als mama

Gevoelig kwetsbaar

Gevoelig kwetsbaar

Steel Sovereign of the Night

orchestral choirs

orchestral choirs, dramatic, fast melodic guitars, majestic winter atmosphere, orchestral, dramatic timpani, epic neoclassical heavy metal, soaring strings, metal, virtuosic shred solos, uplifting, soaring, classic, festive yet dark mood, neoclassical, double-bass drumming,, raspy female vocals, female background vocals

THE FEAST OF MARTYRS (Six Word Challange)

Deathstep / Rap Metal / Industrial Metal

Deathstep / Rap Metal / Industrial Metal, ~140 BPM, Heavy halftime drops with sudden silence → impact transitions, Distorted 808s, bass growls, metallic hits, glitch/stutter FX, dark ambient textures, Male vocals: gritty rap, fry screams, gutturals, Female vocals: soft haunting leads → emotional belts, Layered call-response, Raw, human, unstable tone, Themes of inner hunger, mental fracture, pressure building, Modern, wide, aggressive mix

Brand Shoes (Side B)

_

_, _darkcinematictrappop,alternativernb,melodictrap,92bpm,lowbaritone,restrainedstoicdelivery,earnedswagger,punchytrapdrums,hard808s,deepsubbass,monolithicsub,lowendauthority,crisprollinghats,staccatodrums,mutedanalogsynths,coldsynthtextures,industrialedge,clippedguitar,percussivekeys,drycloseopening,intimatefirstverse,sparsetenseintro,minimalreverb,closemicpresence,watchfultension,pressurebuildingprechorus,narrowstereofirstbuild,risinglowendpressure,widerharderchorus,anthemicbutcontrolled,hooklift,controlledrelease,darkertightersecondverse,hardersecondprechorus,firmdoubles,chantdrivensecondarychorus,crowdenergysupport,fullestfinalchorus,widescreensectionlift,strippedhardoutro,leanresolvedfinish,midtempo,streetlitatmosphere,nightdrivepulse,shadowlowend,concretestomp,sternenergy,progressivewidth,subtlerisethenrelease,hardfinalhit,slowburnarc,sectionalbuild,choruswidthlift,understatedpower,smokytextures,tighttransients,rhythmicrigor,measuredintensity,precisedrumprogramming,precisearcflow

Love is a Quality x You're sweet like candy love (Mashup)

Upbeat

Upbeat, feel-good pop-rock anthem with a bright, lively rhythm. Simple, repetitive structure with energetic drums, acoustic and electric guitars, rhythmic clapping, and light synth layers. Medium tempo, major key, with uplifting, singalong melodies and space for vocal chants and “lalala” sections. Inspired by stadium anthems that bring people together with positive, catchy energy and a sense of community.

Neon Riot By Blackthorn Riot

A 80s Glam Metal

A 80s Glam Metal, Sleaze Rock, Sunset Strip Hard Rock, energetic, rebellious, dark neon atmosphere inspired by Faster Pussycats. Vocals should be male powerful gritty tone with attitude in the Style of Taime Downe. Violin aggressive violin strikes, dramatic melodic lines, violin harmonizing with lead Guitar. Bass punchy distorted, Nikki Sixx-style aggressive groove, thick low-end driving the song. Drums heavy rock drum kit big snare hits, driving kick drum, tom fills in the Style of Tommy Lee. Lead Guitar screaming, melodic high-gain leads, occasional dive-bomb bends, harmonized with violin in the Style of Slash. Rhythm Guitar crunchy distorted power chords, sleazy Sunset Strip riffs, palm-muted riffs in the Style of Izzy Stradlin. Mood & Theme : rebellious, wild, electrifying, chaotic, nightlife energy.

Paper sky

Indie folk-pop with psychedelic influences. Acoustic guitar plays a steady eighth-note strumming pattern. Electric bass follows the root notes with a warm

Indie folk-pop with psychedelic influences. Acoustic guitar plays a steady eighth-note strumming pattern. Electric bass follows the root notes with a warm, rounded tone. Drums feature a dry snare and prominent hi-hats, transitioning to a driving backbeat in the choruses. Male lead vocals are doubled and layered with harmonies, utilizing falsetto in the higher registers. A clean electric guitar provides melodic counterpoint with light chorus and delay. Subtle synth pads and a glockenspiel add textural layers. The tempo is 118 BPM in the key of G Major.

Last Hopes - 6

slow art pop

slow art pop, trip hop, jazz rock 70s, solo piano, solo trumpet+mute, guitar strumming, original melody, deep bass riffs, extreme bass, polyphony, heavy drums, space