New Songs

The Night Knows My Name

[dark mystical electronic suite with elegant dangerous energy

[dark mystical electronic suite with elegant dangerous energy, hypnotic downtempo 90 bpm pulse, deep sub-bass drone in D sustained throughout, layered atmospheric synth pads, subtle electronic tribal percussion, evolving arpeggiated synth textures, Gregorian male chant, intimate female whisper vocals, breathy and close-miked phrasing, audible sighs and soft inhalations, nylon guitar with delicate rhythmic arpeggios, electric guitar with reverb-soaked accents and controlled bite, modal harmonic progression from Phrygian to Dorian to Lydian, immersive cathedral reverb, sensual and poised tone, gradual luminous harmonic lift, no EDM drop, continuous structure, long atmospheric fade ending]

Rise through the ruins

Layered male and female vocals

Layered male and female vocals, male falsetto in chorus, whispered intro and outro, soft rock, 80s pop, brass section with trumpets, rhythmic acoustic guitar, warm analog synths, danceable groove, tape-saturated warm mix, 110 BPM

The Old Gods Awaken (Violin Cover)

violin

violin

Encre Fraîche

clean vocals

clean vocals, 2000s rap

Kurenie Uskoryaet~ (v2)

Dark psy rap

Dark psy rap, glitch-core, hyperpop distortion, 90 BPM, sudden tempo shifts, talkative flow, echo spam, autotune glitches, distorted vocal chops, ASMR whispers, opera melody sounds, springy pitch-bend bass, crisp hi-hats, reverse rolls, record scratch cuts, cassette warble, sudden silence drops, basement lo-fi drums, Soviet basement ambience, chaotic structure

ARHI†ΞKTAII-greška je i dokaz da si živ!?

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Progressive Djent Metal

[Is_MAX_MODE: MAX](MAX) [QUALITY: MAX](MAX) [REALISM: MAX](MAX) [REAL_INSTRUMENTS: MAX](MAX) Progressive Djent Metal, 130–160 BPM, 7/8 Polyrhythms, Low-Tuned 8-String Guitars, Tight Palm Mutes, Djent Riffs, Technical Drums, Syncopated Bass, Male Vocals, Gritty, Raspy, Serbian Language

PARTY TIME

1981 Boogie Funk

1981 Boogie Funk, Steve Washington Production, 116 BPM, Heavy Slap Bass, Moog Bass doubling, Tight Dry Drums, 16-beat Funk Guitar Scratch, Prophet-5 Synth Brass, Oberheim OB-Xa Lead, Rhodes Piano with Chorus, Tight Horn Section stabs, Layered Gospel-style Harmonies, Multi-tracked Handclaps, Cowbell, Agogô bells. ​Technical Detail: Deep bottom-end focus, analog warmth, rhythmic precision, dry room acoustics for drums, soaring synth textures.

My Heartbeat -Error Nine (Freestyle Session)

Freestyle Rap

Freestyle Rap, Soft, minimalist piano, emotional, cute female android vocals, glitch aesthetic, bittersweet but hopeful, glitch beats, minimalist electro pop beat female android voice, soft and intimate in verses, ambient intro, heavy glitch FX, deep synth bass, shimmering pads, soft chorus, soft breakdown bridge, emotional final chorus

Parce que tu pars

French Indie Pop with a blend of electronic and acoustic elements. The track features a breathy

French Indie Pop with a blend of electronic and acoustic elements. The track features a breathy, melodic female vocal with light reverb. Instrumentation includes a syncopated, muted electric guitar riff, a deep sub-bass synth, and a steady electronic drum kit with a crisp snare and tight hi-hats. A prominent, sustained synth pad provides harmonic texture in the background. The arrangement uses a rhythmic, percussive acoustic guitar strumming pattern during the chorus. The tempo is 105 BPM in the key of G minor. The production is clean with a focus on vocal clarity and a modern, polished low-end.

Electric Silk Riot (instrumental)

hybrid rock koto edm instrumental

hybrid rock koto edm instrumental, radio hit energy, festival mainstage impact, cinematic intro, aggressive live drums, distorted electric guitars, virtuosic koto melodies, massive sidechained synth bass, punchy electronic drop, female vocal chops used as texture only, high tension build, explosive chorus energy, modern premium production, ultra catchy lead motif, wide stereo image, high contrast dynamics, polished commercial mix, emotional and powerful, around one hundred thirty bpm, designed for maximum payoff

me casé con un guapo cowboy

country clásico mucho banjo female vocal

country clásico mucho banjo female vocal

Rising Sun (Zipangu2026 Ⅱ)

Calm

Calm,quiet,tranquility,gentle,archaic,ancient,divine,profound,subtle,transparency,adagio,BPM=30,strings have to play to the end of note, Multiple layered and divided Strings ensemble,layered strings of high register, strings move with slow crescendos and ends that melodies at the bottom of decrescendos in ppp,tonal,this piece, consisting of repetitions of slow crescendos and slow decrescendos by strings ensemble and high registered strings.such moves have to be played continuously,crescendos have to start from ppp,then it rises slowly about 2 measures toward the top notes played with mf,then strings ensemble starts to play 2 measures of decrescendos slowly toward to the bottom notes which are played in ppp,keep such “waving”shape strictly, Layered strings ensemble have to assemble precise and beautiful harmonies, Layered high registered strings have to move with strings ensemble with same move, harp have to move with strings ensemble by playing soft,additional brass ensemble,

The promise that the rain left me"Anime Live Acoustic"

Genre: anime ending live acoustic

Genre: anime ending live acoustic, sad mellow pop Vocals: emotional female J-pop voice, fragile, breathy, close-mic; Japanese romaji whispers Instruments: clean piano, soft pads, light strings, subtle live room reverb; gentle claps; airy percussion; live guitar solo; final chorus with high harmonies + ad-libs Live: small studio live, intimate audience, soft applause, breathy mic, warm room tone Structure: intro; verse; pre; chorus; chorus 2; guitar solo; bridge piano+strings; final chorus with ad-libs Mood: sad, melancholic, anime ending, cathartic Weirdness: 3 Influence Style: 58% J-pop Anime Ending, 32% J-ballad Live, 10% Acoustic Pop Solo: clean electric guitar, light tremolo, short delay, melodic phrasing, long notes, anime ending live style Text summary: promise in the rain, memory, loss, light in the dark, emotional ending Lyrics: use the romaji anime-ending version

You’re already too drunk (Mashup)

Чернь подземелья

Dark Underground Hip-Hop

Dark Underground Hip-Hop, Old Church Slavonic Vocals, Heavy Distorted Bass, Ancient Psaltery, Orchestral Strings, 85 BPM.

Soy de ella... de Francisco Carrillo

Alternative rock

Alternative rock, neo country, passionate voice, pizzicato opening of violin and cello, electric guitar music, tambourine, poetic and atmospheric pop, sweet melody of violins, austinate cello, didgeridoo music, cheerful rhythm reverb and melodic bass of tuba,

Ashen Overture

melancholic heavy metal epic

melancholic heavy metal epic, dark heroic hard rock, occult gothic shimmer, progressive cosmic suite atmosphere, hypnotic late-60s psychedelic ritual haze, microtonal math-rock accents, bass-forward power with warm low-mid growl and bright clank, galloping riffs, dramatic palm-muted chugs, twin-lead harmonies, lyrical sustained solos, liquid wah cries, cathedral organ thunder, Hammond fire, Mellotron mist, grand piano sorrow, haunting synth arpeggios, dreamlike verses, towering choruses, bittersweet longing, tragic romance, midnight battle aura, smoky baritone to soaring tenor, ghostly female harmonies, layered choirs, thunderous double-kick drums, rolling tom storms, spacious tape echo, moonlit reverb trails, widescreen cinematic lift, mystical starlit atmosphere, silver dawn hope through darkness, emotional storytelling, polished yet organic production, neon tears, ritual fire, final skybound crescendo, heroic despair, celestial afterglow, iron heart, chrome skyline, endless midnight

Gotta Lotta (Orchestral Rock Mix)

Christian Rock

Christian Rock, Christian Pop, male vocal, guitar, bass, drum, melodic, catchy song, clear words, enunciate each word, anthemic, guitar solo, guitar whammy bar, heavy drums, drumming with chops and cymbals, building tension until anthemic choruses, even cadence and rhythm, smooth vocals, rock, groovy beat, 4/4 time, pop rock, even pace, not too fast, lively, alternative rock, emotional lyrics, pop rock, slightly slower tempo bridge, full orchestral accompaniment with soaring violins, deep cellos, warm brass, heroic french horns, bold trombones, cinematic percussion, timpani hits, rising string ostinatos, lush pads, dramatic crescendos, sweeping orchestral swells supporting the guitars, epic trailer‑style energy blended with modern Christian rock, dynamic builds, powerful climaxes, rich harmonic layers, immersive atmosphere, uplifting and inspiring, cohesive fusion of rock band and orchestra.

Milchgedicht 🥛

Turntablism Hip-Hop

Turntablism Hip-Hop, 1990s Era | Mid 40s German Female Rap Vocals, deep raspy chest resonance, smoky dry tone, spoken-word rap delivery, zero melodic contour, heavy behind-the-beat pocket, vinyl-crushed articulation, percussive consonant attack, minimal breath leakage, courtroom narration cadence, commanding declarative posture | 92 BPM, E minor | Dusty Sub Bass hits with muted sustain, chopped Rhodes stabs, minimal boom bap drum kit, sharp vinyl scratches, tape hiss ambience, restrained rhythmic spacing, dark stripped-down underground mix, no melodic hooks, speech-driven arrangement

ISLAND OF STRANGERS

UK conscious hip-hop

UK conscious hip-hop, grime, underground UK rap, fury, melancholic, forensic grief, intimate, 92bpm, British male vocals, deep sub bass, sparse trap snare, scratch, clockwork hi-hats