New Songs

They Live, We See

A late 80's Progressive Rock track with an 80's Rock Vibe

A late 80's Progressive Rock track with an 80's Rock Vibe, Acoustic Guitars, Sweeping Symphony Elements, Pan Flutes and Horns. The vocal style is a warm, expressive tenor with a smooth, introspective tone and gentle vibrato, It blends soft, reflective phrasing with clear melodic strength, rising into emotional, well-controlled highs without losing its calm, mystical quality, The delivery feels thoughtful and atmospheric—part storytelling, part soulful yearning—creating a dreamy, almost spiritual mood.

Нужное подчеркнуть

raspy female vocals

raspy female vocals

Chant d’Hirondelles par X

bachata

bachata, voix féminine, voix masculine, voix mixte

Le dernier baiser de l'été

male voice

male voice, piano-voix, piano, acoustic, nostalgico, piano atmosphérique, maison minimaliste, transitions fluides, passionné, chanter, sifflement, instrumental, tin whistle, profondément émotionnel, refrains accrocheurs, harmonium

Shadows on the Old Road (cover&mashup)

Southwestern desert-folk ballad mixed with Indie Art Rock

Southwestern desert-folk ballad mixed with Indie Art Rock, Warm acoustic guitars open with fingerpicked patterns, joined by brushed drums and steady upright bass, crafting a relaxed mid-tempo groove. Tremolo electric guitar and subtle slide guitar weave in atmospheric layers. Mariachi-style trumpets punctuate each chorus, while cinematic textures—gentle auxiliary percussion, sparse organ swells—evoke western desert vistas. The arrangement remains spacious, allowing intimate storytelling vocals to guide the reflective mood, all dusted with windswept ambience.

MANNERS

MeowMix

Dark Appalachian Rock at breakneck tempo

Dark Appalachian Rock at breakneck tempo, frantic banjo rolls, sawmill-tuned fiddle and violin in unison, overdriven electric guitars, and a driving kick-snare backbeat. Raw upright bass or distorted low end, pounding toms, pick scrapes, and dense bluegrass-to-stoner-rock texture with hairline reverb and abrupt stop-start accents.

余熱。

Genre: [Emotional Ballad

Genre: [Emotional Ballad, Cinematic Neo-Soul, Dark Orchestral Pop, Atmospheric Acoustic J-Pop]. BPM/Key: [76 BPM / G Major]. AUDIO QUALITY: [Ultra-high fidelity studio recording, deep dynamic range, crystal clear spatial imaging, warm vintage analog warmth]. CHORDS: [Gmaj9, D/F#, Em11, Cmaj9, B7alt, Em9, Am11, D13(b9), G/B]. VOCAL: Female solo. [Vocal Style: Deep husky and breathy texture, intimate whisper delivery in Verses, powerful emotional projection in Chorus, sophisticated vibrato, airy high-notes, haunting emotional resonance]. SOUND DESIGN: [Main: Intimate felt piano with mechanical hammer noise, weeping cinematic solo strings], [Sub-bass: Warm organic low-end rumble], [Texture: Distant wind chimes, soft analog tape hiss, melancholic vinyl crackle], [Reverb: Lush cathedral echo for emotional depth]. ARRANGEMENT: [Minimalist piano start, building strings, intense Chorus explosion, Sudden Stop before bridge].

The Queen I Can’t Afford!

ska‑punk / russian punk

ska‑punk / russian punk, [male and female vocals by role, male, female] male vocals with backing choir, prominent accordion and electric guitar, fast tempo 160 BPM, ironic and defiant mood, influences: Leningrad, Distemper

The blink that swallowed me

psychedelic downtempo

psychedelic downtempo, slow electronic, 80 BPM, syncopated swing, dark technical dubstep, male vocals, technical rap, conversational delivery, sparse drum bed, wobbly sub-bass, liquid acid lines, warped wavetable synths, granular pads, tape delay, sidechain compression, parallel compression, wide stereo field, surreal introspection

The Ghost House

Dark

Dark, ambient, ethereal, soaring metal, choirs, female, female duet,

Time with you

minimal techno

minimal techno, organic house, steel drum ostinato, prepared piano motifs, modular bass pulses, hand percussion grid, brushed snare accents, dub delay tails, analog saturation, vinyl crackle, 92 BPM, restrained groove, quiet-loud dynamics, sparse arrangement, nocturnal warmth, ritual repetition

Нужное подчеркнуть1

raspy female vocals

raspy female vocals

Losing Myself

organic minimal with subtle electro undercurrent

organic minimal with subtle electro undercurrent, non-genre, no techno, no edm, no pop, no schlager, irregular phrasing, emotional flow driven by breath, deep soft sub, very light electronic pulse for movement, female vocal (black woman), intimate, expressive, controlled but releasing, clean modern production, immersive and physical vacuum transitions used as tension pull (not dramatic), subtle electro pulse underneath (soft and warm), organic percussive ticks, deep sub pressure, breath textures central, one grounded удар impact at release, no aggressive drops, no harsh synths, everything minimal, emotional and controlled

Never Enough

2000s grunge

2000s grunge, cello

Childhood House

Progressive goa

Progressive goa, trance, dream dance, tight drums, well produced, urban music, electronic, complex rhythm, synth, roots reggae, 3d sound, synth plucked

Cold lights

psytrance

psytrance, space trance, 132 BPM, Japanese spoken word, female vocal chops, vocoder harmonies, modular synth arpeggios, hard Hard psychadelic trance, japanese beatbox FX, detuned rave stabs, distorted 909 kick, syncopated sub-bass, gated snare reverb, analog delay throws, tape saturation, dark revelation, accelerating build, halftime breakdown, widescreen synth pads

Bass i asfalt

Polish rap / trap

Polish rap / trap, male vocals, deep voice, heavy bass, car anthem, night drive vibe, dark атмосферic beat, strong 808s, clean production, modern hip-hop, emotional but confident delivery, catchy hook, cinematic feel, 120-140 BPM

The Secret Garden Wasn't There

Indie pop with a lo-fi aesthetic. The track features a clean electric guitar playing a syncopated

Indie pop with a lo-fi aesthetic. The track features a clean electric guitar playing a syncopated, palm-muted rhythmic pattern with a slight chorus effect. A warm, analog-style synth bass follows the root notes of the guitar progression. The drum kit consists of a dry, tight snare and a rounded kick drum. A secondary electric guitar enters with a melodic lead line using a bright, slightly overdriven tone. The tempo is 105 BPM in the key of G Major. The arrangement is sparse, focusing on the interplay between the rhythmic guitar and the melodic lead.

MAGIC’S WAND

1984 Electro-Funk

1984 Electro-Funk, Sophisticated Synth Hip-Hop, Experimental Electro-Rap, Heavy TR-808, Deep Minimoog bass, Arpeggiated Juno-106, ARP 2600 SFX, Lush Roland Jupiter-8 pads, Melodic Oberheim OB-Xa leads, Ethereal Female Vocal Harmonies, Dramatic dynamic shifts, 112 BPM.